2. TORTUE
S
Le Cantm,al des Animaux C
Andante maestoso 41 1
{\IILLE S.{I\T-SJ (i835 - t9tl r
46
-o
410
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3. Roses
WALTZ
from the South (Op.3SS) JOHANN STRAU (1825 _ ee)
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1. CANON ON 'FRERE JACQUES. 51,nrp
hony
I
i\Iarcia funebre arco
2
4
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ry
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pizz.
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9
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e.4
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42
a
First Position or S
econd
D eg re e
f,
7. ODE TO JOY Symphony 9 'The Choral' L.van BEETHOVEN (r770 - rs27)
Allegro assai 4
cresc.
sub.p
8.
DRINK TO ME ONLY
ENGLISH AIR (17
th cent.)
ry g. PILGRIMS' MARCH Symphony 4 'The Italian'
FELIX MENDELSSOHN
- 47) ?r
(180e
Andante con moto V 1
1
-
=:-
10. MINTJE,T I2 Duets for two
Allegretto
Basset Horns ( K.487 )
W.A. MOZART (t7s6 - e1)
1I. MINUE,T Aires and Dances
JOH\ ECC L (16ttt .-:
Allegretto
o1
4a
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f
-
12.THE TROUT Varintion 3: Piano Quintet (Op.1I4)
FRANZ SCHL
Antlantino
(179-
V
\_; 4
Í
-
p
-
- . 'l'
BE I
Second Position or
Third
Degree
13.
lc ,Gil
c
f
cfl
ffi
bf
A
d
)g
c'
bb
ANDANTE CANTABILE.
String Quartet I (Op.I l ) P.I. TCHAIKOVSKY The notes in Bar I should be taken in Second Position and slurred across the string. (1840 -93) To help produce a fine legato sound, press the Íïngers for both notes firmly down together. 4
:=:-
mf
-
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T4. LULLABY Op.49 No.4
JOHANNES BRAHMS (1833
Andante
rnf
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I5. MARCH Judas .l'laccabaeus
G.F. HANDEL (r68s rlse)
-
)Iaestoso
tnf
f-
ry @
rnf
16.
NOW IS THE, MONTH OF MAYING THOMAS MORLEY (1ss7
@?.. mf
fepeat
p)
-
1603)
-
l_l
17. OLD TRENCH SONG Album for the l"ourtg
]Ioderato
P.I. TCHAIKOVSKY (1840
L?
- e3)
mf
@;_@1 aC><-
n
21
-
-
18. BERCEUSE
-
Dolly Sufte (Op.56) The notes c' and d' in bars 13 and 14 introduce a new 'shift' into Third Position.
Allegretto moderato
GABRIEL FAURE
l4
V
V
@,^\ril@4
!o
t4
-
-p
(184s
V
-
ilo
te24)
.-
Third Position or
Fifth Degree 27.
MY HEART E.VE,R FAITHF'TJL Cantata 68 J.S. BACH (168s - l7s0)
)Ioderato \/
@í
Y
1
22. LARGO Symphony 9 'From the New
llorld'
ANToNTN (184r
In this, originally a solo for Cor Anglais, play the noter
.[l
as
kgato
as possible.
t-----l
a-a ^-,
p-
/.
-
T
,^o ]\-
nvonÁr
- 1eo4)
4
13
23. MARCH Scipio
&ie tlt.
same
rhythm is played sÍaccato
.n . with
the notes 'hooked' together in
i
G.F. HANDEL (r68s - Lts9) one bow.
,^@4
fr!
,aa
mf
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24.
ANDANTINO Symphony 4 P.I. TCHAIKOVSKY (1840
-1
-
-e3)
]5. ANDA\
TE
í'ariarion ó: Rococo l.aiarions t t)p.3 3 I
P.I. TCH.{IKOVSK'
@a ,^ls
4
(18.10
-
93)
-\
-_ @1 -. ---_
f 26. J I.JPITE,R The Planets
Andante maestoso
GUSTAV HOLST
@4(^
(1874
rnJf
rnf
-
1e34)
15
27. THE.
GIFT TO BE SIMPLE SHAKER SONG (19th cent.)
Allegro moderato
cnf
4^@
rnJf
ï-.:
T-t' I
28. WHE,RE'ER
YOU WALK
Semele
G.F. HANDEL
The notes e' and dr in bars 26-27 introduce a new 'shift' into Fourth Position.
(168s
Largo
p
ry ,nJf a
f
-
-
17s9)
)Ioderato
]9. JESU. JOY OF MAN'S DESIRING Cantara
i, q
2
I47
@
3h Position or S
AndantlZ
ixth
Deg ree
30. t GREEN
4'z- ,V
ilk,,__ i
SLE,E.VE,S
19
Fourth Position or
Seventh Degree
i
,f
-/l'
34. SHEEP j
I
\\
MAY SAFE,LY GRAZE Cantata 208
\,_r,_ ''' " "'r."é
Andante pastorale
o
3
r\ ^4
,-.4 r\
@í
p o
/-
3
rall. ,-ar2
oo 33
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37.
RONDO ALL'ONGARESE Piano Trio in G
A preparatory exercise: double,stopping in thirds.
JOSEPH HAYDN (1732
-
180e)
The opening bars are fingered in some detail, both to introduce the notes e' and c' in Fifth Position, and to show the value of playing the notes across the string in thirds. See also l{o.45, bars l2-16, in Sixth Positiort.
Presto
ry
f"
f"
-f ry
.).)
Fifth Position or E
ighth Degree
38. INTtrRMEZZO Cavalleria Rusticana
The a' harmonic in bar 23 can be played with the
Andante sostenuto
I
st Finger in Fourth position.
PIETRO MASCAGI (1863 - te4s)
9t@ -_
l@-_---.r
f
---
p
m
pp
orend o
39. TOREADOR'S SONG Carmen: Act
AllegroA moderato
Z}
2 No.I4
GEORGES BIZET (1838 __ 7s)
mq
n
mf
9-
e
p l,'@ I
V
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2+ The
lnna
lÍagdalena .\-otebook
Allegretto
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