from Dream Theater - The Astonishing
A Better Life Music by John Petrucci and Jordan Rudess Lyrics by John Petrucci
Intro Moderately slow q = 76
* Em
(Sound effects) 10 sec.
Cmaj7/E
D/E
B
f
2
2 2 0
3
2
3
5
Bm
2
Bm/E
F
C
C
Bsus4
lead - er
2 2 0
2 2 0
2 2 0
of
2 2 0
the
4
7
7
5 3
semi-P.H.
Ra - ven - skill mi - li
5 3
semi-P.H. heavy P.M.
fear - less
heavy P.M.
2 2 0
F#m
1. As **Gtr. 1 (dist.)
Em
*Chord symbols reflect overall harmony.
Bm/E
Em
Verse Em
µ
Cmaj7/E
Am
Bm/E
(Piano & violin)
5 3
-
5 3
tia,
5 3
5 5
5 3
5 5
**Doubled throughout
Em
the
blood
of
war
2 2 0
Em
My
broth - er’s
heavy P.M.
2 2 0
2 2 0
2 2 0
2 2 0
4
gift
re - mains
2 2 0
2 2 0
2 2 0
7
flows
steady gliss.
semi-P.H.
14
7
ri - ors
2 2 0
2 2 0
2 2 0
2 2 0
-
heavy P.M.
Am
through
-
2 2 0
se
4 2
-
cret
semi-P.H.
4
7
heavy P.M.
7
5 3
out
my
veins.
P.M.
0
my
C
Dadd9
5 3
5 3
5 2 0
3 2 0 0
0 0 0
4 2
B5
am - mu - ni
-
tion.
5 3
5 3
5 3
0 0 0
© 2016 WB MUSIC CORP., YTSE JAMS, INC., WARNER-TAMERLANE PUBLISHING CORP. and KEY WIZ MUSIC All Rights for YTSE JAMS, INC. Administered by WB MUSIC CORP. All Rights for KEY WIZ MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved Used by Permission
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4 4 2 2
1
Em
It
is
our
hope,
2 2 0
2 2 0
Pre-Chorus Am
fires
2 2 0
AsusÊ
of
rev
P.M.
2 2 0
2 2 0
o
per - il - ous
road
to
P.M.
2 2 0
4 2
Verse Em
5 2 0
0
2. For
man - y
heavy P.M.
2 2 0
2 2 0
2 2 0
-
lu
7
cat - a - lyst
3 2 0 0
2 3 2 0 0
free
Cadd9
-
dom,
he’s
0 0
3
3 3
let ring
5 5 3
with
-
in
my
0
2
years
I’ve
2 2 0
2 2 0
seen
DsusÊ
our
one
and
on
7 7 5
8 7 7 5
C
our
peo
2 0
-
-
this
starve
4 5
4 5
5
7
5 3
5 3
5 3
0 0 0
5 5
ly
guide.
0 0 0
7 7 7 5
7 7 7 5
7 7 7 5
0 0 0
and suf
-
fer.
8va
heavy P.M.
7
5 5
D
semi-P.H.
4
P.M.
8 7 7 5
ple
Dadd11
On
8 7 7 5
0 0 0
eyes.
2 3 2 0
3 3 2 0
the
0 0
2
3 3
0 0 0
D
Still
3 3 2 0
burn
D
change.
D/F#
tion
Cmaj7sus2
P.M.
15
Dadd11
for
0 0
2 2 0
7
4
-
a
steady gliss.
semi-P.H.
0 0 0
Am
G6
0 0 0 0
4 2 0
0
-
2 2 0
2 2 0
D
pride,
heavy P.M.
2 2 0
our
5 3
5 3
5 3
semiP.H. P.H.
5
3
Pitch: G
2
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Em
How man
loco
-
y
more
heavy P.M.
2 2 0
2 2 0
2 2 0
2 2 0
Em
They
ask
me, “Ar
2 2 0
The
Pre-Chorus Am
fires
2 2 0
an
-
sur - prise,
of
4
rev
-
o
2 2 0
-
lu
P.M.
5 2 0
0 0 0
G6
-
we
stand
2 2 0
4 2
C
0 0 0 0
4
5 3
steady gliss.
15
fight?
4 2
0 0 0
3 2 0 0
-
5 3
Dadd11
bet
your
2 3 2 0
D/F#
won’t
burn
D
for
ev - er
-
3 3 2 0
-
semi-P.H. P.M.
2
2
0
0
0 0 0
Dadd11
more.
I
P.M.
4 5
4 5
5
2 3 2 0
0 0
the
D
Now
3 3 2 0
P.M.
0
4 4 2
5 3
life!”
er?”
5 3
you
B5
5 3
3 2 0
0
and
P.M.
7
an - y tough
7
5 3
“Yes,
tion
be
Dadd9
5 2 0
0
D
semi-P.H.
P.M.
7
no
Am(addÅ)
fore
14
7
semi-P.H. heavy P.M.
2 2 0
2 2 0
-
could things
2 2 0
2 2 0
0
hys,
be
steady gliss.
swer’s
2 2 0
4 2
7
4
heavy P.M.
2 2 0
semi-P.H.
2 2 0
2 2 0
-
2 2 0
2 2 0
Em
heavy P.M.
2 2 0
2 2 0
die
will
Am
5 5
see
5 5
0 0 0
3
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Am
in
our
lib - er - ty
P.M.
2 2 0
0
Chorus Em
5 2 0
all
and
it’s
one
ture,
3
3 3
long
for
Cmaj7
a
bet - ter
9 7
7 5
5 3
4 2
This
G/B
is
the
mo
like
a
2
2 0
3
ment,
ing
for.
8 7 7 5
8 7 7 5
7 7 7 5
7 7 5
7 7 5
Cmaj7/G
that can’t
C
now
is
the
7 7 7 5
dream
0 0 0
D/F#
be
2
-
Csus2
-
8 7 7 5
fight
de
-
nied.
5 5 3 3
7 7 5 5
D
D/A
7 7 5
life,
Am
Dadd9
worth
Em
0 0 0
Bm
3 3
D
We
-
5 5 3
DsusÊ
let ring
5 2 0
2 0
Cadd9
fu
P.M.
4 2 0
0
Cmaj7sus2
time.
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. 2 0
0
0
0
0
2 0
0
0
0
0
5 2
2
2
2
5 2
2
2
2
2
2
5 3
2
3
3
3
5 3
3
3
3
3
3
7 5
5
5
5
7 5
5
5
5
5
5
Guitar Solo
Badd11
Gtr. 1 tacet
Am
F/A
Free - dom if we live or if we die.
Gtr. 2 (dist.)
f
1/2
*w/ delay
2
3
2
3
2
3
2
3
4 4 2
G/A
F/A
Bsus4
0
7
7
9
10
9
10
13
12
12
5
7
5
12
3
5
*Stereo delay set for 400 ms & 650 ms regeneration, w/ multiple decaying repeats.
4
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7
9
7
5
semi-P.H. w/ bar
4
2
-6
Am
w/ bar
0
0
F/A
7
7
9
10
9
12
10
13
18
G 8va
F
loco
1
17
Fsus2
20
20
6
22
17 19
20
3
17 20 17
20
17
20 17
20
17
20 19 17 19 20
-2
loco
Am
G
8va
5
19
19
14 15
14 16
17 15 12 13
10
15
12
14
12
15
16
13
17
17 16 19
19 15
17
12
12
12
15 19 17 13
16 14 16
15
Fmaj7/A
P.M.
12
5
7
5
12
14
T
12
14 12
9
9
10
12 16 12
9
10
9
3
G6
Em
13
8va
w/ bar
17
12 15 19 15 12
5
loco
17
T
15 19 20 19 15
15 17
6
Fmaj7
5
6 T
Dm
12
5
7
4
5
17
17
13
13
13
15
17
Am/C
grad. release 1
5
7
13 17
1/2
7
7
Fmaj7
6
5
5
7
14
12
14
12
13
15
Bsus4
8va
12
14
3
12
12
12 15
19 15
17
16 16
3
17
15 19
3
1/2 19
19 19
17
15
19
19
6
6
16
17
14 19 14 17 14
17
14
6
16 17
14 17 14
16
19 14
17
5
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Bridge Gtr. 2 tacet
B
8va
16
16
Em
11
19
19
20
vow
to my
dy
Bm/E
swore this
19
Em/G
shall
give
him
a
bet
D/E
D/E
-
ter
life.
Am
I
-
ing
Em/G
wife,
D/F#
sure
she would not
mean - ing in
my
mp
Fmaj7
life
Peace - ful - ly,
Dm/A
was
born
sur - vive.
The
D
A
slipped a - way.
Gtr. 1
Cmaj7/E
23
Cmaj7/E
Bm/E
I
23
Em
that
she
day.
And
0
0
0
0
0
P.M.
0
G/B
so
I
found
the
2
2
2
* P.M.
2
strength
to
0
car
-
CsusÊ
ry
on
2
2
2
2
0
0
C
0
this
cru
Am
with
0
0
Bb
-
sade.
f
5 3
2 0
3 1
It
0
0
0
is
my
Bbadd#4 sus2
0
Bb5
3
15
0
*Grad. lift P.M.
E/G#
fate.
semi-P.H. 4
Outro Am
E
1
2 2 0
9 7 0
F/A
E - van
-
ge - line,
P.M.
0
0
you
G/A
lived
a
pain.
P.M.
10 7
0
F/A
life
of
mis - er - y
P.M.
7 5
0
0
6
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
5 3
and
3
2
F/A
E - van
-
ge - line,
I’ll
2 0
still
5 5 3
3 3 1
Fm/Ab
bleeds.
I
1
3
7 7 5
4
I
G6
will car
-
ry
on
to plant
life
to
4
3
3
set
Aadd9
3
0 0 6 7 7 5
7 7 5
Gm
E - van
-
ge - line,
my
0
1
5 5 3
Em
him
5
7
free.
And
0
2
2
3
0
Bbmaj7
I
5 5 3
3 3 1
my
the seeds.
vain.
C/G
3
in
C/E
ded - i - cate
your mem - ’ry die
Fadd9
heart
Am
heav - y
0 0 0
let
F
Bb/F
10 7
0
Fsus2
nev - er
P.M.
G
Am
prom - ise
Am/C
in
the name
0 0 0
of our
new
3 1
0 0 0
3
Half-time feel
D
son,
let ring
3 3 2
2 3 2
this
bat
-
tle
won’t be
Am
rit.
o
0 0 0
2 0
3 1
rit.
-
ver
D
un - til
won.
it’s
3 2 0 0
3 2 0 0
Bbmaj7
Dadd11 D
7
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
from Dream Theater - The Astonishing
A Life Left Behind Music by John Petrucci and Jordan Rudess Lyrics by John Petrucci
Intro Moderately fast q = 165 ** µ(Em7) Riff A *Gtr. 1 (acous.)
mp slight P.M. 0
0
2
0
2
3
0
2
0
2
4
0
2
4
3
2
0
2
0
0
4
2
0
4
0
3
*Doubled throughout **Chord symbols reflect overall harmony.
slight P.M. End Riff A
0
0
2
0
2
3
0
2
Em(add9)
2
4
0
0
2
2
4
3
µ(Em7)
0
2
0
0
4
2
0
2
0
3
0
Gtr. 1: w/ Riff A (1 1/2 times)
Em
D
Em
slight P.M.
0
2
3
2
0
D
D
Gtr. 1
D A
A
Em
Em
Em
Em
D
Em
D
let ring 0
2
4
2
0
Em
D/G
D A
Em
D
D
2 2 0
Em
D A
Em
D
X
3 3 0 0 X 3
A
0
D
X
3 3 0 0 X 3
Gsus2
© 2016 WB MUSIC CORP., YTSE JAMS, INC., WARNER-TAMERLANE PUBLISHING CORP. and KEY WIZ MUSIC All Rights for YTSE JAMS, INC. Administered by WB MUSIC CORP. All Rights for KEY WIZ MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved Used by Permission
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
D/G
1
slight P.M.
Em
D
G/D
Am
Em
G
0
0
7
0
7
8
0
7
0
7
9
0
7
8
7
9
0
D
7
0
0
9
D#º7/C
7
0
9
0
8
slight P.M.
Em
D
G/D
Am
G
0
0
7
7
8
0
Em
0
7
D/E
Em
7
D/E A/E
Em
A/E
0
Em
7
0
0
9
D/E
7 7
7
0
7
Em
8 9 9
8
D/E
12 12
10 11
0
7 7 7
Em9
Em7/F#
G
Em9/A
G/B
F#m/C#
mf 10
10 9 11
8 9 9
5 6 7
9
7 7 7
8
7
D/E
5 6 7
7 7 7
8 9 9
7 7 7
9
0
D/E A/E
8 9 9
7
Em
7 7 7
8 9 9
0
D
7
8
9
7
8
7
5
3
7
5
7
4
5
6
4
5
7
5
4
Gtr. 1 tacet
Gtr. 1
D Em F#m G
7
0
Gtrs. 2 & 3 (elec.)
D Em F#m G
2
5
3
0
2
µ(A)
3
Gsus2
5
f
w/ dist.
5
7
4
5
7
4
7
5
4
5
7
4
2
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5
5 3
µ(A)
Dsus2
A/C#
Em/G
A5
Gtrs. 2 & 3
6
5
7
5
4
7
4
7
6
5
7
9 7
9
5
G5
µ(A)
4
5
7
4
4
7
5 3
5
7
µ(A)
9
5
5
4
7
5
7
4
5
7
4
11
9 4
7
5
(q = e)
Em
D/F#
Gtr. 2
2 0
C/G
5 5 5 3 3
5 2
2 0
F/C
G/D
5 2
3 3
2 0
0 0
5 2
3 3
E
9 9 7 0
5 5
Esus4
5 5 5 3 3
5 2
G/B
2 0
Gtr. 3
A
5 5
9 9 7 0
Verse
Aadd9
1. I
Gtrs. 2 & 3 tacet
nev
-
0 0 2 2 0
Gtrs. 2 & 3
some - one
Gadd9
knew
sim.
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
3 3 2 0 X 3
3 3 2 0 X 3
3 3 2 0 X 3
3 3 2 0 X 3
3 3 2 0 X 3
3 3 2 0 X 3
3 3 2 0 X 3
3 3 2 0 X 3
3 3 2 0 X 3
3 3 2 0 X 3
was out
er
Rhy. Fig. 1
Gtr. 1
0 0 0 0 0
there,
9 9 7 0
3
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
a
long
way
from no
3 3 2 0 X 3
3 3 2 0 X 3
3 3 2 0 X 3
3 3 2 0 X 3
3 3 2 0 X 3
3 3 2 0 X 3
3 3 2 0 X 3
3 3 2 0 X 3
Gtr. 1
3 3 2 0 X 3
Bm
Aadd9
-
where,
0 0 0 0 0 0
2 3 4 4 2
2 3 4 4 2
2 3 4 4 2
2 3 4 4 2
2 3 4 4 2
2 3 4 4 2
2 3 4 4 2
2 3 4 4 2
2 3 4 4 2
0 0 0 0 0
Gadd9
D/F#
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
while
0 0 2 2 0
Fadd9
0 0 2 2 0
1 1 0 3 3
0 0 0 0 0
0 0 2 2 0
0 0 2 2 0
-
now
3 0 0 X 3
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
let ring 3 3 2 0 0
All
of this
time,
0 0 0
2 0 0
pen my
let ring 2 3 2 0 0
0 0 0 0
-
0 0
2 3 2 0 0
2 0 0
0 0 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
Em9
ing,
the world changed
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
Em7
me,
was sleep
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
I
0 0 0 0 0
Em7
could o
Aadd9
eyes.
who
Dadd9
I’ve
nev
0 0 0 4 2 0
0 0 0 4 2 0
0 0 0 4 2 0
0 0 0 4 2 0
0 0 0 4 2 0
a - round
0 0 0 4 2 0
0 0 0 4 2 0
0 0 0 4 2 0
0 0 4 2 0
Aadd9
-
er
felt
more
0 X X X 0
a - live.
1 1 0 3 3
1 1 0 3 3
1 1 0 3 3
1 1 0 3 3
1 1 0 3 3
1 1 0 3 3
1 1 0 3 3
1 1 0 3 3
0 0 0 0 0
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 0 0 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
4
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I’m
Gtr. 1
Chorus A
wak
-
AsusÊ
ing
A
up
AsusÊ
from
a
life
left
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
9 7
Em7
9
7
0
0 9
9
18 X 16
18
Em11
Em9
9 7
0
to
0
0
what
9
7
0
0
9 7
0
lies
a - head.
9 7
E7/G#
I’m
0
0
0 4
0
0
0
0 5
P.M.
0
0
0
0
0
0 4
0
0
0
0 5
11 9 7
3 2 0 0
4
0
3
0 0
3
0
3
End Rhy. Fig. 2
0
3 X 1
2
3
wak - ing
0
0
F
0
P.M.
Dadd9
see
9
6
Rhy. Fig. 2
13 X 11
16
0
0
let ring
9 X 7
2 2 0
be - hind
let ring throughout
w/ chorus
Gtrs. 2 & 3
End Rhy. Fig. 1
0 0 2 2 0
2
A
0 6
7
0
0
1
7 6 5 4
5
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Verse Gtr. 1: w/ Rhy. Fig. 1
A
AsusÊ
Aadd9
0
0
9
0
9
to
Dadd9
them
and
bring
let
can keep
Fadd9
-
0 0 2 2 0
Gadd9
to - geth
-
er
once
and
for - ev
er,
Em7
-
Em11
lost
her
ing.
Em7
I
Her
Noth - ing
from leav
-
Aadd9
go.
her
D/F#
Bm
G5
ing.
Aadd9
them
won’t
3 2
Gtrs. 2 & 3 tacet
way
let ring
2 2 0
a
0 0 9 7 0
7
found
7
2. Fate
up.
Aadd9
life
I
say
has
a
Aadd9
a
time
long
mean -
a - go.
Chorus Gtrs. 2 & 3: w/ Rhy. Fig. 2
I’m
Gtrs. 2 & 3
wak
-
ing
Aadd9
AsusÊ
A
up Riff B Gtr. 1
Asus4
from
a
life
A
left
be - hind
let ring throughout
9 X 7
9 7
18 X 16
18 16
13 X 11
7
9
0
0
0 9
9
0
0
0 6
9
0
0
6
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
0 7
9
0
0
0
Em7
Em11
Em9
to
2
0
0
0
0 4
F
E7/G#
I’m
Gtr. 1
3
wak
2
3
0 5
-
3 X 1
3
0
6 X 4
1
0
0 4
what
lies
a - head.
End Riff B
0
0
0
0 4
5
0
2
2
3
0 2
3
wak
-
2
2
2
0
2 2 0
4 2 0
2 2 0
0
0
9 X 7
0
ing
0
0
2
2
9
18
18 X 16
7
3
0
Aadd9
0
3
I’m
0
Gtrs. 2 & 3
0
up.
0
0
ing
7
Dadd9
see
AsusÊ
0 6
0
0
0
16
13 X 11
Gtr. 1: w/ Riff B
A
AsusÊ
up
Gtrs. 2 & 3
7 0
Amaj7
now
9 9 0
9 6 0
that
AsusÊ
A
yes - ter - day’s
9 7 0
3
Em7
D/E
Em9
gone.
2
2 2 0
Won’t
P.M.
0
0
close
my
11 9 7
7
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
Dadd9
eyes
F
E7/G#
a - gain.
I’m
-
ing
up.
Gtr. 1
4
5
0
3
0
3
0
Gtrs. 2 & 3
0
3
2
3
0 6
3 X 1
0
7
0
7
1
7 6 5 4
Aadd9
I’ll
0
3 2 0 0
wak
AsusÊ
9
0
0
0
0
9
7
7
0
2 2 0
4 2 0
2 2 0
9
0
0
0
7
9
0 0
Bridge
C
plan
to
Gtr. 1
re - turn
dis - guised,
0 1 0 2 3 3
0 1 0 2 3 3
well -
0 1 0 2 3 3
0 1 0 2 3 3
0 1 0 2 3 3
0 1 0 2 3 3
0 1 0 2 3 3
0 0 0 0 0 0
5 6 7 7 0
5 6 7 7 0
5 6 7 7 0
5 6 7 7 0
5 6 7 7 0
5 6 7 7 0
5 6 7 7 0
5 6 7 7 0
w/ dist. & phaser let ring
3
5
5
let ring
0 0 6 7 7
7 7 0
f
5
5 6 7 7 0
0 0 0
C/G
make
5 5 5
let ring
5 5 3 3
Gtrs. 2 & 3
Gtr. 4 (elec.)
A/E
let ring
0
7
7
sure that I’m
not
rec
-
og - nized.
0 1 0 2 3 3
0 1 0 2 3 3
0 1 0 2 3 3
0 1 0 2 3 3
0 1 0 2 3 3
0 1 0 2 3 3
0 1 0 2 3 3
0 0 0 0 0 0
0 1 0 2 3 3
0 1 0 2 3 3
0 0 0 0 0
let ring
5 5 5
5 5 3 3
0
5
5
3
8
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
0 0 0
let ring
5 6
5
Em
To
-
mor - ow
a
new
will
F
sun
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 0 0 0
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
let ring
0 0 0 2
2 0
let ring
5
4
5
find
3 0 0 0 X 3
3 0 0 0 X 3
3 0 0 0 X 3
3 0 0 0 X 3
3 0 0 0 X 3
3 0 0 0 X 3
3 0 0 0 X 3
3 0 0 0 X 3
3 0 0 0 X 3
0 0 X 3
let ring
0 3
0
2
3
0 0 0 0 0 0
5 3
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 0 0 0 0
0 0 0 0 0 0
1 2 2
2 0
in
my
0 0 0
let ring
Am/C
stand
5
2
0
will
let ring
Bm7b5
way.
1 3 2 0
0 0 0 0
0 1 2 2 3
0 1 2 2 3
0 1 2 2 3
0 1 2 2 3
0 0 0 0 0
3 2 3 2
3 2 3 2
3 2 3 2
3 2 3 2
3 2 3 2
3 2 3 2
3 2 3 2
3 2 3 2
0 0 0 0
1 3 2 0
7 5
3 5 2
3
3
Noth - ing
let ring
Dm
you.
and some - how I’ll
G
rise,
0 0 0
1
0
3 3 1
0 0
Am
7 5
1 3 2 0
1 3 2 0
3
3
3 2 3 2
let ring
2
3
3 2
let ring
2
3
0 0 0
3 2
9
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Bb7#11
Soon
I
will
see
Esus4
you
3 3 3 1
3 3 3 1
3 3 3 1
3 3 3 1
3 3 3 1
3 3 3 1
3 3 3 1
3 3 3 1
3 3 3 1
3 3 3
0 0 2 2 2 0
0 0 2 2 2 0
0 0 2 2 2 0
0 0 2 2 2 0
0 0 2 2 2 0
0 0 2 2 2 0
0 0 2 2 2 0
0 0 X 2 2 0
0 0 1 2 2 0
3
0
2
2
2
0
0 2
ing
0 0 1 2 2 0
let ring
0
-
0
0
wak
3 1
0
3
2 2 0
let ring
3
I’m
0
let ring
5 3 3
3
0 0 2 2 2 0
0 0 0 0
P.M.
3 3 1
a - gain.
E
0
0 0 9 9 7 0
Chorus Gtrs. 2, 3 & 4 tacet
Asus2
Amaj9
up
Gtr. 1
Aadd9
from
a
life
left
Em
Em(add9)
be - hind
let ring throughout
7
9
0
0
0 9
Em
Em(add9)
to
0
0
9
6
see
what
5
0
0
0
0 4
0
9
0
DaddÅ
0
0
0
0
9
7
lies
0
2
F6
0 4
0
3
0
0
3
0
4
0
0
0
E7/G#
I’m
0
0
0
a - head.
5
0
wak
-
ing
0
4
0
4
3
2
3
0
10
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
3
2
6
7
0
0
0
7
Aadd9
Asus2
Aadd9
up.
I’m
wak
-
Asus2
ing
up
I’m
Gtr. 1
7
0
0
9
0
9
7
9
0
0
0
9
9
7
0
Gtrs. 2 & 3
mp
*
P.M.
0
0
0
0
0
0
0
0
0
0
0
f
0
0
0
0
0
0
9 X 7
9
7
0
0
9
0
9
18
13
18 X 16
13 X 11
16
11
wak
-
ing
0 0 9 7 0
9
7
0 0 9 7
0 0 9 7
0 0 9 7
0 0 9 9
0 0 9 9
0 0 9 9
0 0 9 9
0 0 9 9
7 0
9 9 0
7 0
*Grad. lift P.M.
Amaj7
now
A
Em
that
yes - ter - day’s
up
0 0 9 6 0
9 6 0
0 0 9 6
0 0 9 6
0 0 9 6
0 0 9 6
0 0 9 7 0
0 0 9 7
9 7 0
3
0 0 9 7
gone.
0 9 7 0 0
2
0 0 0 0
0 0 0 2 2 0
2 2 0
Em(add9)
Won’t
now
that
yes - ter - day’s
close
my
gone.
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 4 2 0
Em(addÅ)
P.M.
0
0
0 0 0 4 2 0
0 0 0 4 2 0
0 0 0 4 2 0
0 0 0 4 2 0
0 0 0 4 2 0
0 0 0 4 2 0
0 0 0 4 2 0
P.M.
11 9 7
0
0 0 0 4 2 0
0 0 0 0 0 0
P.M.
12 9 7
0
11 9 7
0 0 0
11
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
D
eyes
I
a - gain.
will
nev - er look
F
I’m
back.
I’m
E7/G#
wak
Asus2
-
ing
up.
wak
-
ing
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
3 2 0 0
0 3 2 3
0 0 0 0 0
0 3 2 3
0 0 0 0
0 3 2 3
0 3 2 3
0 0 7 6
0 0 7 6
3
0
3 X 1
1
0 0 7 6
0 0 7 6
0 0 7 6
0 0 9 7 0
0 0 9 7 0
0 0 9 7 0
0 0 9 7 0
0 0 9 7 0
0 0 9 7 0
0 0 9 7 0
0 0 9 7 0
0 0 9 7 0
chorus off 2 2 0
4 2 0
2 2 0
0 0 0
0 0 9 7 0
D/F#
6 X 4
0 0 9 7 0
Em/G
up.
2 3 2 0 0
A
3
2
Outro Gtr. 1 tacet
Em
You’ll be
her shad - ow
as
she
Gtr. 2
2 2 0
2
3
2
Bm
3
Bm
CXº7/B
4 4 2
there.
4 4 2
2
She
2
1
4
1
8 6
4 4 2
2
P.M.
4 4 2
Gtrs. 2 & 3
2
4 4 2
2
but
5
9
a
-
she
can
nev - er
8
10
7
7
9 7
P.M. semi-P.H.
5
9
5
5
7
7
lone and
A
reb - el
6
8 6
7
0 0 0
9 7
1
2
3
2
3
C#m
are
you’re
guards
P.M. 6
know
5
is
P.M. semi-P.H.
son,
P.M.
D#m
my
4
Em
moves,
4
Gtr. 3
2 2 0
ev
1
- ’ry
Gtr. 3
-
Gtr. 2 divisi *
7 7 5
0 0 0
6 6 4 4
6 6 4 4
0 0 0
*Gtr. 3 to left of slash in tab.
12
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
D#
-
A
where.
I’ll
Gtrs. 2 & 3
keep
her
safe
P.M.
8 6
A
won’t
let
her
4
my
7
7
8
B
Did
I
9
6
Amaj7
G#m
This is
the chance
8 X 6
0 0 0
9
11
7
9
I
de - serve.
13
11
9
11
9
7
11 X 9
6
7
4
fail
to
men
-
tion
4 2
Bm
G#m7b5
Heed
8 X 6
0 0 0
my
4 2
6
hon - est in - ten - tions?
ger,
D#m
8 6
8
-
6
sight.
9
7
4
dan
7
7
from all
of
6
5
G#m
D#m
out
8 8 8 6
6
my
0 0 0
6 6 4
words;
4 4 2
4
Free time
D#m/F#
rit.
D(#5)add#11
µ(D#m)
jus - tice
will
be
4
2
5
served.
rit.
D7#9/Eb
w/ bar
1
2
1
2
1
0
0 slack
13
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
from Dream Theater - The Astonishing
A New Beginning Music by John Petrucci and Jordan Rudess Lyrics by John Petrucci Intro Moderately q = 110 * µ(G5) Riff A Gtrs. 1 & 2 (dist.)
f
3
3
P.M.
3
3
3
3
3
3
3
3
3
X
3
3
3
3
3
3
3
0
1
2
*Chord symbols reflect overall harmony.
End Riff A
P.M.
3 3
3
3
3
3
3
3
3
3
X
3
3
3
3
3
3
3
4
5
3
Gtrs. 1 & 2: w/ Riff A
Gm
F/G
Gm
Am/G
F/G
3
3
3
3
3
3
Gm
F/G
Gm
Gm
Gtrs. 1 & 2
** P.M.
Gm
3
3
3
0
Am/G
Am/G
3
3
3
3
3
3
3
3
3
0
1
2
**Grad. lift P.M.
Gm
µ
3
3
3
3
3
3
4
0
1
4
Gm
F/A
Bb
Bb/D
Cm/Eb
3
3
3
5
5
5
6
6
6
5
5
5
D/F#
Eb/G
Ab/Eb
6
6
6
4
4
4
5
5
© 2016 WB MUSIC CORP., YTSE JAMS, INC., WARNER-TAMERLANE PUBLISHING CORP. and KEY WIZ MUSIC All Rights for YTSE JAMS, INC. Administered by WB MUSIC CORP. All Rights for KEY WIZ MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved Used by Permission
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
5
8
8
8
1
µ
7
5
Verse Gm
5
3
4
I
im
-
plore
3
3
Gm
He
3
3
is
3
the en
-
slight P.M.
3
3
3
3
3
3
3
5
e
Gm7
0
3
3
0
6
C/G
be - lieve
a
3
just
3
ab
-
3
3
3
3
4
C/G
3
F/C
3
Bb/C
0
1
2
F/C
C
let ring
7 3
5 3
surd.
3
2
F/G
3
C
3
3
1
word.
3
3
0
3
that is
4
Gm7
my,
3
End Riff B
3
-
5
don’t
3
not
4
3
3
Am/G
3
you,
slight P.M.
3
2
6
Riff B
3
Am/G
1. Fa - ther,
5
6
5 3
0
7
3
8 3
7 3
Gtrs. 1 & 2: w/ Riff B
Gm
Am/G
You may see his
tal
-
ent
Gm7
C/G
as some kind
of
F/G C/G
threat,
Gm
but
I
Am/G
knew we were meant
Chorus
Gm7
from
C
the
met.
day
we
Gtrs. 1 & 2
3
3
3
3
3
0
Bb/C
F/C
Eb
Give
slight P.M.
3
F/C
5 3
let ring 7 3
7
3
8 3
7 3
us
both
Bb
a
to
be
chance
Rhy. Fig. 1
8 6
P.M. 6
6
10
8
6
2
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
8 8 6
8 8 6
8 8 6
0 0
F
for
a
new
3 3 1
be - gin
1
1
1
1
P.M.
Gm
F/C
C
-
ning.
Noth - ing
3 3
2 3
Bb
Bb/D
3
F
5 5
Can’t
you
6
F/C
show
him
3
3
P.M.
10 8
8
8
12
10
would
3
5
mean
more
C
mer
-
cy?
10
8
6
He
is
just
8 6
6
8 6
8 8 6
8 8 6
a
8
8 8 6
man.
Bb
and
6
6
8
6
10
strength
8 8 6
8 5 6
8 8 6
6
P.M.
10
me.
Bb
10
Sym - pa - thy
12 10
6
to
P.M.
3
Eb
10 10
8
3
6
Eb
5
6
Bb
8 6
3
P.M. P.M. P.M. 5
P.M.
1
F/A
Eb
go
hand
0 0 0
8 8 6
8 8 6
8 8 6
Bridge
Gsus2
in
hand.
P.M.
5 5
D/F#
D
0
0
7 4
Em
This man’s
a
fraud
and
a
End Rhy. Fig. 1
semi-P.H.
4 2
2 2 0
P.M. 6
0
0
0
0
0
0
2 2 0
6
P.M.
0
0
0
0
0
0
3
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
Eº5
Em
hoax.
8 7
8 7
He’ll
on
Bb
0
5 5 3
5 5 3
0 0 0
8 8 6
F
how
you
0
0
0
dest
6
fall
for
per
this
4
ter
your
6
6
6
0
of
all
6
0
0
0
0
to
P.M. 6
A#º7
6
6
who
0
is
11 8
6
son
P.M.
-
6
you
6
hard
6
6
-
ly
semi-P.H.
9 7
6
-
3
2 2 0
0
P.M.
3 3 1
0
Em
-
watch
shat
11 8
Aº/Eb
ly
P.M.
Sad
Bbm
-
6
2 2 0
16
hopes.
steady gliss.
7
Gm
7
6
Verse
D#º/A
Ab7
Gm
know.
Am/G
2. Ig
-
no
-
rant
0
7
0
0
3
F#/A#
Bsus4
and stub
-
born,
0
5
semi-P.H. P.M. P.M. P.M. P.M.
7
9
9 6
9
8 5
6
7 4
6
6
0
0
5
4
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
0
9
0
0
Gm7
Am/G
F/G
Am/G
Gm
Am/G
you
have
no
re - spect,
not
just
for
your flesh
and
blood,
but
0
10
0
0
Gm7
all
0
0
9
0
12
who
you
pro - tect.
10
15
0
Gtr. 2
0
10
0
0
15
Gm
0
0
10
0
0
0
7
Bb/C
15
17
0
0
9
0
9
F/C
0
14
0
0
C
20
17
18
22
18
20
18
17
20
18
15
17
12
0
13
17
13
18
13
17
15
Gm7
13
13
15
13
C/G
12
13
F/G
17
8va
Am/G
12
F/C
0
0
0
15 0
9
8va
20 0
0
0
C
Gtr. 1
7
12
C/G
loco Lis
-
ten
with - out
judg -
ment,
keep
an
o
-
pen
mind.
0
10
0
0
7
0
0
9
0
9
0
12
0
0
0
14
0
0
10
0
0
12
0
15
0
14
0
12
loco
0
7
0
0
3
0
0
5
0
5
0
9
0
0
0
10
0
0
7
0
0
9
0
12
0
10
0
9
5
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Gm
If
Am/G
you
can not
see
Gm7
the
you’re
the
truth,
one
C
F/C
who’s
0
0
10
0
0
12
0
12
0
17
0
0
0
19
0
0
15
0
0
0
0
0
7
0
0
9
0
9
0
14
0
0
0
15
0
0
10
0
0
17
20 17
18
22 18
20 17
18
18
8va
15 12 12
0
8va
20 15 15
F/C
blind.
0
Bb/C
0
13
17 13
13
18 13
17 13
15
13
Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 7 meas.)
don’t
stand
a
Bb
can
you
talk
Eb
We
Eb
Moth - er,
F
how
they
to
that
is
his
o - pin
F/A
Bb
Bb/D
C
Eb
feel
-
ing.
Mis - er
-
C
-
Try
to
un - der - stand
y’s
Bb
Bb
to
ion.
Eb
him?
F/C
be
Gm
F/C
chance;
must
F
Bb
know
what
might
have
Bridge
Gsus2
been.
Gtrs. 1 & 2
P.M.
5 5
0
D/F#
D
0
7 4
4
Em
semi-P.H. 2
F#/E
Why
would I
P.M. 2 2 0
0
0
0
0
2 2 0
ev
-
er
con - cede
P.M. 0
4 4
0
0
6
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
0
0
4 4
to
0
Am
7 7
P.M.
lis - ten
B7b9sus4
to
0
0
this
0
0
F#
world of
make
2
7 7
2
2
you
be
6
0
be - lieve.
P.M.
2
7 7
How can
4 4 2
fool?
so
7
Do you
9
7
8
3
You
5
2 2 0
2
real - ly
think this char - la - tan
P.M.
4 4 2
4 2
7 5
5
5
5
0
be
liv - ing
in
a
0
2 2 0
0
0
B
who
he claims
7 6
0
P.M. 0
0
D#º7
is
10 7 5
5
must
P.M.
na - ive?
Am
Em
to
be?
8
9 7
Interlude Gtrs. 1 & 2 tacet
Am
C/G
Eb7
Bº7
9
7
G#º7
10
8
8
Am7b5
1 11
Am
11
10
Am
D/F#
10
11
11
Am7b5/Eb
2 0
4
*w/ phaser & delay
7
7 5 5
f
A
Cm
Em
G/D
6
Gtr. 3 (dist.)
Bm/F#
5 3
G
C Gtrs. 1 & 2
D
D/A
Dm7b5/Ab
2
5
5 4
3
G
P.M. 0
11
5 3
0
Eb/Bb
10
D
3
8
8
10
11
8
10
11
11
13
15
*Stereo delay set for 450 ms & 900 ms regeneration, w/ multiple decaying repeats.
Gtrs. 1 & 2
2
3
5
6
6
7
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
Slower q = 66
Gb+/Bb
Bb
Bb7
Eb
rit.
14
10
10
11
11
13 11
13
10
10
11
11
11
10 10
11
13
rit.
8
6
6
6
Verse Gtr. 3 tacet
Eb
Gtrs. 1 & 2 tacet
3. Not
long
there
was
a - go,
a
time
and
place
Gtrs. 1 & 2
6
you
too
Cm
You
pos - sessed
the
Gm
knew
same
-
sic
de - sires
how
it
felt
to
Gm
calmed
your
as
Faythe.
in - vis
-
feel
Am7b5
Ab
Cm
Mu
soul
rit.
just
like
a
drug.
Eb
i
-
ble.
Abmaj7
Re - mem - ber,
8
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
Bug?
Tempo I
Eb/Bb
Fa - ther,
G+
is
it
Bug
6
6
6
6
6
Fi
-
nal - ly
P.M.
5
2
2
P.M.
2
re - veal
P.M.
8
2
4
4
mu
P.M.
8
4
4
4
-
al
6
Eb/Bb
how
-
6
ways
6
you?
6
sic
makes
me
10
6
P.M.
4
6
3
was
3
can
2
3
5
2
Fm/Ab
I
3
D/F#
6
Ab/C
true
Gtrs. 1 & 2
P.M.
Cm/Eb
6
6
6
3
3
3
Bb
0
Bb/D
feel.
P.M. P.M.
10
6
6
8
8
6
6
6
5
6
5
5
Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 1
you
un
Eb
Now
-
Bb
der
-
chang
-
es
ev
-
F/C
for
a
new
be - gin
-
F/A
Bb
Bb/D
Eb
I
C
Eb
Gm
I
ning.
In
Bb
the
fi
word
end
the
-
-
ing.
F/C
C
’ry - thing.
F
why
Bb
This
stand
Eb
F
was
hid
will
grant
Bb
chance
Gsus2
nal
the
D
rests
D/F#
with
Interlude
µ(Gm)
me.
Gtrs. 1 & 2
3
5
5
3
5
3
5
6
8
7
8
3
5 6
3
5
3
5
5
3
5
3
5
6
8
7
8
10
8
8
5
5
3
6
3
5
9
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
5
5
3
3
5
3
5
8
6
7
8
3
5
3
6
5
5
5
3
3
5
3
Gsus4
5
6
3
3
3
6
Gsus4
5
Ebsus2
5
3
5
5
3
Csus2
Bbsus2
Csus4
5
5
3
3
5
Gm7add11
3
5
6
Gsus4
8
7
8
Ebsus2
10
8
8
5
5
C6sus2
8
6
7
8
10
3
3
6
Bbsus4 Bbsus2
5
6
8
8
7
Gsus4
5
8
10 12 10
8
8
Csus2
3
10
8
Ebsus2
5
5
5
3
3
6
Ebsus2
5
Csus2
5
3
5
3
Csus2
5
3
5
8
6
Db
7
8
5
3
D
3
6
5
Fsus4
5
3
5
3
5
3
5
6
8
7
8
Guitar Solo
Esus2
10
10
8
8
10
12
10
8
8
6
5
3
3
f w/ bar *w/ wah-wah & delay
1
2
15 12
15
0 0 0 0
2
2
5
3
5
1
G5
Bb5
15
15
5
7 3 3 3 steady gliss. 1 T 12 12 12 12 Em7add11
Gtr. 4 (dist.)
3
6
15 12
15
15
10
0
14 17 20
*Stereo delay set for 300 ms & 600 ms regeneration, w/ multiple decaying repeats.
Gtrs. 1 & 2
Riff C
0
0
7
0
P.M.
0
0
0
0
5
2
5
1
0
0
5
0
P.M.
0
5 3
5 3
10
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
5 3
8 6
8 6
8 6
A/E
19 T
17
20
T
17
14
0
14
17
17
0
T
20
17
14
0
15
T
20
17
20
17
20
4
0
14
T
T
17
14
0
14
17
T
20
17
P.M.
0
0
0
0
0
T
20
17
14
0
14
17
5
20
2
17
14
5
1
Bb5 A5 F5 7 Am6/E
T
17
14 15
9
T
12
T
16
14
12
17
T
14
12
T
16
14
12
T
16
14
12
T
16
14
12
16
T
14
12
16
14
16
12
T
14
11
13
T
12
10
13
End Riff C
0
2
0
8 6
8 6
8 6
7 5
7 5
7 5
0
0
12
9
7
12
9
5
9
8
7
C/E
12
11
10
12
9
G5
11
12
9
11
3 1
5
Gtrs. 1 & 2: w/ Riff C
P.M.
Esus2 Gtr. 4
T
Bb5
8
10
7
9
6
Em6
16
10
10
T
3
5
7
12
T
7
12
T
7
5
3
5
12
T
5
7
12
T
7
5
4
5
7
T
14 10 14 10
T
7
5
7
14
T
7
14 10
T
7
6
7
9
T
14 12 14
11
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E9
Bbsus2
5
9 T
12
9
7
9
Fmaj9/A
T
T
14 12 14 12
9
8
9
9
12
14
T
15 14
14
12
9
5
3
T
15
Dbadd11/F
T
12 15 14 15
14
12
12
15
17
T
T
20 17
20 17 15 12
14
Synth Solo
Gtr. 4
Gtr. 4 tacet
Gsus2
Gm7add11
steady gliss.
12
Gtrs. 1 & 2
12
Riff D
3
3
3
3
3
8
3
3
P.M.
3
5
8
4
3
3
3
0
Cm6/G
Gtrs. 1 & 2
7
3
3
3
3
3
8
3
5
8
4
3
3 1
3 1
Db
P.M.
P.M.
C/G
Db5
5
5 3
Bb5
3 1
6 4
6 4
C5
6 4
Ab5 End Riff D
P.M.
5
3
3
0
6 4
6 4
6 4
5 3
5 3
5 3
6 4
Gtrs. 1 & 2: w/ Riff D
Gsus2
Eb/G
Bb5
Db5
C7/G
Fm6/G
Dbsus2 Cm7add11 Fm9/Ab
Interlude
µ(Gm)
Gtr. 5 (dist.)
f
10
12
12 10 12 10
12 10
10 13
12 10
13
10
12
12 10 12 10
11 13 15 12 10 15
10
12
12 10 12 10
12
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
12 10
10 13
12 10 8
(Ebmaj9)
13
(Fadd9/A)
10
10
11
(Abmaj9)
(Bbadd9/D)
(Gm)
13 13 13 13 13
15
12
13
12
15 15 15 15 15
10
12
12
10
12
10
12
10
10
13
12
10
13
(Dbsus2) (Fsus2)
12
10
12 10 12 10
11 13 15 12 10 15
10
12
12 10 12 10
12 10
10 13
12 10
11
13
13
13
11 13 13 13 13 13
Outro-Guitar Solo
w/ bar
Gtr. 5 tacet
µ
Gm
6 6
15 11 13 15 11
14 12 10
12 10 8
11 9 7
10 8 6
9
Gtr. 4
Gtr. 5
wah-wah off w/ phaser
10 11 12 12 10
10 11 12 12 10
7 5
10 11 12 12 10
-2
Gtr. 6 (dist.)
mf
w/ reverb & ambient delay
11 12 12 10
Gtr. 6 tacet
Eº7
8va
Gtr. 4
Gm loco
8va
loco
8va
loco 8va
6
* P.S. Harm. P.S. Harm. P.S. Harm. P.S.
X
12
X
12
X
12
X
loco
8va
3
loco
8va
3 Harm. P.S.
12
X
Harm.
loco
P.S.
12 X
X X
*Next 2 measures, fret-hand muting allows harmonic when pick is lifted from string.
8va
3
Harm.
P.S.
12
X
loco
15ma
Harm.
X 12
loco 15ma
loco
** Harm. ** Harm.
X
12
X
12
**Tap string w/ edge of pick.
13
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
*
X X X X X X
X
X
X
X
X
X
let ring
8 9 10 10
8 9 10 10
10 11 12
9
13 13 13
D
14
Gm
3
3
13
X
X
5
17
9
13
let ring
11
12
12
12
w/ bar
Harm.
w/ bar
11
12
12
let ring
w/ bar
0
15
12
15
15 9
14
let ring let ring w/ bar w/ bar w/ bar D/G
17
17 17
17
5
12
10
12
slack
10
13
let ring
0
Gm
7
D/G
w/ bar
let ring w/ bar
Ab7
13
10
17
3
6 00
X
17
17
17
5
5
16
1
X X X
13 13 13
10
grad. release
w/ bar
2
X
w/ bar
14
14 14 14
14
X
Cm/G
14
X
w/ bar
Fm
10
A
let ring
X
w/ bar
w/ bar
A/G
let ring
w/ bar
let ring
12
Fm/G
12
12
X
w/ bar
11
4
X
let ring
X
Ab/G
12
X
loco
*Tap string w/ edge of pick.
Gm
X
8va
5
string noise (R.H.)
Eº7
5 5
15ma
3
1/4
3
5
3
1/4
3
17
4
4
Ab/G
5
14
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
5
5
4
_ 1/2
w/ bar _ 1/2
13 10
13
13
13
13
Ab7
D/G
_ 1/2
_ 1/2
_1
_ 1/2
13
_1
13
13
13
_1
w/ bar
7
7
7
ring letHarm.
w/ bar _ 1/2
7
7
P.M. 3
5
A/G
10
10
8
8
10
X X
14
14
9
4
8
10
10
5
6
5
3
3
1
grad. bend
10
11
13
17
13
13
11
grad. release 1
1/2
20
1 20
14
D/G
13
17
17
9
18
16
17
11
10
10
12
loco
20
15
16
15
17
17
D
loco
_1
let ring
w/ bar
17
17
16
12
1/2
12
12
Cm/G
20
w/ bar
11
13
let ring
1/2
13
8va
grad. bend 1/2
A 8va
1
1/2
w/ bar
17 15
grad. release
Gm
w/ bar
14
7
7
-6
let ring
string noise
9
_1
-2 1/2
Fm
Fm/G
w/ bar
_1
7
7
_1
7
5
7
5
7
18
15
15
_1
_1
18
17
18
_1
_1
_1
_1
_1
7
7
7
7
Harm.
5
Pitch: G
Gm
3
0
5
0
3
0
0
5
0
7
0
0
7
0
10
0
10
0
12
0
10
0
0
12
0
15
0
0
15
0
17
0
15
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
Ab/G
16
15
17
15
16
15
17
15
18
17
15
Ab7
17 18
17
15
17
D/G
18
19
20
17
18
19
20
16
3
grad. release 1
17
19
15 19
17
16
17
17
19 17 15
19
13
15
Gm
15 15
15 15
6
14
13
13
17
16
17
grad. release
13 16
1
18
18
15
X X X
X X X
17 17 17
X X X
15 15
1/4
15 15
17
15
16
15
13
13
15
18
18
Cm/G
8va
w/ bar
17 14
w/ bar
13
17
21
17
20
15
loco
16
17 18
10
15
17
X X
12
9
X X X
14
14
14 14
1/4
1/2
10
16
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
17
17
w/ bar
grad. release 1
15
Harm.
string noise
15
10
18
Pitch: D
A
1/2
15
A/G
15
15
16
P.H. 1/4
17
loco
1
17
17
19
19
Fm
13
16 13
6
8va
19
Fm/G
15
15 19
15 16
1/2
10
8
10
10
14
3
loco 6 D/G
D
8va
6
6
6
6
6
1
12 13 16
12
16 13 12 13 16
12 14 15 14 15 17
15
17 15 14 15 17
15 16 19
18
19 20 22
22 20 19 20 22
18 19 20
20
steady gliss.
17
Gm 8va
1 18
18
D/G
rake
17
X
15
17
1/2
17
15
X
14
16
7
7
7
Fm
9
8
10
8
8
10
Ab
grad. release
1
18
18
16
let ring
10
10
7
0 0 0 0
16
7
7
9
8
12
10
12
10
10
8
11
11
10
10 11
16
grad. release
1/2
13
16
1
1 13
16
Fm/G
grad. release
P.M.
5
16
10
Gm
15
3
8
17
17
let ring
14
grad. release
X
9
1/2
loco
8va
Ab/G
11
10
8
10
8
10
Begin fade
6 6 6 6 1
A/G
A
8va
6
6
0
0
0
4
4
4
7
7
7
7
7
7 11 11 11
9
9
9 14 14 14
14 14 14
17 17 17
17 17 17 21 17
20 17
19
17
20
20
20
17
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
Cm/G
8va
6 T
20 18 15
16 15
6
6 T
17 15 17
15 16
15 18 20 18 15
5
6
16 15
6
T
15 16
17 15 17
6
6
6 3
3 15 18
T
T
T
5
T
T
18 15 13 11 20 18 15 13 11 20 18 15 13 11 20 18 15 13 11 20 18 15 13 11 20 18 15 13 11
D/G
8va
6
6 3
T
6
T
20
17
15
14
15
17
20
6
T
17
15
14
15
17
6 3
T
20
17
15
11
15
17
20
5
T
17
15
14
15
17
T
20
17
15
14
15
17
20
17
15
14
15
D
8va
3
T
7
3
T
T
T
T
T
22 20 17 15 14 15 17 20 22 20 17 15 14 15 17 20 22 20 17 15 14 15 17 20 22 20 17 15 14 15 17 20 22 20 17 15 14 15 17 20 22 20 17 15 14 15 17
loco /0
Gm 8va
1
steady gliss.
0 0
X X
18
0
7
12
12
12
0
0
13 13 13
0
w/ bar
10 11 12
13
let ring
w/ bar
13 13 13
13
Fade out
D/G
13
-1 1/2
let ring w/ bar 13
w/ bar
11
Ab7
13
let ring
20
20
Ab/G
10 11 12
w/ bar
10 12
18
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
from Dream Theater - The Astonishing
A Savior in the Square Music by John Petrucci and Jordan Rudess Lyrics by John Petrucci
Intro Moderately q = 90 ** D
Gtr. 1 (elec.)
mf
*w/ clean tone, chorus, delay & reverb let ring
0
4
5
3
2
4
5
0
4
5
4
let ring
2
0
2
0
5
3
0
4
2
4
5
5
*Delay set for dotted eighth-note regeneration w/ 1 repeat.
mf let ring let ring Gtrs. 2 & 3 (acous.)
5
3
0
4
2
4
0
4
5
4
2
0
2
0
5
3
0
4
2
4
5
**Chord symbols reflect overall harmony.
Bm
D
let ring let ring let ring 5
4
0
4
2
0
2
0
2
4
0
3
2
4
2 2
2
4
0
4
2
0
2
0
5
4
0
3
5
4
2 5
let ring let ring let ring 2
4
0
4
2
0
2
0
2
4
0
3
4
2 2
Gadd9
4
0
4
2
0
2
0
Em9
5
4
0
3
4
2 5
D
let ring let ring let ring let ring 5
4
0
4
2
0
2
0
0
0
3
2
0
0
3
3
0
2
4
2
0 0
4 0
5
4
0
3
5
4
2 5
let ring let ring let ring let ring 2
4
0
4
2
0
2
0
0 3
0
3
0
2
0
0
0
2
4
2
4
0
4 0
5
4
0
3
© 2016 WB MUSIC CORP., YTSE JAMS, INC., WARNER-TAMERLANE PUBLISHING CORP. and KEY WIZ MUSIC All Rights for YTSE JAMS, INC. Administered by WB MUSIC CORP. All Rights for KEY WIZ MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved Used by Permission
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
5
4
2 5
1
Guitar Solo Gtr. 1 tacet
D
let ring
0
4
5
2
0
4
Gtr. 4 (elec.)
2
f
*w/ dist., delay & reverb
0
7
1/2
7
7
9
9
11
11
11 9
8
9
*Stereo ping-pong delay set for 300 ms regeneration, w/ multiple decaying repeats.
let ring
0
4
5
4
**
let ring throughout
2
0
2
0
2
0
2 3 2 0
2 3
2 3 2 0
3 0
3 2
3 2
**Composite arrangement
9
10
9
7
0
0
2 3 2 0
2 0
2
0
8
7
8
2 0
3 2
3 X 0
2
0
0
2
3 2 0
3 2
0
2
9
2
3 2 4 2
2 4
2 4
4 2
3 2
2 4
3 2
0
10
7
3 2 0
3 2
3 2
Em7
7
8
7
7
8
5
3 2
3 2
Gadd9
9
9
9
7
0
2
7
7
7
0
3
10
2 3 2 0
9
Bm7
grad. release
7
1
7
0 0
0 0 X 3
3 0 0 X 3
2
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
0 0 X 3
0 0 0
0 2 2 0
2 2 0
0 0 2
2 2 0
0 0 0
D
2 0 0
2 3 2 0
2
5
3 2
2
3 2
4
2 3 2 0
0
3 0
0
0
3 2
0
0 0
2
2
4 2
3 2 4 2
2 4 2
16
2 4
2 0
3 2
0
2 3 2 0
3 2 0
2 4 2
3 2 4
17
2 4 2
2
3 2 0
0 0
2
0
0
2 3 2 0
3
3 2
3 2
3
2 0
0
3 2
3 2
0
14
15
2 3 2 0
14 15
2
0
11
12
0 0 0
0 2 2 0
2 0
0 0 2
2 0
0 0
2 0 0
14
2
2 3 2 0
12
3 2
2
2
0
15
14
11 12
3
3
2 0
D
3
Em
12
0 0 X 3
0
15 17
2 3 2 0
3 2 0
3
0 0
17
0 X 3
12
3 0 0 X 3
17
17
2 3
17 15
17
12
14
15
3 2
3 2
Gadd9
15
14
15
0
Gmaj9/B
16
3 2
grad. release
14 16
2 0
14 16
1
15
2 3 2 0
0
2 3 2 0
15
4
2
1
17
7
7
3 2
2 0
11
2 3 2
3
3
3
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
11
Cadd9
11
9
12
0
2 3 2 0
3
2 3 2
3 2 0
D
14
3 2 0 0
2 3 2 0
0
12
10
7
14
10
7
9
2 3 2 0
2 3 2
2 3 2 0
3 2
3 2
2 0
7
9
7
2
3 2
9
12
3 3 0 X 3
0
3 3 0
7
7
3 3 0
0
3 3 0 X 3
3 0 X 3
3 0 X 3
5
2 0
0
3 3 0 0
12
11 12
3 3 0 X 2
3 3 0
0 0
Csus2
rit.
9
9
8
11
12
11
0 2 2 0
0 0 0
3 2
2 0
2 0
3 2
2 0
2 3 2 0
3 2
3 2 0 0
3 0 0 0
2 2 0
11
0 0 0 2
0 2
0 0 0
Gadd9/B
11
9
11 12
3 0 X 2
2 3 2 0
10
7 9
12
3 3 0
Em7
11
3 0 X 3
3 0 0
3 2 0 0
12
3 2
11
2
Gadd9/B
14 12
9
rit.
3 0 X 3
0 3 0 X 3
3 0 X 2
3
Interlude Slightly slower q = 86
Am7
G
let ring
7
10
3 0 0 X 3
7
0 0 2 2 0
(Synth & trumpets)
rit.
7
9
7
10
Gtrs. 2, 3 & 4 tacet
12
w/ bar
1 0 2 0
9
D
10
Em
2 3 2 0 0
4
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
rit.
Verse Faster q = 119 Half-time feel D5
1. We
have
Gtrs. 5 & 6 (7-str. elec.)
f
5 5 3
3
3
1
5 5 3
C
to
hear
s
3
5 3
3
1
to
see
this
P.M.
3
5 3
3
3
A5
5 5 3
F/A
all
3
3
3
are
mes
-
5
1
mer
0
0
gift
has
3
3
6
C5
your
sav
-
ior
P.M.
3
G/A
grown
P.M.
0
0
3
5 3
1
1
1
1
and
let ring
P.M.
12 7 0
12 7
0
0
0
Am9
Am
ized,
3
9 7
P.M.
crowd
sing,
5 5 3
3
let ring
-
-
5 5 3
1
1
Am
P.M.
10 7
3
9 7 0
3
6
let ring
10 7 0
3
A
P.M.
1
P.M.
brings.
him
D5
C5
5 5 3
5
3
D5
semi-P.H.
5
3
C
3
5 3
3
3
D5
come
P.M.
w/ dist.
9 7 0 1
5
5
but
si
9 7 0
9 7
let ring
8
7
10
-
lence
5
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
Gm/Bb
Bb
6
3
6
semi-P.H.
6
3
stop
6
my
D5
3
5 3
3
Show
us
what
we’ve
5 5 3
-
1
3
5 3
3
1
1
2. Please
P.H.
6
5
4
semi-P.H.
6
P.M.
3
5 3
3
3
3
3
3
3
5 3
3
3
3
much
3
3
6
C5
a
5 3
3
3
-
3 1
semi-P.H.
5
1
5
bout.
P.M.
3
3
D5
3
3
3
C
so
5 5 3
3
P.M.
P.M.
5 5 3
heard
3
don’t
5 5 3
5 5 3
5
1
3
count.
P.M. 3
ar - rives.
D5
P.M.
y - us
ac
Pitch: G#
5
C5
-
semi-P.H.
4
4
far
Verse D5
5
-
5
4
E
on
5 5 3
Na
Lord
Gtrs. 5 & 6
F
as
5
Gtr. 6
falls
P.H.
quick - ly Gtr. 5
G#º7
3 1
3 1
5 5 3
6
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
P.M. 3
3
3
6
C
A5
G/A
In
5
1
Am
9 7
Am
Don’t
9 7 0 5
gath - er
P.M.
12 7
0
here
to - day.
P.M.
let ring
10 7 0
0
10 7
5
8
8
7
7
make
him
9 7 0
2 0
Gm/Bb
Bb
0
G#º/B
ask
Bm7
12 7 0
0
0
0
Cmaj7
0
we
let ring
Dm/A
P.M.
let ring
9 7 0
3
peace
a - gain.
Do
as
my
semi-P.H.
6
3
6
7
0
Bridge End half-time feel E
Fadd9
F/E
fa
-
ther
says.
semi-P.H.
5
F
let ring
9 7 0
9 7
0 0
3 3 1
Asus4
-
to - day.
ry
not
let ring
let ring
will
0
share
C
my
0
0 0 0
7 5
G
let ring
0 5 3
0
I
wor
w/ chorus let ring
7
Broth - er,
3 3 1
A
G
mu
-
sic
and
3
10 8
G/B
they
will soon
0 5 3
7
7
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
Am
Em
be
on
their
7 5
Fadd9
way.
0
3 3 1
They on - ly
Gadd9
know
let ring
the
noise
AsusÊ
Aadd9
ma - chines,
5 3
7 5 3
let ring
0
0
0 0 0
7 7 5
0 0
Interlude Freely
Asus4
G6
so I’ll
F
treat them
Gtr. 5
all
to
Gtrs. 5 & 6
Gtr. 6 divisi
*
9 9 7 7 0 0
0 0
5 5 3 3
3 1
0
C/E
E5
C#7âÄ/D
son - ic
ec
-
sta - sy.
5 X 3 0
4 2 2 0
chorus off
0 6 6 6 5 4 3
0 6 6 6 5 4 3
0 6 6 6 5 4 3
*Gtr. 5 to left of slashes in tab.
Slightly slower (q = ca. 110)
Faster (q = ca. 140)
0 6 6 6 5 4 3
0 6 6 6 5 4 3
3
0 6 6 6 5 4 3
µ
0 6 6 6 5 4 3
Fº5
Eº5
8
8 7
rit.
3
4
6
5
7
7
Outro Slower q = 60
Faster q = 118 Gtrs. 5 & 6 tacet
Cmaj7#5
(Piano)
Bbmaj7#11
D/A
Gm
poco rit.
Dsus4
Nev - er
Gm6/D
Dsus4
to
D
DsusÊ
D
ev - er
see
vi
a
D
rit.
-
sion
quite
Bm
in
my
DsusÊ
like
dreams
F#m
D
could I
de - serve
her.
Then
Segue to “When Your Time Has Come”
Gadd9
Aadd9
un - ex - pect
-
ed - ly,
F#m
I’m
tak - en
by
sur - prise.
Em7add11
A7sus4
A7
ap - peared
be - fore
rit.
An
an - gel
just
8
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
my...
from Dream Theater - The Astonishing
Astonishing Music by John Petrucci and Jordan Rudess Lyrics by John Petrucci
Intro Slowly q = 56 * Bsus4
B
E/B
F#/B
Bsus4
B
B/D#
add#4 E sus2
E
B/D#
G#m
2 0
5 4 2 2 0
6 X 4
6 4
Gtrs. 1 & 2 (7-str. elec.)
f
w/ dist.
2 2 0
2 2 0
0
*Chord symbols reflect overall harmony.
Emaj7
Em6
B/F#
G#m
2 0
5 2 0
4 2 2
Gtr. 1
F#/E
E
7 7 5
7 7 5
2 2 0
B/D#
C#m
C#m(add9)
4
4 2
4
6 4
4 4 2
4 2
let ring
2
4
2
4
4
4 2
4 2
2 2 0
E
C#m7
6 X 4
7 7 5
7 7 5
F#
5
7
7 5
let ring let ring 7
B/D#
F#/E
4
Bsus4
D#m
4
Gtr. 2
F#
Bsus4
Emaj7
7
F#sus4
let ring let ring let ring 2
6 X 4
2 2 0
0
5
7
9 7
7 5
4 2
6 X 4
F#/A#
B/A
E/G#
4 4 2
9 6
9 5
7 4
Bm/F#
F#7
Em/F#
9 X 7
9 X 7
9 X 7
4 X 2
4 X 2
4 X 2
F#5
9 9 7
4 4 2
© 2016 WB MUSIC CORP., YTSE JAMS, INC., WARNER-TAMERLANE PUBLISHING CORP. and KEY WIZ MUSIC All Rights for YTSE JAMS, INC. Administered by WB MUSIC CORP. All Rights for KEY WIZ MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved Used by Permission
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
1
Verse Slightly slower q = 53 Gtrs. 1 & 2 tacet
D *
D&
1. Broth - er,
Bm/D
can
you
D7
hear
Em
me?
His
C/E
life
is
C#º/E
in
A
your hands.
*w/ echo set for dotted eighth-note regeneration w/ 1 repeat, next 8 meas.
He
is
just
Gº/Bb
G/B
Cadd#9
a
G+/D#
Show him
Em
love
D
Em7
and still
too
young
child
G
A/C#
C#m7b5
and cour - age,
D
that
to
Am/C
B
free - dom knows
un
der - stand.
Em
no bounds.
D/A
-
D/F#
Tell him
Asus4
A
he
could nev - er
let
me
Slightly faster q = 56
Bm
down.
G/D
ther,
I
will
make
you
proud.
Choir: (Fa
A/C#
-
Em
D/F#
G
Asus4
Rest
in
A
peace.)
Verse Slightly faster q = 60
E
2. I
Gtr. 3 (acous.)
mf
2
2
0
E
0
4
Aadd9
had
-
the
0 0
an
4
this
time
I
held
the
2
2
1
0
0
4
0
2 0
0
4
swer.
let ring let ring 7
7
0
0
6
0
0
6
5
8
5
9
Badd11
9
7
key.
let ring let ring 0
5
E/G#
B
4
2
All
0
0
ways
0
-
let ring
let ring
fingerstyle
0
al
1
E/G#
And
let ring
4 7
9
9
8
0
0 8 7
2
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
9 7
7
9
7
now
C#m
that
I
4
G#m
5
6
the
6
E/G#
7
8
9
6
8 6
A
who
I
am
to
let ring
0
9
2
0
can
0
be.
4
5
4 6
4
7
4
5 6
5
6
7
7
0
6
7
2
0
7
4
4
2
2
2
4
2
3 4 4
2
4
4
2
4
5
0
2
let ring let ring let ring 4
be
F#
I
10
11
F#sus4
meant
9 11
be - lieve,
let ring
9
F#m/A
to
9
6
man
Aadd9
rea - son
let ring
4
the
F#m
see
let ring
6
B/D#
2
Verse Gtr. 3 tacet
B
Em6
3. Be - cause
*Gtr. 4 (acous.)
mf let ring
7 7 8 9 9 7
7 7 8 9 9 7
7 7 8 9
7 7 8 9
9 7
7
7 7 8 9 9 7
9 7
of
live
a - gain.
you
I
8 9 9 X 7
9 9 X 7
let ring
8 9 9
8 9 9
8 9 9 X 7
8 9 9 X 7
X X X X
8 9 9 7
7
7
7
X X X X
*Two gtrs. arr. for one.
B
D#m
7 7 8 9 9 7
7 7 8 9
7 7 8 9
7 7 8 9 9 7
let ring
7 7 8 9 9 7
8 9 9 7
9 7
9 7
8 9 9 7
Now
I
can
be
a
change
voice
for
let ring
X X X X
6 7 8 8 6
6 7 8 8 6
8
6 7 8
8 8 6
6 7 8
7 8 8 6
6 7 8 8 6
7 8 8
6 7 8
3
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
E
let ring
0 0 1
0 0 1 2 2 0
E
can
help
to
build
0 1 2 2 0
the
life
let ring
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2
2 0
2 3 4 4 2
nev
er
2 0
X X X
4 4 2
fair
and
true,
that’s
F#
so
2 2 3 4 4 2
4 4 4 6 6 4
7 6 4 X 6
F#
2 2 4 4 4 2
2 2 4 4 4 2
knew.
0 0 1 2 2 0
G#m
F#/A#
F#sus4
B
7 7 8 9 9 7
-
0 0 1 2
2 0
world
they
a
2 2 3
3 4 4 2
live
let ring
they
and
F#
4 2
2 2 3 4 4 2
2 2 3 4 4 2
3 4 4 2
Interlude Faster q = 112 Gtr. 4 tacet
D
2 3 2 0 0
µ(D) Riff A Gtrs. 1 & 2
End Riff A
heavy P.M.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Verse Gtrs. 1 & 2: w/ Riff A
Gtrs. 1 & 2: w/ Riff A (4 times)
4. On
the
road
D
to
rev
-
o - lu
-
4
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
tion,
there
are
les -
-
sons
to
be
Dsus4
-
are
my
ex
lost
at
of
tered
G
D
A7/D
All
the
things
learned.
D5
Dsus2
-
ist
3 Gtrs. 1 & 2
ev
-
-
3
3
3
A7
3
3
pride
and
heavy P.M.
5
Gmaj7
veal
5
5
5
5
5
5
A
a
hum
-
bled
3 P.M. 3
3
3
3
5
5
3
3
D
-
5
5
re
5
the
light
4
through
-
ced
3
5
When
slip - ping
4
0
0
0
0
Bm
-
hands,
3
0
my
mat -
was
that
3
3
no - rance
A/C#
ig
3
3
thought
Bm
3
3
turn.
ence
3
you
heavy P.M.
3
Dsus2
’ry
D
D
0
D/A
ed
to
re -
3 P.M.
7
7
7
7
5
5
5
(h = q)
D
E
man.
3
3
P.M.
3
3
3
3
3
3
3
3
P.M. 3
3
3
3
5
5
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
Verse Half time q = 56
F#m
G
Em
5. My prince, my son,
2
3
Em
for - giv - en
Em/D
2
5
3
song
si - lence has
5 3
2
2 0
7 7 5
been bro -
5 X 3
5
3
0
2
3
A/C#
to - geth - er we
2
5 5 3
that
can
you hear
steady gliss.
5 5 3
5
15
ken; mu - sic
reigns
for ev
5 5 3
5
D
are bound.
us?
let ring w/ chorus
D/F#
face,
2
Bm
you
3
D
Outro-Chorus D
F#m
new bur - den
5
D
of free - dom,
A/C#
light of this
Peo - ple,
Em
day.
this
a
on
A7/D
The
G/F#
7 7 5
5
G
A
A/C#
-
er - more.
let ring
We
2
3
Em
Peo - ple,
we
5
let ring
sing
Asus4
re - stored.
5 X 3
2
are
Peace has been
0
you
In
G/D
the way.
5
a - long
3
lost
Bm
G
you got
F#m
D/A
shall nev - er
Eº/Bb
hold
2
2 2 0
2
2 0
2
7 5
7 6
6
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
3
5
you
Bm
3
Bb+
D/A
G#m7b5
We
Gtr. 5 (elec.)
f
*w/ dist. & delay
12
11
10
15
D/F#
down.
G
will
A/C#
build
Em
our world
on
19
17
com
-
mon
grad. release 1/2
20
13
1
19
19
19
19
15 15
15
X X X
*Stereo delay set for 350 ms & 500 ms regeneration w/ 1 repeat.
9 7
8 X 6
7 X 5
6 X 4
5 3
2
Gtrs. 1 & 2
Csus2
G/B
Bb
rit.
5
2
q = 40 Gm
Gm/Bb
A5
ground.
And
we’ll
live
once
more,
e
-
Gtr. 5
15
15 17 19
16 17 19
16 17 19
14 15 17
rit.
14 15 17
15 17
18
20
18 17
19
17
14
Gtr. 6 (elec.)
f
**w/ dist. & delay
12 12 14 15
12 14 16
12 14 16
10 12 14
rit.
10 12 14
12 13
15
17
15 13
19
15
14
9
**Delay setting as above.
Gtrs. 1 & 2
3 3 1
0
6
5
3
7 5
rit.
7
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
ter
-
grad. release
1/2
19 19
19
1
grad. release
15 15
12 15
D/F#
A7/G
nal - ly
8va
in
19
har
15
-
17
grad. release
15 15
15
grad. release
1
14
12 12
12
G
mo - ny.
1
Our
15
lives
will
19 19
19
14
mf
12
5 5 3
A/G
Bb
rit.
ton
-
rit.
17
21
21
21
rit.
5 X 3
5
2
5 X 3
5 5 3
3 2 0 0 X 3
2
a
-
*
gain.
21
21
17
17
17
6
17
**
1/2
18
Faster q = 130 D
Em7b5
*Sustain note by repicking ad lib.
rit.
8
22
17
1/2
8va
ish - ing
8va
A
14
15
12
17
15 15
15
as -
grad. release
1
be
19
grad. release
1/2
D/F#
mf
Dsus4
Faster q = 56 Dsus4
5
17
**Sustain note by repicking ad lib.
3 2 0 0
3 2 0 0 X 3
3 2 0 0 X 3
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
semi-P.H. 3
3
3
from Dream Theater - The Astonishing
Chosen Music by John Petrucci and Jordan Rudess Lyrics by John Petrucci Intro Slowly q = 68 * G/D
Bm/D
(Piano)
Am/C
G/B
*Chord symbols reflect overall harmony.
Verse
D7(no3rd)
Am/D
hear
1. Her
words
through all
the
hope,
noise
mp
and
her
if
giv - en
a
way,
a
and
it
0
3 4 3
3
0
4 3
2
3 4 3
is
clear.
How
can
Bm
a
sign
Dsus4
Dsus2
Dadd9
all
can
all
D/G
he
A - gainst
Am/G
he
that
chance.
let ring
4
seen
just
D/G
I’ve
D
mes - sage
dis - so - nance?
D/F#
we found
**Gtrs. 1, 2 & 3
true,
F
Gmaj7
ring
Em
G/D
G
change
be - cause
she
let ring
2
2
2
3
2
4
2
4
3
**Gtrs. 1 & 2 (acous.); Gtr. 3 (elec.) w/ clean tone & chorus
© 2016 WB MUSIC CORP., YTSE JAMS, INC., WARNER-TAMERLANE PUBLISHING CORP. and KEY WIZ MUSIC All Rights for YTSE JAMS, INC. Administered by WB MUSIC CORP. All Rights for KEY WIZ MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved Used by Permission
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
1
G
Dadd9/F#
trusts
in
me.
have
Why
Bm
a
3
0
3
G/F
brace
when
let ring
4
Pre-Chorus
Cadd9
rea
-
Gtr. 3
now
*Gtrs. 1 & 2
0
1
3
3
3 0 2 3
3
0 2
0 2 3
3 0 2 3
0 2 3
faith?
0
3
let ring
3 0 X 2
3
3 0 X 2
0 X 2
2
3 0 X 2
0 X 2
3 5 2 0
3
2
0 0 0
-
let ring
1 0 2 0
let ring
2 3 2 0
2
I’ve
been
let ring
let ring
a
D/F#
son
1
there’s
let ring
3 0 2 0
3
3 0
rea
2
4
And
3
0
-
4
Am7add11
the
0
0 0 0
3
D
let ring
0
0 2 3
3
2
let ring
0 3 0 2 3
0
2
see
3
0
1
let ring
2 3 0 X 3
need
Gadd9/B
I
is
let ring
0 0 3 3
son;
4
2
0
DsusÊ
0
3
0
3
4
4
0 0
you
em
all
let ring
F
2
Em11
you can’t
2
2
3
2
gift
let ring
0
0
0
2
3
2
2
let ring 0 1 0 2
0 2 0
*Composite arrangement
2
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
0 0 0
2 0 X 2
2
3 2 0 X 2
0 X 2
0 0 0 0
Gsus4
D/F#
cho
G
-
sen.
sees
the light
0
2
0
3
2 0
0 0 0 X 3
0 0
2 0 X 2
0 0 0 0
0
4
2
let ring
let ring let ring
1 0 0 X 3
in
0
2
Em(add9)
Cadd9
-
3 2 0 X 2
2
4 2 0
0 0 0
0 X 2
0
side
0
4
3
3 3
5
5
0
0 4 2
me,
3
a
let ring
let ring
3
5
3
0
0
0 X 3
3 0
let ring let ring
0 0 0
0 0
3 0 X 2
3 0 X 2
0 0 0
3
3 0 X 3
3 0
0
2
3 0 X 3
0 0 0
G
of
let ring 0 0 4 2 0
Gadd9/B
let ring let ring let ring
let ring
She
1 0 0 X 3
0 X 2
3 0 0 X 3
3
3 0 0 X 3
0 0 0
Chorus Gtrs. 1, 2 & 3 tacet
Bbadd9
rea
-
Gtr. 4 (elec.)
DsusÊ
son
to
mp
Em
9
10
11
12
12
11
12
can’t
climb
this moun
-
tain
with - out
*w/ dist. & delay
8
C
But I
be - lieve.
Dadd9
*Stereo delay set for 450 ms & 750 ms regeneration, w/ multiple decaying repeats.
Gtrs. 1 & 2
3 3 3 1
Gtrs. 5 & 6 (elec.)
3 1
let ring
3 3 3 1
3 1
3 3 3 1
3 3 3
1
3 3 3 1
3 3 3
0 0 0 0
3 3 2 0 0
3
2 3 2 0
2
let ring
let ring
3 3 2 0
3 3 3 1
0
let ring
Gtr. 3
let ring 3 3 2 0 0
2 0
2 3 2 0 0
2 3 2 0 0
3
3
f
w/ dist. P.M.
0
steady gliss.
0 12
5
0 0 0
9 7
9 7
5 3
0 0 0
3
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
Gtr. 4 tacet
G
Dadd9
Em
you.
No,
I
can’t
3 mf Gtr. 7 (elec.) *w/ dist. & delay divisi 1 14
14
12
14
12
11
14
face
C
this
on
my
own.
12
9
14
9
14
*Stereo delay set for 450 ms & 750 ms regeneration, w/ multiple decaying repeats. Gtrs. 5 & 6
Gmaj7/B
mp
12
mf
9
12
Gtr. 5
5 2
5 2
1/2
12
12
C
With
you
Gtr. 7
14
15
14
15
14
3
17
15
semi-P.H. P.H. P.M. 5 2
9
9
12 9
12
12
3 3 5
5 5 3 3
0 0 0
2 0
Dadd9
let ring
Em
by
my
side,
17
5 3
P.H. P.M.
5 2
5 3
we will
17
19
16
3
2
2 0
0 0 0
3 2 0 0
3 0 0 X 3
Gtr. 7
Gtr. 4
12
16
17
semi-P.H.
5
10
10
Pitch: A
Gtr. 6
5 2
5 2
9
9
12 9
9
9
3
2
2 0
4
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
semi-P.H.
4
7
7
D/F#
C/G
8va Gtr. 7
o
-
pen
his
19
17
Gtrs. 5 & 6
let ring
5
2
Em
truth
2
de
8va
20
20
Gtr. 4
Gtr. 5
liv
loco
12
13
9 7 Gtr. 6
-
9 7
9 7
9 7
19
20
17
19
20
19
19
19
the
grad. release 1/4
17
20
3
er
us
12
3
P.M.
5 5 5 3
5
8 5 5
5
0 0 0 0
D
home.
mp
14
P.M.
5 5 3 3
0 0 0
-
1/2
Gtr. 7
6
mf 17
and
19
Am
will
16
eyes,
mp
12
f
12
9 10 12
2 0
3 2 0 0
2 0
3 2 0 0
9 10 12
9
10
11 12 14 12 14
P.M.
0 0 0
0
12 13
/0
0 0
0
12
*
P.M.
5
12 16
12
7 5
5
7 5
7 5
7 5
7 5
7 5
7 5
*
7 5
7 5
7 5
7 5
7 5
P.M.
7 5
5
12
7 5
*Grad. lift P.M.
5
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
Guitar Solo
Gtrs. 5 & 6 tacet
G
Gtr. 7
15
D/G
3
3
12
12
12
Gtr. 4
15
Gtr. 4 tacet
7
12
12
14
16
14
17
14
11
11
12
11
7
7
9
7
7
3
14
16
17
15
Am/G
D/G
Gtr. 7
14
12
G
15
17
13
14
12
14
15
12
12
14
16
12
14
16
12
14
16
12
14
13
16
15
17
14
15 19
8va
17
16
14
0
12
0
19
19
19
F
12 13 15
11 12 14
1/2 19
0
0 0 0
19
12
12
6
15 17
G/F
15
loco
Bm
12
12
6 15
13
D/F#
8va
14
17 15 13 19 17 15 20 19 17
1
19
20
22
20
20
20
19
20
20
D
14
13
19 17 15
3
steady gliss.
Dsus4
19 17 16
Em
3
19
19 17 16
17
19
* And
loco
8va
19
20 17
18 17
there’s
a
8va
19 17 16
17
19 15 12
13 12 13
12 15
12
17
14 16
14
15
15 19 22 19
16 17
21 19 21
19 20
19 22
*w/ additional delay set for 650 ms regeneration, w/ multiple decaying repeats. Includes repeats from previous notes.
6
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
Pre-Chorus
Cadd9
rea
-
son;
*
now
G/B
I
12
3
5 5 3
3
G
-
D/F#
0 0 0
sen.
5 2
0
5 5 3
0
Em
fears
the
light
0 0 0
5 5 3
14
7
9
Gtr. 6
5 5 3 3
0 0 0
5 5 3
12 14
12 13 15
12 14 15
let ring
5
7
let ring
5
9
8va
in
Cadd9
-
side
7
7
12
7 7 5
3
9 7
7
9 7
0
of
17 15 17
G/B
17
0 0 0
7
12
10
9 7
9 7
5 3
In the
1/2
15
0 0 0
5 3
0 0 0
5 2
me.
1
9
3
Gtr. 5
has
12
6
12
13
He
7
14
15
9
12
Gtr. 7
he
Cadd9/G
5 5 3 3
that
3
5 3
path
1/2
let ring
mf
Gtrs. 5 & 6
7
D/F#
loco
22
Am7add11
the
8va
cho
see
Gtr. 7
0 0 0
19 19 19
19
5 2
5 2
17
20
3 0 0 0
5 2
7 5
3
5 2
0 0 0
7 5
5
5
5
5
7
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
Cadd9/E
Dadd9/F#
ab
-
sence
Bm
of
song,
-
12
14
14
14
12
12
14
14
15 16
16
16
14
14
16
Em
ten
right
from wrong.
*slight P.M.
13
Bm/E
he’s for - got
loco
Bm/D
15
Our
1/2
15
19
16
16
15
19
19
19
16
17
*Applies to 4th string only.
0
3
3
let ring
0
5
2
0 0 0
2
3
let ring
3
0
voic - es
will
re
0
Cadd9
Gtr. 7
let ring
5 5 3
G/B
-
lease
15
17
Gtrs. 5 & 6
2
1 15
5
13
12
2
0
5 2
4 2
4 2
4 2
4 2
Bbadd9
him.
He’s
12
3 0 0 0
5 2
0 0 0
9 5
re - fused
9 7
9 7
9 7
P.M.
9 7
9 7
9 7
-
let ring
3 3 1
0 0 0 0
0 0 0 0
lis
ten
far
too
13
13
7
F/A
1
11
7
7
to
7
9 5
P.M.
11
10
let ring
10
1 3 5
8
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
6 5
0 0 0
C/G
long.
I’m
D/G
con - vinced
be - yond
a
doubt,
there can
be
way.
no oth
-
er
Harm. w/ bar
12
let ring
3
3
3
3
3
3
3
3
3
let ring
7 7 7
7 7 7
5 5 5
5 5 3 3
3
3
3
3
3
3
3
3
3
3
3
3
0 0 0
3
Freely q = 40
Tempo I
Dsus4
D
Gtr. 7 tacet
Gm7
He just
has
to
hear
me
C/G
C/E
C
rit.
out.
There’s so much I
need to
say.
But I
Gtr. 7
12
Gtr. 5
let ring
3 3 3 X 3
3 3 3 3
3
3
3
3
3
3
3
3
Gtr. 6
let ring
3 3 3 X 3
3 3 0 3
3
3
3
3
3
3
3
3
3
rit.
0 0 0
3
let ring
0 0 0
5 5 5 3 3
3
3
3
0
3
3 2 0 0
rit.
5 5 5 3 3
0
3
3 2 0 0
9
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
Chorus Gtrs. 5 & 6 tacet
Em
can’t
Cadd9
climb
this
moun
Gtr. 8 (elec.)
G
-
tain
D
with - out
you.
No,
I
mp *w/ dist., reverb & delay
12
14
12
12
14
12
12 12
14
14
12
10
*Delay set for eighth-note regeneration, w/ multiple decaying repeats.
Em
can’t
face
Cadd9
this
on
Gmaj7/B
my
own.
Dadd9/F#
10 12
14
C
you
14
by
my
Em
side,
14
o
12
12
14
pen
his
14
16
14
pp
9
mp
w/ bar
Harm.
12 9
17
eyes,
12
5
7
truth
Am
rit.
will
de
-
liv
-
er
us
D
DsusÊ
D
G
w/ bar
5
home.
rit.
5
10
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
Em
16
and the
Pitch: G
With
C/G
-
we will
14
D/F#
from Dream Theater - The Astonishing
Dystopian Overture Music by John Petrucci and Jordan Rudess
A Moderately q = 97 Half-time feel ** Bm
C#/B
Em/B
2 2 0
0
0
A#º7
F#
*Gtr. 1 (dist.)
f
1
3
2
5
*7-str. gtr., doubled throughout. **Chord symbols reflect overall harmony.
Bm
C#
G
2 2 0
4 4 2
3
Em
5
3
7
3
4
6
6
3
2
4
6
4
3
F#sus4
4
5
5
5
2
3
2
7
Em/G
3
3
7
Eº
3
3
0
4 4 2
Gm/D
0
4
Em
7
Aº
F#
5
F/A
7
Bbm
Eº/Bb
0
C#m7b5
Bb/D
5
Bsus4
5
3
7
© 2016 WB MUSIC CORP., YTSE JAMS, INC., WARNER-TAMERLANE PUBLISHING CORP. and KEY WIZ MUSIC All Rights for YTSE JAMS, INC. Administered by WB MUSIC CORP. All Rights for KEY WIZ MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved Used by Permission
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
B
0
1
B Gm
Faster q = 118 Dm(add9)
C#º7/E A/C#
Gtr. 2 (dist.)
f
rit.
*w/ delay
7
Gtr. 1
6
3
9
5
3
10
7
7 5
5 5 3
5 5 3
5
7
7
6
5
5 5 3
9
9
2
Am
Dm(add9)
9
9
12
P.M. 5 3
Dm
10 14 10
10 14
12
3 3 1
3 3 1
3 3 1
3 3 1
3 1
5
10
5 3
12
9
10
9
7
3 1
3 1
10
10
9
5 5 3
10 9
9
12
Bb6
15
9
7 7 5
5
10
14
15
12
10
9
12
8 6
10
13
Bbmaj7
Am
** P.M. 3 1
10
8 6
12
10
9
7
C
12
7
Bb
*Stereo delay set for 400 ms & 650 ms regeneration, w/ multiple repeats.
rit.
9
7
Dm
8 6
Bb
semi-P.H.
7
5
w/ bar
9
-2 1/2
5
8 8 6
6
**Grad. lift P.M.
2
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
F/A
20
18
17
18
17 17
13
13
14
18
8 5
5
13
14
15
17
14
15
Am
loco
8va
14
15
14
15
P.M.
7 5
5
5
18
17
P.M.
7 5
5
15
5
5
C
Bb Gtr. 2
Am
Gm7
15
17
18
Gm/F
18
18
f
10
8
17
5
5
6
5
3
F#/A#
Am
6
5
0
Em/B
0
5
6
Gtr. 1
2
3
C#º
Em/B
17
*Stereo delay set for 400 ms & 650 ms regeneration, w/ multiple decaying repeats. Gtr. 1
C
1/2 5
Em/G
grad. release
*w/ delay
11
Gtrs. 2 & 3 tacet
Em(add9)/F#
grad. release
1
Gtr. 3 (dist.)
Em
G+/D#
Gmaj7/F#
5
Em
8
7
A/C#
2
4
7
5
2
3
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
Am/C
1
Fº/Ab
F/A
5
7
4
5
3
D
C#m7b5
3
D
12 12
17
12
19
1
0
µ
F
2
6
Eº/Bb
2
F#m7b5
C
5
Bº
1
Em
F/A
Am
5
4
6
14
7
17
5
6
0
3
P.M.
5
6
5
4
3
3
2
5
P.M.
3
6
P.M.
8
9
3 0
3
7
End half-time feel C/G
Ab+
5
12 13 15 17
7
5
6
0
3
3
7
P.M.
7
8
7
6
5
9
8
8
6
7
7
9
6
3 8
7
6
5
8
4
6
4
5
7
E Slightly faster q = 122 Em
C/E
F#m7b5/E
E7
P.M.
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
4
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
7
7
7
7
P.M. Am/E
7
F#
7
7
Am7b5
Em/G
7
7
7
F#
Bm/F#
rit.
5
5 X 3
4 4 2
7
D#º7
C
4
1
Slightly slower q = 116 B
F#7
4 4 2
4 X 2
4 2
3
7
Em/G
2 2 0
F Gtr. 4 (dist.)
B
mp
*w/ delay
12 7
9
9
9
7 12 7 12 7
9
9
9
7 12 7
12 7
9
9
9
7 12 7 12 7
9
9
9
7 12 7
12 7
9
9
9
7 12 7 12 7
9
9
9
7 12 7
*Stereo delay set for dotted eighth-note & dotted quarter-note regeneration, w/ multiple decaying repeats.
Gtr. 1
2 2 0
12 7
9
9
9
7 12 7 12 7
Em/B
Em/G
Em
9
9
9
7 12 7
12 8
9
9
9
8 12 8 12 8
9
9
9
8 12 8
12 8
9
9
9
8 12 8 12 8
9
9
9
8 12 8
2 2 0
5
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Gtr. 1 tacet
B
Gtr. 4
D#m
12 7
9
9
9
7 12 7 12 7
9
7 12 7
9
9
12 7
9
9
9
7 12 7 11 7
7 12 7
9
9
7
11 7
8
8
7 11 7 11 7
8
E
11
7
8
8
8
7
11
7 11
7
8
8
8
7 11
E
9
8
9
11
11
8
A/G
9
9
11
9
11
9
7 11 7
8
8 9 8
Bb/F
8
8
Slower q = 90
C/E
poco rit.
11
8
G#m
9
G
8
B
F#/E
11
7
F#
8
11
12
14
12
G Faster q = 116
Gtr. 4 tacet
D
G/D
Em/D
Gtr. 4
12
12
Gtr. 1
w/ chorus let ring
11 0
Gtr. 1
11
9
12
12
11
let ring
9 0
7 0
A/D
11
11
9 0
11
12
12 0
D
let ring
12 0
14 0
14
12
11 0
6
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
9 0
12 0
12 0
G
10 0
G6
D
Bm
let ring
Harm.
10 0
Em
12 12
11 12
14 0
14 0
12 12
11 9
12 9
12
D/A
A
11
11 7
9 7
9 7
7 7
H Slower q = 105
Bb
F
C
chorus off P.M. 8 6
6
6
Gm
10
8
F/A
6
Bb
8 8 6
8 8 6
8 8 6
Bb/D
P.M.
G
8
8
Eb
12
10
Eb
8 6
5
6
5
8
8
5
6
8
5
8
8
8 6
Bb
6
6
10
8
6
8 6
8 6
6
8 8 6
10
D5
8
6
F
8 6
C/E
8 6
8 8 6
F
F/A
3
5
6
8
Bb
6
Bb
12 9
3
Eb
12 10
10 8
0
C/G
0 0
F/C
10 8
8
Dº/Ab
C
8
Dm/A
5
12 10
8
10 8
Bº
4
5
7
10 7
Dm/F
8
I Faster q = 145 Half-time feel
µ(E7b5)
µ(Bm6)
rit.
7
6
5
4
6
5
4
2
3
(E9/B)
2
1
7
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(Bm6)
(E9/G#)
2
2
5
4
1
(E9/B)
(Bm6)
2
4
2
1
J Slower q = 112
(Bm6)
E
rit.
2
2
AsusÊ
2 2 0
5
1
Dsus2
AsusÊ
5 X 3
5 5 3
7 5
D
5 5 3
7 5
2
C#m
A
E/D
7 5
5 X 3
2
A/G
D/F#
4
5 X 3
2
Bm
0
Segue to “The Gift of Music”
Dmaj7
2
7 5
A/C#
E/G#
0
A/C#
Bm7
2 0
G#º/D
A
3
Esus4
P.M.
3
3
3
3
E
2 2 0
5 4 2 2 0
rit.
A
3 P.M. 0
0
8
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0
7 7 5
from Dream Theater - The Astonishing
Hymn of a Thousand Voices Music by John Petrucci and Jordan Rudess Lyrics by John Petrucci Intro Moderately q = 86 ** Esus2
*Gtr. 1
(Piano)
10
12
12
mf
9
10
9
9
9
10
7
7
8
7
9
9
11
*Violin arr. for gtr. **Chord symbols reflect overall harmony.
Gtr. 1
E
Aadd9/E
9
Rhy. Fig. 1 ***Gtr. 2 (acous.)
mf
0 0 1 2 2 0
0 0 1 2
0 0 1 2 2 0
0 X X X 0
0 0 6 7
0 0 6 7 7 0
0 0 6 7
0 0 6 7 7 0
0 X X X 0
sim.
let ring throughout
0 0 1 2
0 0 1 2 2 0
2 2 0
0 0 1 2
2 2 0
0 0 6 7 7 0
0 X X X 0
7 7 0
0 0 6 7
7 7 0
0 X X X 0
***Two gtrs. arr. for one.
E
9
0 0 1 2 2 0
9
9
10
0 0 1 2
0 0 1 2 2 0
0 0 1 2
0 0 1 2
0 0 1 2 2 0
0 X X X 0
2 2 0
2 2 0
0 X X X 0
10
12
F#m7add11/E
0 0 2 4 4 0
9
9
9
10
9
0 0 2 4
0 0 2 4 4 0
0 0 2 4
4 4 0
0 0 2 4
4 4 0
© 2016 WB MUSIC CORP., YTSE JAMS, INC., WARNER-TAMERLANE PUBLISHING CORP. and KEY WIZ MUSIC All Rights for YTSE JAMS, INC. Administered by WB MUSIC CORP. All Rights for KEY WIZ MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved Used by Permission
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
0 0 2 4 4 0
10
12
End Rhy. Fig. 1
0 X X X 0
0 X X X 0
1
E
12
12
0 0 1 2 2 0
Aadd9/E
9
9
10
9
9
0 0 1 2
0 0 1 2 2 0
0 0 1 2
0 0 1 2
0 0 1 2 2 0
0 X X X 0
0 X X X 0
0 0 6 7 7 0
2 2 0
2 2 0
8va
16
13
9
14
0 0 8 9
0 0 8 9 9 0
0 0 8 9
0 0 8 9 9 0
0 X X X 0
9 9 0
0 0 8 9
9 9 0
12
0 0 6 7 7 0
0 X X X 0
9
11
0 0 6 7
0 0 6 7 7 0
0 0 6 7
0 0 6 7 7 0
0 X X X 0
7 7 0
0 0 6 7
7 7 0
loco
17
11
Aadd9/E
0 0 8 9 9 0
9
Badd11/E
7
16
17
12
14
14
15 14
0 0 6 7
0 0 6 7 7 0
0 0 6 7
0 0 6 7 7 0
0 X X X 0
7 7 0
0 0 6 7
7 7 0
0 X X X 0
0 X X X 0
Verse Gtr. 2: w/ Rhy. Fig. 1
E
Gtr. 1
1. Out
of
the shad
Aadd9/E
-
ows,
E
one by
one
they
F#m7add11/E
came
8va
16 17
16
17
19
17 19 17 16 17 16
16
2
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
16
17
12
14
loco
15 14
E
to
shed
Aadd9/E
their
light
Gtr. 1
up
-
on
his
mo
-
16
Gtr. 2
Rhy. Fig. 2
0 0 1 2
0 0 1 2 2 0
0 0 1 2
0 0 1 2
0 0 1 2 2 0
0 X X X 0
0 0 1 2 2 0
2 2 0
Badd11
-
ment
8va
14 16 14 16 14
0 0 8 9 9 7
2 2 0
17
0 0 8 9
0 0 8 9 9 7
0 0 8 9
9 9 7
0 0 8 9
sim.
0 0 6 7 7 0
0 X X X 0
0 0 6 7
0 0 6 7 7 0
0 0 6 7
0 0 6 7 7 0
0 X X X 0
7 7 0
0 0 6 7
7 7 0
Aadd9
of
doubt
14
16
loco
and
9 9 7
0 0 8 9 9 7
0 X X X X
0 X X X X
0 0 6 7 7 5
pain.
17
18
16
0 X X X 0
17
19
8va
17
16
16 17 16 14
End Rhy. Fig. 2
0 0 6 7
0 0 6 7 7 5
0 0 6 7
0 0 6 7 7 5
0 X X X X
0 X X X X
7 7 5
0 0 6 7
7 7 5
Verse Gtr. 2: w/ Rhy. Fig. 1
E
2. A
8va Gtr. 1
thou
-
sand
voic
-
es
Aadd9/E
r
E
-
rang
out
through
the
night.
8va
14
17
12
3
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
Gtr. 2: w/ Rhy. Fig. 2
F#m7add11/E
A 8va
17
16
17
16 17 16 14
Badd11
12
14
17 14 17 14 12
-
17
14
16
too
14
16
14
17
14
16
14
16
14
12
of
mer
-
cy
for
ior,
14
Aadd9/E
sym - pho - ny
loco
E
their
sav -
Aadd9
tired
to
fight.
8va
16
18
loco
3
19
16
14
14
21
19
16
14
16
17
Chorus
G#m
Gtr. 1
And
as
the
cho
-
rus
Aadd9
9
10
grew,
9 18
Gtr. 2
4 4 4 6 6 4
19 18 16
19
18
4 4 4 6
4 4 4 6 6 4
4 4 4 6
4 4 4 6
4 4 4 6 6 4
X X X X X
X X X X X
0 0 6 7 7 5
18
6 6 4
6 6 4
9
12
0 0 6 7
0 0 6 7 7 5
0 0 6 7
0 0 6 7 7 5
0 X X X X
7 7 5
4
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
0 0 6 7
7 7 5
0 X X X X
9
Badd11
a
thou
-
sand
G#m
hearts
beat
C#m
true.
Then
9
0 0 8 9
9 9 7
0 0 8 9 9 7
0 0 8 9
0 0 8 9 9 7
0 X X X X
like
a
glow
-
ing
0 0 8 9 9 7
0 0 8 9
9 9 7
4 4 4 6 6 4
0 X X X X
11
4 4 4 6 6 4
4 4 6 6
X X X X X
X X X X X
8
11
4 5 6 6 4
9
7
5 6 6
4 5 6 6
4 5 6 6 4
X X X X
X X X X
the
dark,
Gtr. 1 tacet
F#m
Aadd9/E
bea
-
con
in
7
2 2 2 4 4 2
2 2 2 4
2 2 2 4 4 2
2 2 2 4
2 2 2 4
2 2 2 4 4 2
X X X X X
X X X X X
4 4 2
Badd11/D#
0 0 8 9 9
Gtr. 2
4 4 2
0 0 8 9
9 9
0 0 8 9 9
0 0 8 9
0 0 8 9
9 9
0 0 8 9 9
sim.
0 0 6 7 7 0
Badd11
hope
0 8 9 9 0
0 8 9 9 0
0 0 8 9 9 7
0 0 6 7
0 0 6 7 7 0
0 0 6 7
0 0 6 7 7 0
0 X X X 0
7 7 0
0 0 6 7
7 7 0
came
shin
-
ing
0 X X X 0
through.
0 0 8 9
0 0 8 9 9 7
0 0 8 9
0 0 8 9 9 7
0 X X X X
0 X X X X
9 9 7
0 0 8 9
9 9 7
5
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
Interlude Gtr. 2: w/ Rhy. Fig. 1
E
Aadd9/E
Shin
8va
Gtr. 1
17
17
19
19
21
17
19
16
17
-
E
ing
through,
loco
16
17
19
16
17 16
19
17
18
Gtr. 2: w/ Rhy. Fig. 2 (1st 2 meas.)
F#m7add11/E
shin
-
E
ing
8va
16
Badd11
through.
16
Aadd9/E
18
17
16
16 17 16
17
19
17
17
16
Aadd9
16
16
17
18
16
16
A
8va
Gtr. 1
16
16
Gtr. 2
0 0 8 9 9 7
18
16
17
19
16
19
21
19
16
17
19
21
19
0 0 8 9
0 0 8 9 9 7
0 0 8 9
0 0 8 9 9 7
0 X X X X
0 X X X X
0 0 6 7 7 5
9 9 7
0 0 8 9
9 9 7
16
16
17
6
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
16
17 16
19
16
17
-
Bridge Am
maz
-
ing
-
17
17
19
17
Em
and
all
2 0
0 1 2 2
0 1 2 2
11
0 2 2 0
0 X 2 0
0 X 2 0
0 X 4 2 0
X X 0
0 1 2 2 0
2 0
12
12
X X 0
0 0 X 5 2 0
17
16
14
14
5 4 5
5 4 5 X 3
5 4 5
5 4 5
5 4 5 X 3
4 5 X 3
X X X 0
0 0 0 0
5 4 5 X 3
5 X 3
15
17
-
0 0 0 0
0 0 0 0
3 3 2 0 0
voice,
15
5 X 3
13
2 3 2 0 0
2 3 2 0
2 3 2 0
2 3 2 0
2 0 0
3 3 2
2 0 0
3 3 2 0
0 0 0
11
12
rit.
14
3 2
16
3 3 2 0
14
15
3 3 2
17
3 3
joiced...
14
rit.
re
his
D
they
er
found
-
ior
sav
-
the
Dsus4
0 0 0 2
to - geth
0 0 0 2 2 0
17
14
17
0 1 2 2 0
0 1 2 2
16
loco
0 1 2 2 0
16
Cmaj7/G
ly,
8va
2 0 0
2 0 0
13
12 13 12
14
rit.
Outro Slower q = 78 Gtrs. 1 & 2 tacet
G
Glo - ri - ous
D/G
C/G
sound,
guide
her
to
-
G
out
of
the
C/G
night,
Bm
G/B
dark
-
ness,
*Gtr. 3 (7-str. elec.)
f
5 X 3
5 X 3
5 X 3
5 X 3
5 5 3
5 5 3
5 X 3
5 X 3
w/ dist.
5 3
0
0
*Doubled throughout
7
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
in -
to
Un
-
bind
3
5 X 3
3
5 5 3
3
1
5 3
3
5 X 3
G/B
Am
the
chains
of
end
8
3
5 5 3
new
3 1
5 5 3
her
let ring
her
set
G
3 1
7 5
C#º7
F
-
less
sleep.
8 8 6
5
5 5 3
5 5 3
5 3
5
G/D
let ring
4
let ring
5
2
a
5
G
Em
rit.
let ring
5
3
4
G/D
Mu - sic
has
shown
G/D
her
D
C
rit.
the
way.
5 5 3
3 3 1
rit.
0
5 X 3
1
G/B
Am7b5
She
lives
7
7
to
let ring
0
5
5 5 3
Eº7
grace.
8 7 6 5
3
0 5 X 3
P.M.
G
0
3
5
6
8
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
-
day!
5 5 3
Dsus4
high,
D
on
rit. let ring
A tempo
3
7
6
3
bound - less
free.
Dsus4
thy
soul
G/B
of
Choirs
ves - sel
Am
B7/D#
me
D
3
Dsus4
Make
3
G
3
C/E
life.
3
3
song,
Mer - ci - ful
0
grant
D/G
3 3 1
C/G
C
G
C
D
light.
0
Dsus4
the
5
Cadd9
G/B
Am
from Dream Theater - The Astonishing
Moment of Betrayal Music by John Petrucci and Jordan Rudess Lyrics by John Petrucci
Intro Moderately fast q = 163 * Em
(Piano)
*Chord symbols reflect overall harmony.
1. C/E
D/E
Em
Am
**Gtrs. 1 & 2 (dist.)
f
C/E
C/E
C
7 7 5
Bm
2 2 0
2. Am/E
3 3 1
2 2 0
**7-str. gtrs.
B5
3 3 1
2 2 0
Em
C
D
2 2 0
5 5 3
3 3 1
Am
P.H.
µ
7 7 5
7 7 5
1
2
0
5
4 Pitch: G
Half-time feel E5
D/E
F/E
P.M. P.M. P.M. P.M. 2 2 0
0 0 0
0
0
0
2 2 0
0 0
0
0
0
0
0 0 0 0 0 0
0 0
2 2 0
0 0 0
0
0
0
2 2 0
0 0 0
0
0
© 2016 WB MUSIC CORP., YTSE JAMS, INC., WARNER-TAMERLANE PUBLISHING CORP. and KEY WIZ MUSIC All Rights for YTSE JAMS, INC. Administered by WB MUSIC CORP. All Rights for KEY WIZ MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved Used by Permission
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
0
0 0 0 0
1
End half-time feel
P.M. P.M. P.M. P.M. E5
Em
2 2 0
0 0 0
Verse E5
0
2 2 0
0
0 0
0
1. Brace
your - self,
my
broth
0
-
0
0
2 2 0
0 0 0 0 0 0 0 0
P.M.
7
0 0 0
E5
0
Noise
0
er;
0 0 0
C/E
No more
0
0
0
0
0
still
0 0
blood
8
0
0
0
0
There’s
-
shed,
0
0
0
0
0 0 0 0 0 0 0 0
0
0
no
time
0
F/E
0
0 0 0 0
news.
The
P.M.
5
0 0 0
0
0
to
0
5
0 0 0
Em
7
0
0
0
lose.
0 0 0
pain
fear.
P.M. 0 0 0
5
and
0
0
0
0 0 0 0
P.M. P.M.
no more
P.M. 0 0
0 0 0 0 0 0 0 0
0
0
A/E
to - night.
P.M.
0 0 0
break - ing
0 0 0
2 2 0
0
P.M.
5
0 0 0 0 0 0 0 0
lie
of
0
0
7
0
threats
0 0 0
0
P.M.
8
0
0 0
0
I have
7
0
0
D/E
P.M.
Ma - chines
P.M.
7
0 0 0
Riff A
Am/E
0
D/E
0
0
0
0 0 0 0
P.M.
2
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
0 0 0
0
0
7
0
0 0 0 0
F#/E
Ra
skill
will
brave
the
-
ven
-
storm.
0
0
0
0
0
0
2
0
0
0
0
0
0
0
0
0
F#5
F#5
4 2
You
are
ver - y
2 2 0
4 2
E5
on
edge.
4 2
2 0
4 2
5 3
-
to - ry
4 2
4 2
2 0
2
G5
F#
P.M. P.M. 0
2 0
is
4 2
4 2
4 2
2
0
5 3
0
0
4 2
1
2
1
3
give
me
2
4 2
2 0
0
C
E5
0
0
0
0
F#5
0
0
0
G5
P.M. P.M.
2 0
4 2
0
0
5 3
0
0
G/F#
I
will
be
voice
for
4 2
4 2
4 2
4 2
4 2
a
2 0
µ
strength.
5 3
0
F#
3
0
strange,
µ
0
4 2
ing
4 2
Broth - er,
-
1
4 2
change.
act
0
3
F#7sus4
and
G5
0
F#5
ner - vous
0
E5
0
5 5 3
E5
near.
vic
0
Pre-Chorus
Our
F/E
P.M. P.M. P.M.
G5
End Riff A
2
3 3 1
2
3
5
4 3
5
1
3
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
Chorus Em
-
ing
rose,
Am
se
-
crets
sold,
Burn
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. 2 2 0
0
0
-
5 2 0
0
ment
4 2 0
0
0
2 2 0
0
0 0
7 5
5
of
0
0
be
-
9 7
0
0
0
of
death,
10 7
0
9 7
0
10 7
0
5
tray
9 8
0
8
blood
P.M.
10 8
8
re
7 5
5
9 7
B5
8
7 8
-
P.M.
P.M.
7 5
5
al.
8
5
2nd time, Gtrs. 1 & 2: w/ Rhy. Fill 1
P.M.
9 5
5
-
C
10 5
8
7 8
8
0 0 0
9 7 0
9 7 0
7 8
8
Kiss
0
5
Em
10 7
5
C
P.M. P.M. P.M. P.M. P.M. P.M. 9 7 0
9 5
5
mo
0
Bm
0
4 2 0
venge,
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. 2 2 0
0
0
4 2 0
0
0
5 2 0
0
4 2 0
0
0
0
0 0 0
2 2 0
3 3 1
1
1
3 3 1
1
1
3 3 1
1
1
Rhy. Fill 1
Gtrs. 1 & 2
P.M.
8
P.M.
7 8
8
P.M.
7 8
9 7
0
P.M.
9 7
0
4
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
3 3 1
1
1
3 3 1
1
3 3 1
0 0 0 0
mo
-
ment
of
0 3 2 0
P.H.
6
4
1
2
0
5 Pitch: F
D/E
by
the
war
2 0
2 0
2 0
heavy P.M.
-
rior’s
have
sworn
Riff B
2 0
2 0
to
live
and
heavy P.M.
2 0
2 1
0
be - hind.
2. I
2 0
2 0
May
God
P.M. heavy P.M.
2 0
2 0
8
7
5
0
7
5
3
die
2 0
2 0
2 0
Em
1
2
0
2
5
2 0
2 0
2 0
re - deem
my
soul.
A
0
0
2
leave
heavy P.M.
3
3
7 5
End Riff B
2 0
4 2 0
2 0
Nev - er
P.M.
5 2 0
2 0
code.
3
5
3
4
G
Fadd#11
0
P.M.
4 2 0
2 0
2 2 0
0 0 0
al.
P.M.
-
Verse Em
tray
0 0
Am
µ
-
let ring
0 0 X 3
be
To Coda
D
a
2 0
man
2 0
2 0
Asus2
P.M. 5
5
5
5
9 7 5
9 7 5
5
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
Gtrs. 1 & 2: w/ Riff B
Em
I
will
give
you
what
you
my
are
days
Guilt
and
shame
0
0
3 3 1
2
night
where
will
bur
for
-
er
den
me
Fadd#11
my
son.
un -
Pre-Chorus B
Meet
me
to
-
semi-P.H. P.M. P.M.
0
the
stars
0
0
6
0
7
touch
8
7
the
sky.
5
7
7
8
7
5
7
7
8
5
slight P.M. P.M.
7
7
7
8
7
5
7
7
He’ll
be
broth
-
P.M.
3
Bb5
done.
C
D/E
my
Gtrs. 1 & 2
need,
til
Em
8
7
5
7
7
8 10
7
5
7
8
a
-
7
8
lone
7
5
7
7
8
5
7
0
0
there
8
with
3
5
no
-
3
2
0
3
5
6
where
to
7
7
7
P.M.
8
7
5
7
7
8
7
5
7
7
8
5
8
7
5
7
7
8
7
5
7
7
8 10
8
7
5
7
6
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7
8
7
5
7
7
8
5
Coda
D.S. al Coda
hide.
tray
P.M.
7
0
5 2 0
2 1
0
0
3
5
6
7
Cadd#11
He
will
be
3
3
3
F
look
fense
4 3
3
3
5 3
0
-
2
0
less.
3
2
say
on,
-
P.M. P.M. P.M. 3
I’ll
5 2 0
0
Em
de
4 2 0
2 2 0
6
8
5 3
0
0
0
2
0
2
Bridge Em
P.M.
2 0
3
P.M.
2 0
5
al.
3
A#º5
0
-
7
8
slight P.M.
Am
I
Gtr. 1
Gtr. 2 divisi P.M. P.M. **P.M. *
11 9 7
7
2
10 8
0
8
8
8
8
9 8
8
8
10 10 8 8
10 8 0
0
*Gtr. 2 to left of slash in tab. **Pertains to Gtr. 2 only.
F#m7b5
put
B7/D#
up
a
5
2
0
Em
fight.
There
Gtrs. 1 & 2
7 6
P.M. 6
6
6
6
7 6
7 6
2
Cadd#11
will
be
0
5 3
7
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
Em
no
5 3
3
mf
2
0
you
1
1
1
P.M.
-
G5 Em
ro
8 6
4 2
6
6
5 3
2 0
0
Gtr. 4 (dist.)
mf
Gtr. 5 (dist.) mf divisi * P.M.
17 17 17 17
17 17 17 17
17 17 17 17
17 17 17 17
0
0
17 17 17 17
P.M.
P.M.
17 17 17 17
7 6
6
to - night.
8 6
6
F#5
he
3 1
Bb5
7 6
a
3 1
1
0
P.M.
3 1
0
call
0
5 3
3
F
Interlude Em Gtr. 3
will
2
(dist.)
3
ness.
They
4 3
3
-
Em
3
3
wit
P.M. P.M. P.M.
A#º5
0
9 9 7
17 17 17 17
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
*Applies to both guitars throughout.
Gtrs. 1 & 2
heavy P.M.
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
8
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
0
0
0
0
0
0
0
Am
Em
P.M.
17
17
17
17
17
17
17
17
17
17
17
17
17
17
17
17
17
P.M.
10 7
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
heavy P.M.
7 7 5
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
C 8va
P.M.
17
17
17
17
17
17
17
17
17
17
17
Gtr. 3 divisi
24 17
17
P.M.
Gtr. 6 (dist.)
mf
24 17
24 17
24 17
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
heavy P.M.
0
0
0
0
0
0
0
0
0
0
0
0
17
9
20
10 8
0
0
0
0
3 3 1
9
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Gtrs. 3-6 tacet
µ
Gtrs. 1 & 2
P.M.
3
2
0
Am
3
7 7 5
5
7
5
8
7
0
5
3
2
0
2
0
5
3
7
5
0
Em
3
2
0
3
7
0
0
0
0
µ
2
3
P.M.
0
0
Em
P.M.
3
2
5
3
2
0
3
0
7
5
2
5
1
3
0
0
0
0
1
0
0
0
0
0
0
6
7
7
0
3 1
2
3
0
0
0
0
0
0
7
10
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
0
2
0
3
µ
5 0
10
8
0
0
0
0
0
0
3
P.M.
3 1
3
0
0
C
0
0
0
P.M.
5
P.M.
3
µ
10 7 5
5
P.M.
0
P.M.
5
4
7
3
2
Gtrs. 1 & 2 tacet
(B)
Gtr. 7 (dist.)
f
9
10
9
13
12
11
11
12
14
13
12
12
13
9
10
13
12
11
11
12
13
14
12
12
13
15
9
12
16
14
14
12
16
15
14
16
17
Gtr. 8 (dist.) 3 3 3 Gtr. 7
f
15
12
14
11
12
13
12
15
19
19 17 15
19
17
15
12
14
14
13
16
12
14
12
16
17
14
15
17
19
16
1
*w/ delay
13
11
Gtr. 7 tacet
16
12
13
3
Em
14
11
Guitar Solo Half-time feel
17
12
17
17
19
15
17
17
16
17
*Stereo delay set for 375 ms & 600 ms regeneration, w/ multiple decaying repeats.
Gtrs. 1 & 2
P.M.
0
0
2 2 0
D
15
17
F
7 5
19 16
14
16
19
P.M. 0
0
3 3 1
14
17
15
15
17
P.M.
9 7
9 7
0
0
Em
3
13
12
3 3 1
2 2 0
15
14
12 16 14
19
P.M.
0
3
17
16 19
0
14
17
3
16
14
5 4 2 2
11
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19
16
17
16
3
loco
A
8va
15
19
16
19
3
17
15
19
17
15
14
15
17
15
14
15
5 4 2 2
7 7 5
0
5
3 3
8 12 14 16 18 11 12 14 16
7 7 5
7 7 5
9
10
9
12 15 12
12
10
P.M.
0
3 3 1
1
1
Em
1 15
2 2 0
15 12
15
15
P.M.
0
15
12 15
0
12 15 12
5 4 2 2
15
12
15 12
14
15
14
12 15
22
12
15
14
7 7 5
5
D
3
3
12 16 17
19
5 5 3
3 3 1
1
12
14
14
15 19 15
13 12
11 12 14 16
15
3
3
14
P.M.
C
12 14 15 17
12
P.M.
5 4 2 2
14
3 1/2
19 21 22
F#
22
2 0
4 4 2
12
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18
18
21
16
P.M. 2
2
4 4 2
15
1
17
17
15
Am
5 14
17
14
16
15
16
14
16
12
15
14
14
12
13
17
12
6
13
14
4 4 2
4 4 2
4 4 2
7 7 5
7 7 5
14
15
12
15
14
14
13
Chorus
Burn
15 14 12 14 15
semi-P.H.
mo
Gtrs. 1 & 2
10 7 5
Bm
-
ment
0 0 0 0
2 2 0
4 2 2 0
-
crets
sold,
19
19
let ring
5 4 2
of
se
C
tray
-
be
-
0 0 0 0
3 3 1
3 3 1
7 5
10 7 5
B5
19
rose,
2 0
4
ing
19
19
4
16 17 18 19
14 16 17
1/2
13 14 16 17
-
Gtr. 8 tacet
Am
Em
B7/D#
al.
2 2 0
13
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Kiss
of
death,
C
blood
5 4 2
2 0
be
-
tray
let ring
3 2 0 0
0 0 0
Chorus Gm
7 7 5
7 7 5
and
lies,
12
14
5
15
15
14
3 2 0 0
D
-
12
2
5
ing
sides,
14
4
3
15
let ring
3
Cm
of
mf
0 0 0
0 0 X 3
ment
D#º7
*w/ delay
-
End half-time feel
chang
Gtr. 9 (dist.)
F#m7b5
al.
D
3 3 1
3 3 1
Threats
-
mo
venge,
-
0 0 0
Am
re
let ring
Em
1/2
15
15
15
12
*Stereo ping-pong delay set for 450 ms regeneration, w/ multiple decaying repeats.
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. Gtrs. 1 & 2
5 5
5
5
7 5
5
5
8 5
5
5
7 5
5
5
5 5
0 0
5 6
6
6
7 6
6
6
8 6
6
6
14
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7 6
6
6
5 6
6
5 5 6
0 0 0
mo
-
ment
14
of
15
be
15
18
3
5 5 3
3
-
3
ing
all,
5 5 3
3
5 5 3
3
5 5 3
14
14
6 6 4
0 0 0
4
sav
-
4
6 6 4
4
14
15
15
6 6 4
4
4
iors
fall.
12
4
14
12
6 6 4
4
7
13
0 0 0
5 5 3
5 5 3
1/2
15
15
14
6 6 4
15
12
12
P.M. P.M. P.M. P.M.
15
Eb
al.
3
-
Risk
3
D5
14
5 5 3
3
tray
Gm
3
-
P.M. P.M. P.M. P.M. P.M. 5 5 3
Eb
12
Dm
15
12
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. 5 5
5
5
7 5
5
5
8 5
5
5
7 5
5
5
5 5
0 0 0
6 6 4
4
4
6 6 4
4
4
6 6 4
4
4
6 6 4
4
4
6 6 4
4
6 6 4
6 6 4
15
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F
Mo
be
8 8 6
8 8 6
6
µ
6
3
5
-
17
8 8 6
8 8 6
3 3 1
tray
17
8 8 6
Gtr. 9 tacet Gtrs. 1 & 2
8 8 6
8 8 6
6
-
al.
0
17
15
15
3 3 1
3 3 1
3 3 1
15
8
2
8
5
3 3 1
3 3 1
3 3 1
D#º7
semi-P.H.
5
w/ bar
17
1/2
18
P.M. 8 8 6
Cm
17
of
14
8va
ment
12
-
4
4
Outro * Half-time feel
Gtrs. 1 & 2: w/ Riff A
Em
D/E
F/E
Em
*Next 13 measures, drums superimpose constant half-note pulse.
A/E
C/E
Em
F#/E
End half-time feel
F/E
Gtrs. 1 & 2
1
0
0
0
0
P.M.
0
0
1
0
0
0
0
0
0
P.M.
0
0
0
µ
0
0
B5
3
2
2
5
4
2
1
4
16
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2 2 0
0
0
0
from Dream Theater - The Astonishing
My Last Farewell Music by John Petrucci and Jordan Rudess Lyrics by John Petrucci
All gtrs. 7-str.
Intro Moderately slow q = 74 * Cm
Bb/D
An
-
Ebm
gels
a -
Cm
Bb
bove,
have
Gm
you
de - ceived
my
*Chord symbols reflect overall harmony.
Abadd9
Cm
Be
still,
eyes?
Fm
Abmaj7
won’t
Eb
Gm
home
I
love.
Bb
I
Gm
All
Gm
have walked
Abm
in
my
side.
Fm
life,
your
Ebadd9
Bbsus4
leave
Ab
Bb/D
lone.
Dº7
Bb/D
Now
I’ve found
Bº7
you,
Cm
a -
my
on
-
ly
my
G5
I’m
too
Moderately e = 220
Cm
late.
Gtrs. 1 & 2 (dist.)
f
P.M.
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
© 2016 WB MUSIC CORP., YTSE JAMS, INC., WARNER-TAMERLANE PUBLISHING CORP. and KEY WIZ MUSIC All Rights for YTSE JAMS, INC. Administered by WB MUSIC CORP. All Rights for KEY WIZ MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved Used by Permission
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
1
1
1
Verse Cm
µ(G7)
1. Have
slight P.M.
3
2
4
3
4
2
in
-
P.M.
1
3
6
C7
4
1
4
3
1
1
1
This
1
1
1
-
1
1
is
more
1
1
1
Bº7/C
1
1
1
1
night
-
1
1
1
1
1
mare?
P.M. P.M.
1
dered
D/C
-
1
one’s
wan
1
Cm
1
some
Fm/C
1
I
P.M.
0
to
Dm7b5/C
1
1
2
4
5
2
4
3
5
Ab/C
than
3
5
5
2
an
-
y
P.M.
3
3
3
3
G7/C
3
can
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Gm
3
3
3
3
3
bear.
P.M.
3
3
F#º7
heart
3
3
You
P.M. 7
4
6
3
6
3
5
2
5
2
4
1
3
3
3
2
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3
3
3
3
3
3
3
3
3
Fm/G
my
broth
stole
Dº/G
Ab/G
-
er’s
Fm
3
3
3
3
3
3
3
3
3
3
3
more have
3
3
D
How man - y
3
to
3
3
3
die
be
-
3
3
3
3
o - pen
3
3
6
4
3
3
3
G
your
3
3
3
3
3
eyes?
let ring
4
3
6
3
fore you will
3
Ab
3
3
3
life.
P.M.
3
G
5 3
5 3
5 3
6 4
Keyboard Solo
Cº
2
4
0
4
3
D#º7
5
6 0
4
7
1
4
B7
1
F5
5
0 0
Cm
2
1
1
4
D5
3
1
Dº5
2
0
G5
Cº
4
3
Cº
3
1
F5
1
4
2
4
1
4
F5
3
2
2
4
1
4
4
Cm
3
2
1
Dº5
1
4
0
1
3
4
5
4
3
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Ab
D
C5
Bm7
Chorus Cm
Dm7b5
Bb/D
Don’t
3
5
6
3
2
4
3
1
3
4
0
1
3
4
3
4
Gm
one
Ab
let ring
3
Bb
Bb/D
strong
let ring
-
let ring
6
6
8
8
Cm
Stay
6
1 1
1
Fm
5 6 6 4
4
for
This
let ring
how.
3 3
5 6 6 4
some
1
Ebadd9
let ring
6
6
4
3
on
let ring
3
1
3
let ring
breath.
3
3
1
3
4
more
4
let ring
me
1
Cm
6
4
1
4
Hold
let ring
w/ chorus let ring
now.
leave
1 4
Ebm
4
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can’t
let ring
1 1
1
Abmaj7
Bbsus4
be
the
Gm
a
-
1
Bb/D
am
let ring
3
Eb/G
let ring
3 3
4
6
you
have
1 1
1
Cm
6
1
so
take
5 6 6 4
1
I
let ring
5 5 3
home,
3
Eb
your
Fm
Now
3
5 6 6 4
let ring
1
3
let ring
3 3
3
lone.
let ring
3
6
6
4
let ring
3
walked
let ring
7 8 8 6
life,
5
All
8
let ring
3
Ab
your
8
6
let ring
6
6
Gm
end.
let ring
4
Bb
my
1
Abm
hand
let ring
4 4
4
5
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
and
Dº
don’t
let
let ring
go.
µ
let ring
1
1
4
3
6
6
4
3
3
3
4
0
3
Interlude µ(Bm)
chorus off P.M.
2
3
6
0
Em
2
P.M.
7
9
14
0
15
7
13
6
0
0
7
9
12
3
6
0
2
3
3
Bm
13
0
6
0
7
Bbº5
9
6
0
7
6
7
12
0
10
12
13
7
0
12
11
13
0
0
13
9
0
0
3
5
7
0
3
C#m7b5
0
7
8
9
10
6
7
10
9
8
0
9
10 12
0
13
0
10
12
13
0
0
0
13
3
5
0
7
0
9
11
12
0
6
0
C#º7
C/B
0
Em7b5
Slower e = 202 B
12
10
6
B
7
Dº
13
6
G
9
Riff A
3
0
Db
12
11
C/B
2
0
6
Cm7b5
C5
12
3
Bm
6
3
0
10
12
13
End Riff A
12
10 12
0
10
12
13
Gtrs. 1 & 2: w/ Riff A (2 times)
B
A5/B
Am6/B
B
B5
6
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
µ(B)
Bº7
Gtrs. 1 & 2
P.M.
0
10
13
0
15
13
12
11
0
12
14
0
15
14
slight P.M.
12
12
Bm7b5
14
15
17
15
14
0
B7
12
Am
Em
Cº7
C#º7
Eb/G
F+/A
G+/F
Eº/G
G+/F#
Bb+/E
P.M.
13
14
16
17
16
14
19
17
16
20
19
17
19
20
17
18
16
14
20
18
16
21
20
18
20
19
21
0
Eb7b5
F(#5)add9
Gm6/Bb
Gº7
F#m
Dm
Gtr. 1
8va
20
18
16
22
20
18
23
22
20
22
20
23
21
17
19
18
17
19
21
22
17
18
17
18
19
8va
Gtr. 2
20
18
16
22
20
18
23
Ab
22
20
22
20
23
17
Em
14
14
14
14
14
17
Cm
17
15
13
15
14
F#
loco
8va
13
20
16
16
17
16
16
20
19
15
17
16
17
15
20
15
16
17
16
15
20
8va
16
11
13
13
13
11
16
15
12
12
12
12
12
15
11
13
12
13
11
15
18
14
loco
14
9
14
15
16
16
11
11
11
13
14
9
16
13
7
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Outro Faster e = 220 Bm
Crush
-
ing
Em/B
pain
and
crip
Gtrs. 1 & 2
-
pling
B7
grief,
noth
-
ing
like
I’ve
P.M.
2
2
2
Em/B
ev
-
2
er
felt.
2
2
2
C#/B
God
2
2
2
2
a
bove
and
-
2
2
2
Bm
2
2
souls
2
2
be - neath,
*
P.M.
2
2
2
2
2
2
2
2
2
2 0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
*Grad. lift P.M.
A#º7/B
F#7/B
hear
my
last
fare
well.
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
8 6
0
B5
µ
µ
-
P.M.
Bb
Ah!
2 2 0
8
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
G/B
A#º7/B
from Dream Theater - The Astonishing
Our New World Music by John Petrucci and Jordan Rudess Lyrics by John Petrucci Gtrs. 1, 2 & 5: Drop D tuning: (low to high) D-A-D-G-B-E
Intro Moderately q = 94 Gtrs. 1 & 2 (dist.) *
** D
f
Riff A
w/ chorus let ring
P.M.
5 5 0
7
7 5
0
let ring
P.M.
4 5
0
5
let ring
11 0
4 0
let ring
P.M.
14 0
14 0
5 5 0
0
7
7 5
5
0
9 7
4
7 7
7 7 0
9 7
0
*Key signature denotes D Mixolydian. **Chord symbols reflect overall harmony.
Riff B
let ring
5 5 0
7
7 5
P.M. 0
4 5
0
5
Riff C
P.M. 0
11 9 X 9
11 9
let ring
7
7 5
0
9
P.M.
9
0
0
let ring
4 5
10
12
5
5 5 0
0
7
7 5
9
11 9 X 9
11 0
4 0
12
14 0
14 0
5 0
4
7
0
0
5
P.M.
11 9
11 9 X 9
9
let ring let ring P.M. 0
let ring
9 X 9
0
2
0
Asus4
12 9
D
9
P.M.
P.M.
11 9 9
End Riff B
let ring
4
P.M.
let ring
let ring
Bm
5 5 0
12
End Riff A
5 5 0
7
7 5
9
P.M.
5 0
9 7
0 0
4
9 7
End Riff C
7 7
7 7 0
7 7
0 0 0 0
0
© 2016 WB MUSIC CORP., YTSE JAMS, INC., WARNER-TAMERLANE PUBLISHING CORP. and KEY WIZ MUSIC All Rights for YTSE JAMS, INC. Administered by WB MUSIC CORP. All Rights for KEY WIZ MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved Used by Permission
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
9 7
9 7
1
P.M.
Gsus2
P.M.
let ring
7 7 5 5
7 7 5
7 7 5 5
5
5
let ring
P.M.
5 5 0
7
7 5
0
let ring
P.M.
4 5
0
Verse D
5
0
9
0
1. Like your
fa
let ring P.M. P.M. 0 0
0
0 0 0
0
not
what
0
10
12
Asus4
you’re
giv
-
ther
let ring
0 0 0
-
7 5
0
2
5 5 0
0
4 4
7 5
5 0
once
4 2
2
4 2
2
Gadd9
2
7
7
0
0 0 0
0
let ring
P.M.
7 7 5 5
7 7
on
the
path
5
5
P.M.
7 7 5 5
5
0 0
live
0 0 0
5
7 7 5 5
Esus2
0
5
7
0 0
4 4 2 2
0
5
0
2
0
4 2
5
0
you
let ring
0 0
life
7
0 0 0
0
is
have
cho
-
2
how
2
4 2
2
is
let ring
0 0 0
0 0
D
de - cide
P.M. 0
0 0 0
0
7
to
5
5
7
sen.
So
let ring P.M. P.M. P.M.
4 4 2
2
4 4 2 2
2
7
5
7
5 2
2
you
7 5
0
4 2
9 0
said,
it
5
7
Bm
en,
5
4
0
let ring P.M. P.M. P.M. 4 2
2
7 0
0 0
P.M. P.M. P.M.
0 0
D
7
4 4 2 2
P.M.
let ring
4
Rhy. Fig. 1
0 0 0
4 4 2 2
0 0
D
let ring
7 7 5 5
5
P.M.
Esus2
5
0 0 0
0 0
0
2
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
0
0 0 0
0
0
7 5
to -
geth
-
er
we’ll build
let ring
0 0 0
0 0
P.M. 0
a new
0 0 0
3
3 7 5
7 5
5 3
0
0
P.M.
0 0 0
0
Am
Gsus2
our
Gtr. 3 (dist.)
0
let ring P.M.
0 0 0
7 5
0 0
0
0
0 0
bet
let ring
4 5
4 4 2 2
G/B
5 5 3
0 0
3
3 5
0 0
5 2
0 0
Dsus2
world.
f
3
*w/ delay
7
Gtrs. 1 & 2
5 2 0
0 0 0 0
7 7 5 5
world,
4 5
ter
End Rhy. Fig. 2
Csus2
a new
-
4 4 2 2
0 0 0
5 2
0 0
D5
new
3
5
We’ll build
0 0
world.
let ring P.M.
a
Rhy. Fig. 2
Em11
world,
End Rhy. Fig. 1
D
Gadd9/B
let ring
0 0 0
0
Chorus Csus2
7
7
*Stereo delay set for 400 ms & 700 ms regeneration, w/ multiple decaying repeats.
let ring
7 7 5 5
0 0 0
2 0 0 0
3
0
3
2
3
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
Guitar Solo
Gtrs. 1 & 2: w/ Riff A (2 times)
D
Gtr. 3
10
8
10 8
7
9
7
8
9
12
7
9
11
12
14
12
13
12
Bm
15
1/2
11
11
9
11
7
9
Asus4
7
1
17
17
0 0 0
7
10
Gtrs. 1 & 2: w/ Riff C
7
12
10
16
grad. bend 1
14
1
14
17
15
17
17
Verse Gtrs. 1 & 2: w/ Riff B
Gtrs. 1 & 2: w/ Rhy. Fig. 1
D
D
15
14
15
14 15 14
scared
and
14
12
Gtr. 3 tacet
15
11 12 14
D
live
12
7
12
Bm
Through the
Esus2
a - lone,
on
for - ev
-
in
D
er.
-
no - cence
but
we
will
your
In
2. I
know you’re
7
in
their
face
this
to - geth
Gadd9
Asus4
mem
-
er.
eyes,
they will
-
’ry
4
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
we’ll build
a new
Chorus Gtr. 1: w/ Rhy. Fig. 2
a
let ring
3
3
0 0
We’ll build
let ring
0 0 0
0 0
4 5
4 5
3
5 5 3
0 0
let ring
7
0
0 0
0 0
P.M.
0 0 0
0
0
Gsus2
5 2
Am
3
7 5
P.M. 0
0
5 2 0
7 5
0
our
new
0 0 0 0
7 7 5 5
7 7 5 5
let ring
4 5
5
let ring let ring P.M. 11 0
4 0
12
14 0
Gtr. 3
7
14 0
5 5 0
0
Guitar Solo A5
7
P.M.
7 5
5 0
4
9 7
7 7
7 7
9 7
5
7
4
5
4
5
7
5
7
9
8
9
9
12
12
13
0
C5
1/2
13
12
13
12
15
2 0
5 3
5 3
Gtrs. 1 & 2
2 0
0 0
G/B
5
Yeah.
P.M.
world.
7
let ring
0 0 0
D
4
world,
5 5 0
Csus2
Gtrs. 1 & 2
4 4 2 2
4 4 2 2
world.
let ring
0 0
0
- ter
0 0 0
5 2
a new
P.M. 0
5 2
D
bet
3
5
5 3
E9sus4
world, Gtr. 2
G/B
Csus2
14
14
5
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
E5
Gtr. 3
rake
12
X X
1 15
8va loco
D5
3 1
12
0 0 0
12 15
15 12
3/4
14
12 14
12
14
13
14 14
15
3
14 17 22 17 14
T
15
14
16
17
Gtr. 1
2 2 2
2 2 2
0 0 0
2 2 2
0 0 0
14
17
14 16 17
14 16 17
let ring
3 2 0 0
Gtr. 2
2 2 2
14
17 17
14
19 19
20
19
5
12
15 12
13 12 13
6
6
12
15
19
15
17 15 17
15
19
22 19
20 19 20
6 19
20 19
let ring
2
5
5
5
5
let ring
2 0
6
19
let ring
2 0
2
C5/G
8va
1/2
let ring
Am
5
let ring
2
5
5
5
6
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
5
21 19
21 19
0 0
0 0
G/B
loco
19
17
0
17
16
0
16
14
0
14
12
Csus4
8va
0
12
12
16
17
15
19
loco 20
17
14
18 17
19 17 0
5 2
5 2
5 2
6
6
6
12 13 15
12 14 15 12 14 15
12 14 15
14 15 17
3
14 16 17
3
3 3
3
5
5 3
3
3 3 3
let ring
5
3 3 3
8va
16 17 19 17 16 16 17 19
17 18 20 18 17 17 18 20
17 19 20 19 17 19 20 19 17 20 22 20 19
let ring
0
3
5
let ring
3
15 17 19
5
3 3
Am
6
let ring
3
5 3 3
0 0
14 15 17 14 15 17
0 0
let ring
5 2
F5
2
5 0
2
let ring
0
2
5
5 0
2
7
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
G5 8va
Gtr. 3
Bb5
loco 8va
3
1
22
22
22
22
20
19
22
C5
20
18
18
Gtrs. 1 & 2
let ring
5
5
5
D5 8va
Gtr. 3
20
20
8va
Gtr. 4 (dist.)
f
15
19
20
3 1
5 3
18
17
17
20
20 17
17
D
20
*w/ delay
17
Gtr. 3 tacet
1
18
15
0 0
5
15
17
14
19
19
20
22
22
15
19
15
20
19
21
19 21
19
19
19
20
20
19
1
19
20
*Stereo delay set for 400 ms & 700 ms regeneration, w/ multiple decaying repeats.
Gtrs. 1 & 2
let ring
P.M.
0 0 0
9 7
7 7
9 7
7 7 0 0
5 5 0
7
7 5
0
0
let ring
P.M.
4 5
8
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
5
let ring
11 12 14 14 0 0 0
4 0
0
Chorus
Yeah,
we’ll
8va
20
19
build
a new
19
21
19
19
17
5 0
4
7
X
0
D
5
0
3
3
5 5 3
0
0 0 0
3
0 0
We’ll
3
0
P.M.
P.M.
1/4
7 5
0
0
2
0
4
2
0 2
build
0 0
0
7
0 0
0
5 2
0 0 0
4 4 2 2
4 4 2 2
G/B
world,
loco
7
Csus2
Harm.
7
5 2
a new
8va
3
3
5
world.
Gtrs. 1 & 2
7 5
bet - ter
let ring let ring 1/4 P.M. 7
17
Gtrs. 1 & 2
5 5 0
E9sus4
21
G/B
a
20
Gtr. 4 tacet
world,
Gtr. 4
Csus2
let ring
0
3
3
5 5 3
5
5
0 0
5 2
0 0
Pitch: G
Gsus2
our
5 2 0
5 2 0
0 0 0 0
7 7 5 5
D
new
7 7 5 5
world.
Yeah,
to
-
we’ll
build
geth
-
er
a
new
let ring let ring let ring P.M. let ring 1/4 P.M. P.M.
Am
5 5 0
7
7 5
0
0
4 5
5
11 12 14 14 0 0 0
4 0
0
5 5 0
7
7 5
5 0
0
4
7
0
5
0
3
0
9
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
world, (world,)
let ring
3
3
5 5 3
0
15 14
world.
mf let ring w/ reverb
0
3
0
4
0
15 14
5 5 3
0 0
Yeah,
0 0 0
0 0
0
0
7
G/B
12
3
12
3
3 3
5
5 2
0 0
5 2 0
0 0
2
0
2
0
0
4
3
4
new
0 0 0 0
7 7 5 5
7 7 5 5
0
4
2
0 0
4
0
3
0 0
4
rit.
0
7
4
2
0
2
0
10
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
0
3 2 0 0 0
0 0 0
Gtr. 5
let ring Gtrs. 1 & 2 tacet
Gtr. 5: w/ Riff D
0 0 0
Gtrs. 1 & 2
0
2
0
0
3
End Riff D
7
0
0
0
0
Riff D let ring
4
bold
5
Gsus2
a
3
5
Am
0
Gtrs. 1 & 2
semi-P.H. let ring 1/4 P.M. P.M.
let ring
0
7
4 4 2 2
4 4 2 2
Gtr. 5 (clean)
4
0 0 0
world.
world, (world,)
5 2
0
Outro D
15 14
new
semi-P.H. 13 12
0
a
won - drous
D
Csus2
build
P.M.
0
5 2
let ring 0 0
0 0
we’ll
0 0 0
a
3 5 5
5
Em9
G/B
Csus2
from Dream Theater - The Astonishing
The Gift of Music Music by John Petrucci and Jordan Rudess Lyrics by John Petrucci
Intro Moderately fast q = 158 ***Aadd9 *Gtrs. 1 & 2 **
AsusÊ
mf
A6sus2
A9
let ring
11
0
0
0
9
0
9
9
0
0
0
7
0
7
7
9
4
0
0
0
2
0
2
5
0
7
5
6
0
0 5
5
*Gtr. 1 (acous.) doubled throughout; Gtr. 2 (elec.) w/ clean tone & chorus **Key signature denotes A Mixolydian. ***Chord symbols reflect overall harmony.
Asus2
A6sus2
D%/A
G5/A
0
0
9
7
0
9
12
9
0
0
0
11
9
9
9
Gtrs.
let ring
0
µ
Gtrs. 1 & 2
7
4
0
0
0
0
7
3&4 (elec.) divisi
f w/ dist.
7 5
7 5 0
2
5
3
4
2
3
Gtrs. 1 & 2 tacet
A
Gtrs. 3 & 4
0
0
0
0
P.M.
0
0
0
0
P.M.
P.M.
0
0
0
0
9 7
0
0
0
0
P.M.
9 7
0
P.M.
P.M.
9 7
0
9 7
0
9 7
0
0
0
0
0
0
0
0
0
P.M.
0
P.M.
P.M.
9 7
0
0
0
P.M.
7 7
0
0
P.M.
7 7
0
0
P.M.
6 7
0
0
P.M.
6 7
0
0
P.M.
9 0
7 0
0
0
P.M.
12 9
11 9
G5
P.M.
7 7
0
0
6 7
P.M. P.M. P.M. P.M. P.M. 0
0
9 0
0
0
7 0
0
0
0
0
9 7
0
0
9 7
0
© 2016 WB MUSIC CORP., YTSE JAMS, INC., WARNER-TAMERLANE PUBLISHING CORP. and KEY WIZ MUSIC All Rights for YTSE JAMS, INC. Administered by WB MUSIC CORP. All Rights for KEY WIZ MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved Used by Permission
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
0
0
0
7 5
1
µ
2
3
5
4
be
P.M.
0
0
0
0
0
1. Far
in
-
0
0
0
0
the
pag
-
es
0
0
P.M.
7 7
0
0
A
7 7 5
5 5 7 5
P.M.
threat
P.M.
0
0
0
0
9 7
-
en
P.M. 0
0
9 7
0
0
0
9 7
the
free
-
dom
P.M. 0
0
0
0
7 7
P.M. 0
0
6 7
the
dis
-
tant
9 7
0
0
0
P.M.
9 0
7 0
-
P.M. 0
0
0
0
blood
-
0
0
9 0
0
0
0
7 5
ed
wick
man
P.M. 0
0
7 0
0
0
7 0
0
Dadd9/G
P.M.
ture,
5
-
P.M.
7 7
0
Em11
-
time,
0
P.M.
9 0
0
of
P.M.
6 7
0
P.M.
9 7
0
P.M.
our
P.M.
P.M.
7 7
0
of
0
fu
Gsus2
0
-
0
ty
P.M.
5
ed
6 7
5
0
0
7 7 5
5
-
rants
P.M.
9 0
0
7 0
0
0
P.M.
0
cold
0
6 7
P.M.
9 7
0
0
0
P.M.
9 7
P.M.
0
yond
2
3
P.M.
9 7
7 5
Verse A
kind.
w/ chorus
2 2 0
2
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
P.M.
0
0
0
0
Cadd9
Cor - rup -
tion,
lust
and
ty,
3 0 0 X 3
5
let ring 8
7
10 7
the
-
i -
4 2 0
2 0
Fadd9
course
10 7
4 2 0
0 0 0
of
his
-
8 7
D
*
ing
no - bil
to
-
ry.
let ring
7
Cadd9/E
-
5 2 0
2 0
chang
new
P.M.
0 0 0
the
3
Gadd9
de - fine
3
3
5 5 3 3
0 0 0
greed
let ring
11 9 7 0
Am7
A
-
0
3 3 1
0 0 0
cross
the
vast
North
Em
-
pire,
* Gtrs. 3 & 4 Gtr. 4 chorus off divisi P.M. P.M. P.M. P.M. P.M. P.M. Gtr. 3
3 3
7 8
5 7
most
peo
0
0
0
14 0
0
0
14 0
0
0
0
12 0
0
0
0
ple
strug
-
0
0
0
0
P.M.
14 0
0
0
P.M.
14 0
0
0
0
0
9 0
0
0
7 0
0
gle
to
sur
Cadd9
-
vive,
P.M.
11 0
*Key signature denotes D Mixolydian.
-
0
0
P.M.
12 0
0
0
P.M.
11 0
0
0
P.M.
9 0
0
0
P.M.
7 0
5 5 5
4
5
5
5
7 5
3
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
D
liv
P.M.
8 5 5
8 5 5
while
0
0
0
0
0
0
ing
a
meek
ex
P.M.
14 0
0
0
14 0
0
se
14 0
0
-
14 0
0
0
0
0
0
0
12 0
0
-
ed
lead
-
ist
-
12 0
0
0
ence
-
11 0
0
0
0
0
P.M.
9 0
0
7 0
0
P.M.
0
11 0
0
er
P.M.
P.M.
Gtr. 3
0
0
P.M.
clud
0
P.M.
P.M.
0
P.M.
their
P.M.
7 5 5
-
Gtr. 4 divisi P.M.
9 0
0
0
*P.M.
7 0
0
0 0
0 0
*Pertains to Gtr. 4 only.
Am(add9)
Gtrs. 3 & 4 tacet
Gadd9
Bridge
thrives.
Gtrs. 3 & 4
We
are
liv - ing
day
to
day,
0 0 5 7 0
Dm(add9)
Gadd9
Dm(add9)
C
share.
Bb
-
sic
an
-
y
-
Bbmaj7
more,
and
forced
to
bear
Peo - ple
just
don’t
Am
no
one
seems
have
to
care.
4
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
the
li
-
on’s
the
for
time
mu -
My
Gm
Bb/F
friends,
I’ve
seen
The
Cho
-
sen
One.
Our
quest
for
free - dom
has
be - gun.
Gtr. 3
8
7
8
7
10
9
10
10
5
Gtr. 4
10
Esus4
8
E
8
He
will
be
the
an
-
swer
to
our
8
9 7
7
Verse A
2. There
Gtrs. 3 & 4
P.M.
0
0
0
0
walks
P.M.
9 7
0
0
6
0
0
2
0
2
5
7
7
a
God
P.M.
9 7
9
*
7
7
prayers.
7
10
0
0
a
P.M.
7 7
0
0
-
3
2
8
7
0
0
us
P.M.
9 0
mong
P.M.
6 7
0
0
7 0
*Key signature denotes A Mixolydian.
5
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
who’s
seen
the
P.M.
0
0
0
9 7
0
0
P.M.
9 7
0
0
0
0
7 7 5
5
P.M.
0
0
be
the
D#º7
P.M. 0
P.M.
9 7
0
0
0
0
Chorus Gm
9
7
6
9
6
8
5
0
0
0
He
is
the
rev
0
P.M.
to
P.M.
0
6 7
0
0
P.M.
9 7
0
0
0
-
P.M.
7 7
0
0
save
0
Em7add11
5
5
o
lu
-
6 7
7 7
5
-
tion.
P.M. P.M. 0
9 0
0
0
7 0
0
us
all.
P.M. P.M. w/ chorus 0
broth - er
0
0
5
one
7 7
0
7 5
7 0
9 7
0
9 0
P.M.
0
9 0
0
7 0
0
Dm
Ga
*Choir: (Ga
6
0
My
0
6 7
P.M. P.M.
D/G
wall.
2 2 0
0
F#º7
7 7
0
He’ll
9 7
the
8 7
0
on
P.M.
ing
P.M.
0
5
A
Gsus2
P.M.
-
0
Gadd9
writ
P.M.
-
bri - el
-
bri
5 5 3
0 0 0
is
7 7 5
-
Cadd9
all
the
hope
we
el,
0 0 0
5 5 3 3
need,
let ring
*Sung at concert pitch as written, plus one octave below.
6
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
3
3 3
F/A
Gm
shin - ing
all
the hope
let ring
3 3
0 0 0
we
6 5 3 X 5
Fmaj7/A
Gm
the
light.
0 0 0
8 5
to
be
let ring
3 3
-
5
Ra
-
ven - skill,
0 0 0
is
gift
the
he
7 7 5
brings.
8 6
8 6
6 8 8 6
rea
-
son
6 6
to
be
-
lieve.
herd
0 0 0
5 5 3 3
let ring
3 3
3
Cm
song - bird
stops
to
lis -
let ring
3 3
The
let ring
Cadd9
a
-
lieve,
Shep
0
of
Dm
5 5 3 3
6
on
0
5
5 5 3
Eb
night.
0
Mu - sic
Dm7
the
Shine
5 5 3
0 0 0
in
0 0 0
in
let ring
3 3
con
let ring
-
need.
bea
Cadd9
Shep - herd
a
Bb6
like
F/A
Ga
-
0 0
5 5 3
0 0 0 0
7
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
F
-
ten
when
Guitar Solo Half-time feel Em(add9)
he
-
Gtr. 5 (elec.)
sings.
bri
Bsus4
el.)
f *w/ dist. & delay P.M.
5
7
9
7
9
9
1/2
9
11
9
4
12
9
11
11
9
9
7
9
7
9
*Stereo delay set for 400 ms & 650 ms regeneration, w/ multiple decaying repeats.
Gtrs. 3 & 4
2 2 0
3 3 1
Gtrs. 3 & 4 tacet
Asus4
Gtr. 5
9
A
10
6
F#m7
9 21
9
8va
**A.H.
7
15
17
16
loco
3 T
19
22
19
15
17
16
**Artificial harmonic produced by tapping string 12 frets above fretted note.
Em Gtr. 6 (elec.)
mf
Esus2/F#
Em/G
***w/ dist. & delay
22
19
20
0
17
19
0
15
0
17
0
15
0
14
0
***Delay setting as above.
Gtr. 5
19
15
17
0
14
15
0
12
0
14
0
12
0
10
0
8
A
1
12
Asus4
17
17
14
14
14 16
14
16
1/2 10
14
14
8
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14
14
12
11
12
14
14
Gtr. 6 tacet
C
14
14
5
5
14 15
16
17 17
Gtr. 5
16
17
15
17
19
15
19
F 8va
Gtr. 5
18
Gtrs. 3 & 4
3
17
20
17
19
20
17
19
19
17
13
14
19
14
15
17
14
15
16
14
15
14
13
12 15 12
14
6
13
14
8va
19
20
22
13
12 14 12
6
18
16
17
13
14
13
6
12 15 12
19
20
19
13
loco
12
13
14
8va
1
20
X 0 0
17
grad. release 1/2
17 12
18 18 17 18
19
17
Gadd9
3
17
13
Am
6
20
3
13
17
20
loco
3
17
17
8va
15 14
17
8va
14
16
14 16 17 18
18
End half-time feel
6 6
loco
6
17 18 17 15
chorus off w/ flanger
3
2
6
17 16 14 17 14 14
17 15 14 15 17 15 14
5
3
2
17 14 12 14 15 12
5
3
1
15
9
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
Interlude Gtr. 5 tacet
µ
12
2
3
2
2
2
3
2
5
C5
Gtrs. 3 & 4
2
5
3
End Riff A
Cmaj7sus2
2
0
Gtrs. 3 & 4: w/ Riff A (3 times)
12
Riff A
0
Am(add11)
3
2
2
E5
Cmaj7
2
3
2
F5
5
G5
2
2
F#º
2
5
A5
C
3
5
4
3
E5
0
3
5
Cadd#11
9
10
9
10
9
4
7
Em6
10
7
3
5
A
4
0
5
7
5
3
0
4
5
4
3
3
5
3
7
Gsus2
4
3
3
7
0
D
2
3
4
2
Bb
f
2
3
0
6
7
8
7
5
8
5
7
5
7
8
w/ dist. P.M.
6
5
4
4
5
7
5
D#º7
µ 3
3
semi-P.H.
C
*Gtr. 7 (7-str. elec.)
7
3
Gtrs. 3 & 4 tacet
G#º7
2
0
6
7
7
*Doubled throughout
10
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
9
10
7
7
6
9
Gtr. 8 (elec.)
f
*w/ dist., delay & reverb
9
10
12
9
10
9
12
9
10
11
13
14
13
16
14
13
16
13
14
15
17
18
17
20
18
17
20
17
18
19
20
*Delay set for quarter-note regeneration, w/ multiple decaying repeats. Gtr. 7
7
3
5
6
4
4
loco
8va
16 15 16 18 19 18 16 15 16 15 16 18 16 15
16 15 16 18 19 18 16 15
6
19 16
18 15
18 16 15
4
7
4
3
18 17 15
18 17
15
4
3
5
5
3
Outro
Gtr. 8 tacet
Gtr. 7
C
Em
Riff B
1
3
5
C
3
G
5
3
D/F#
D/F#
3
2
G
2
3
Am
C
5
C
Em
1
3
5
Em
D
2
7
3
G
D/F#
3
G/B
2
4
5
5
5
F
1
Am7
3
5
2
2
11
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
C
End Riff B
5
2
3
D
2
3
4
5
2
Bm
C
F
5
3
Em
1
Em
G
D/F#
Am
C
5
0
Gtr. 7: w/ Riff B
C
Gtr. 9 (elec.)
Em
G/B
D
f *w/ dist., delay & reverb
7
10
10
12
12
9
9
12
12
14
12
11
14
12
10
12
9
10
10
9
10 12
9
17
15
11
15
15
*Delay set for quarter-note regeneration, w/ multiple decaying repeats.
8va C
17
D/F#
15 13
17 15 17
17 16
14
F
G
17
20
19
F
20
19
17
21
1
16
5
16 17 19
16 17 19
D
G
17 19 21
17 19 21
Bm
D/F#
19 20 22
0
3 3 1
19
3
17
19
16
15
19
15
14 15 14
17
19
15
13
17 17
19 20 22
8va
24
19 21
C
C
22
Gtr. 7
15 17 19
20
14
C
20
12
loco
Em
8va
Gtr. 9
22
17
Em
Am7
8va
16
C
24
12
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
20
17
19
from Dream Theater - The Astonishing
The Path That Divides Music by John Petrucci and Jordan Rudess Lyrics by John Petrucci Intro Moderately q = 114
(Sound effects) 42 sec.
(Strings)
1. The
Verse ** Gbadd#11
eve
-
*Gtrs. 1 & 2 (dist.)
Gb
ning stars
shine
bright - ly
Cm7b5
o
f
-
ver
-
en’s
Heav
Cove.
P.M.
8
9
11
9
10
9
8
9
8
9
7
10 10
8
9
9
7
8
9
8
11
9
10
9
8
*7-str. gtrs. **Chord symbols reflect overall harmony.
Aº7/C
Bbm(add9)/Db
As
night
de - scends
in
Bbm/Db
si
-
lence,
the
P.M.
9
Ebm7
fat
8
9
8
10 10
9
8
-
ed
scene
un
9
-
9
8
8
8
11
11
10
8
Ebm6
8
Con
8
9
- sumed
8
11
9
9
11
9
10
8
9
11
9
8
10
10
9
8
9
9
8
8
11
10
14
© 2016 WB MUSIC CORP., YTSE JAMS, INC., WARNER-TAMERLANE PUBLISHING CORP. and KEY WIZ MUSIC All Rights for YTSE JAMS, INC. Administered by WB MUSIC CORP. All Rights for KEY WIZ MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved Used by Permission
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
-
P.M.
11
8
with trep
P.M.
8
10
Gbmaj7
folds.
8
i -
P.M.
13 11
11
1
Gb6
da - tion,
Ah
11
8
-
11 11
8
11
Gbmaj7/Bb
Bbm
8
6
hears
his
10
you’re
P.M.
8
Dbadd9/Ab
6
fac - ing
the
8
6
Gbmaj7/Bb
6
4
8
6
8
er’s
6
10
10
8
P.M.
8
10
path
that
di
6
P.M.
-
7
6 6
vides,
P.M.
6
Bbm
I
will
6
8
10
6
8
P.M.
6
6
4
P.M.
4
4
4
Dbadd9/Ab
4
Db/Ab
al
be
here
3
-
ways
by
6
your
P.M.
7
6
3
8
6
4
10
8
2
8
6
10
P.M.
8
8
Gb
6
10
9
voice.
3
ah,
10
Db/Ab
8
Ebm
4
P.M.
8
10
P.M.
8
-
F5
P.M.
oo,
3
6
broth
11
10
9
P.M.
11
As
P.M.
Chorus
Cm7b5
rys
P.M.
9
P.M.
6
6
6
6
4
Bridge
Gb
Fm
µ(F#º)
side.
I
P.M.
4 2
6
4
P.M.
6
P.M.
4 4
4
8 6
6
8
10 10
P.M.
poco accel.
feel
my
pulse
be - gin
10 8
8
2
2
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
2
2
2
2
to
P.M.
(Aº)
race.
2
2
2
2
2
2
(D#º)
have
made
a
grave
4
4
4
Beads
of
sweat
drip
5
5
5
5
5
4
-
4
4
4
(C#º)
4
5
5
(Cº)
2
5
5
5
5
(Bbº)
(Aº)
have
I
2
2
1
done?
My
4
6
1
6
5
5
(F#º)
(Eº)
for
my
F#º5
blood
(Gº)
son?
It’s
not
too
late.
I
P.M. 3
3
3
2
2
0
0
3
3
3
won’t
Bb5
him.
5 4 3 2
Gtr. 2
*Choir: (Dar
Gtr. 1
slight P.M.
0
2
3
2
2
2
5
0
2
tray
E5
-
3
2
2
0
5 4 3 2
8 6
y
G5
-
us!
2 0
8 6
5 4 3 2
slight P.M. 2
-
5 4 3 2
5 4 3 2
5 4 3 2
Interlude µ(F#5)
be
5 4 3 2
5 4 3 2
5 4 3 2
5 4 3 2
face.
What
q = 130
(Gº)
my
4
down
5
take.
mis
P.M.
4
I
5 3
2 0
5 3
*All parts concert pitch throughout.
3
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
µ(F#5)
C5
Ar
slight P.M.
0
2
3
2
2
2
2
0
2
4
2
A5
-
E5
2
5 3
0
7 5
you
die!
slight P.M.
Now
7 5
0
F#5
4 2
7 5
2
2
2
2
2
3
2
2
4 2
4 2
5 3
0
2
6
2
2
7 5
4 2
C5
0
2 0
3
F#5
2
2
0
3
2
Bb5
Pray
5 3
2
µ(F#5)
slight P.M.
2 0
0
G5
hys!
5 3
slight slight P.M. slight P.M. P.M.
A5
F#5
E5
for
your
2
X
5 3
4 2
8 6
5 3
4 2
2 0
life!)
2
8 6
2 0
Double-time feel
Gtrs. 1 & 2
F#5
slight P.M.
0
2
3
2
2
2
2
0
2
3
Bb5
E5
G5
slight P.M.
2
2
X
0
8 6
2 0
5 3
F#5
F#m7
slight P.M.
0
2
3
2
2
4
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
2
2
0
2
4
2
slight P.M.
2
C5
A5
slight P.M. X
5 3
0
slight P.M.
2
3
2
2
2
3
slight P.M.
0
7 5
F#sus2
0
F#5
2
2
2
2
0
2
2
3
2
0
2
2
2
2
X
X
7 5
0
2 0
4 2
5 3
8 6
End double-time feel Fsus2 Bsus4
C#sus4
5 3
0
E7sus4 G7sus4
2
slight P.M.
slight P.M.
Gsus2
6
A7sus4
2 0
Verse
C#5
2. I knew the day
2
P.M.
2
2
2
3
2
0
2
3
2
did - n’t
have
P.M.
3
2
2
2
2
2
0
2
3
and
2
0
2
3
2
2
3
2
2
3
2
0
2
3
2
2
2
0
3
2
2
F5
B5 D5
2
his
end
done.
did - n’t be - lieve
2
as
2
G#º/C#
I
and fi - nal - ly
0
One
2
2
sen
2
but now you’re as good
I was de - fense - less.
2
2
C#sus4
choice,
0
D%/C#
A ter - mi - nal weak - ness,
2
a
2
-
Bm/C#
your
2
son.
2
2
2
Do an - y - thing for
0
0
to give up The Cho
C#5
I
2
ed
-
Dmaj7/C#
this.
2
C#7b9sus4
and you could be tempt
C#7b9sus4
3
come,
P.M.
0
had
C#sus4
X
2
2
2 0
5 3
G#ºaddb9/C#
voice,
8 6
0
and fight - ing was sense -
2
0
2
3
2
5
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add¨9
C# sus4
- less,
but now I
P.M.
can see
2
2
0
2
3
the
2
truth.
2
I’ve come to
2
0
2
3
2
I should - n’t have trust - ed
my sens - es.
2
C#7
2
2
0
2
3
you.
2
2
2
X
0
Interlude
C5
F#5
Bb5
E5
µ(F#m)
5 3
4 2
8 6
2
2
P.M.
2
2
4
2
4
0
P.M.
4
4
2
2
4
4
2
2
2
4
0
4
0
0
2
4
4
(A)
(G#º)
4
(D#m)
2
P.M.
4
2
(D#m)
P.M.
2 0
(F#m)
(Bm)
2
2
0
7
(A)
7
7
5
(G#º)
5
5
4
2
0
7
4
4
7
7
0
4
5
5
4
(G#m)
4
5
4
0
4
4
4
6
6
(F#)
4
(E#º)
4
2
(Bm)
4
2
6
(E#º)
9
9
9
7
7
7
6
(B)
(D#5/A#)
(F#)
(D#m)
7
6
7
4
6
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6
6
Verse Double-time feel
F#m
3. Ar - hys
Bm/D
was
nev
-
er
a
4 2
-
Bm
-
lowed
7 5
him
D#m
there.
Con - fused
son
had
G#m/B
and
death
2 0
7 5
his
ware
5 3
fol
F#m/E
-
ly
a - fraid,
6 4
2 0
Chorus End double-time feel
D#m/C#
X watched his
he
ro
be
F#
D#m
E
brave.
6
7
-vides,
let ring
6
On
the
path that
4
di
-
2
2
0
3
0
2
D#m
3
you
were
there
by
let ring
9 0
let ring w/ chorus
B
3
2
3
my
4
-
7
G#m
D#5/A#
4 4 2
B
side.
0
2
4
let ring
2
6
9
7
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E
3
There
will
3
be
no
be
let ring
-
tray
-
al
G#m
F#add11
to
-
night.
let ring
let ring
0 2
0
2 0
2
4
µ
F#m
9
6
I
found
2
cour - age
and
strength
3
let ring
C#m
4
3 in
the
words
you
once
on
the path
let ring
0
2
2
that
4
5
F#add11
di
-
9
7
9
7
5
let ring
2
B
G#m
4
sang.
4
4
2
3
2
Eadd9
lies
4
let ring
2
5
7
4
6
let ring
2 7
3
3
Tore
the
truth
from
the
let ring
4
6
9
6
4
µ
4
Aadd9
3
4
2
3
vides.
let ring
0 2
4
3
4
chorus off
7
6
4
6
4
7
4
7
8
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5
7
5
4
5
4
7
5
Interlude
F#5
4 2
4 2
2
4 2
4 2
4 2
2
heavy P.M.
4 2
4 2
µ
4 2
4 X 2
2
F#5
heavy P.M. 5
2
6
5
4
3
3
2
4 2
0
4 2
4 2
4 2
2
4 2
2
4 2
4 2
4 2
2
2
P.M. µ
4 X 2
7
8
7
Half-time feel
D#m
F#/C#
Gtr. 3 (dist.)
f
*w/ delay
3
6
6
4
3
8
6
6
5
9
8
8
6
7
7
9
6
B
8
7
E#7/GX
3
7
3
6
7
9
6
6
7
6
8
5
8
4
4
5
7
G#m
8
6
6
B#m7b5
3
4
3
4
6
3
6
4
*Stereo delay set for 400 ms & 675 ms regeneration w/ multiple decaying repeats.
Gtrs. 1 & 2
4
2
0
5
4
2
3
1
9
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Outro End half-time feel
F#/C#
A#/CX
G#m
You
P.M.
3
6
3
4
7
6
3
A#7
Well,
you
threw
15
8
8 6
8 6
mf
13
13
8 6
8 6
8 6
prince?
6 4
6 4
13
13
15
1/2
P.M.
4
16
6 4
6 4
6 4
A#7b9
6 4
6 4
6 4
6 4
A#
your
11
8 6
your
15
11
P.M.
8 6
de - fy
life
15
10
13
13
P.M.
8 6
8 6
8 6
8 6
8 6
P.M.
6 4
6 4
6 4
6 4
8 6
8 6
8 6
6 4
6 4
4
B
11
11
a - long
with Xan -
0
2 2 0
0
P.M.
2 0
2 0
10
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10
4
1
12
P.M.
a - way
15
just
dare
4
6
5
2
8
8
10
10
2 0
2 0
2 0
2 0
2 2 0
-
der’s
C#5
dreams.
11
10
10
P.M. P.M. 2 2 0
2 0
2 0
2 0
2 0
2 2 0
2 0
0
10
4 4 2
4 2
4 2
wrong
man
to
be
-
9
16
16
18
18
P.M.
0
the
1/2
C#
You chose
10
C#susÊ
4 2
4 2
4 2
19
21
X X X
P.M. P.M. 4 4 2
4 4 2
4 2
19
tray.
4 2
4 2
4 2
4 2
4 4 2
4 2
0
0
Half-time feel
D#m
C#/E#
F#
G#m
Two hun
8va
1 21
1/2
1
21
21
6 6 4
6 6 4
loco
f
13
18
15
3
3
3
16
18
15
16
18
16
6
7
-
gry
war -
8va
3
18
16
18
19
0 0 0
16
mf
16
18
18
P.M. 6 4
6 4
6 4
6 4
6 4
6 4
6 4
6 4
11
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-
E#m7b5
ri - ors
18
19
18
8va
6 4
6 4
18
18
P.M.
6 4
6 4
4
clash
in
the shad
4
3
2
16
21
18
1
-
21
1
1
1
1
1
P.M.
3
3
of
the
night.
1
19
4
ows
18
P.M. 1
CXº7
1/2
21
21
18
19
3
3
3
3
and
Ar
3
0
End half-time feel
D#m
But
8va
there’s
a
cost
loco
19
19
10
15
16
F#/C#
14
6 6 4
4 4 2
with
ev
-
’ry
B
fight,
grad. release
1
fight
18
18
13
5
14
16
-
hys’
16
16
7
12
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D#m/A#
for
18
him
his
18
18
16
16
4
18
18
y
1/2
18
18
X X X
7
6
-
rit. 6
ver
A#
rit.
18
E#m7b5
cost
1/2
19
G#m/F#
rit.
hope
G#m
6
3
6
A tempo Slightly slower q = 126
D#5
life.
16
6 6 4
Gtr. 3 tacet
Gtrs. 1 & 2
6 6 4
13
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from Dream Theater - The Astonishing
The Walking Shadow Music by John Petrucci and Jordan Rudess Lyrics by John Petrucci Intro Moderately q = 132 * µ(Em) Riff A Gtrs. 1 & 2 (dist.)
f
7
0
9
10
8 0
7
8
10
0
0
0
0
5
8
7
0
7
9
10
8 0
7
8
10
7
*Chord symbols reflect overall harmony.
7
4
3
7
10
3
2
4
9
10
0
5
1
4
4
7
1
7
0
5
10
9
5
8
9
8
7
8 0
7
8
4
7
7
10
End Riff A
0
5
8
7
5
2
2
5
4
3
2
1
3
Verse Half-time feel
F#7
C7#9
1. What
4 X 2
have
5 X 3
F#7/A#
you
5 X 3
Emaj7#11
done?
8 X 6
You
mur - der - er!
8 X 6
© 2016 WB MUSIC CORP., YTSE JAMS, INC., WARNER-TAMERLANE PUBLISHING CORP. and KEY WIZ MUSIC All Rights for YTSE JAMS, INC. Administered by WB MUSIC CORP. All Rights for KEY WIZ MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved Used by Permission
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
9 X 7
9 7
1
End half-time feel
F#7
C7#9
My
-
ther’s
F#(b5)
F(b5)
Your
day
will
come!
10 X 8
11 X 9
8 X 6
5 X 3
dead.
5 X 3
4 X 2
fa
F#7/A#
Interlude Gtrs. 1 & 2: w/ Riff A
µ(Em)
Gtr. 3 (dist.)
f
*w/ delay & reverb
12
14
16
15
15
7
9
8
10
9
7
10
9
10
14
12
16
15
15
7
9
8
10
9
*Delay set for 500 ms regeneration, w/ multiple decaying repeats. 8va
9
13
14
8va
Gtr. 3
17
17
12
12
14
13
16
19
15
13
14
17
12
16
Gtrs. 1 & 2
0
17
15
10
8
17
19
15
19
18
14
20
9
14
10 0
17
15
18
4
1/2
18
18
13
18
7
1/2
15
7
5
8
16
15
18
17
17
19
15
17
18
14
17
15
12
15
14
9
5
7
8
2
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
4
7
5
2
5
4
Verse Half-time feel Gtr. 3 tacet
Cm
Db
2. Don’t
8va
13
Dbadd#11/G
hold
Am/E
your
breath.
Em/F#
The
Em/G
night’s
still
13
5 X 3
6 X 4
Ab/C
A/C#
11 X 9
12 X 10
F#m7
G6
9 X 7
8 X 6
5 X 3
12 10
End half-time feel
young.
Con
C
son.
5 X 3
front
F#7b9/C#
Who’s
this
6 X 4
your
6 X 4
5 X 3
-
Gtrs. 1 & 2
G
death.
Like
fa
5 X 3
4 X 2
2 2 0
4 4 2
A#º7/G
Em
Em
I
see?
5 X 3
8 X 6
-
ther,
9 X 7
11 X 9
like
5 5 3
B/F#
Ap - proach
Em/G
-
ing
12 X 10
3
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
Bbm6add#11
Am
me,
Cho
8 6
-
7 7 5
7 7 5
heavy P.M.
8
0
2 2 0
0
0
0
0
0
0
0
2 2 0
0
2 0
0
3
8
6
0
0
0
2 0
semiP.H. heavy P.M.
2 2 0
0
2 2 0
0
0
D5
2 2 0
2 2 0
0
E5
0 0
0
2 2 0
0
2 0
0
0
8
6
3
heavy P.M.
2 2 0
0
µ
heavy P.M.
8
0
E5
semi-P.H.
heavy P.M.
2 2 0
0
heavy P.M.
heavy P.M.
µ(F5)
Rhy. Fig. 1
µ(F5)
One.
3 3 1
E5
sen
E5
Fm
The
Interlude Half-time feel Em
0
0
2 2 0
0
2 2 0
0
End Rhy. Fig. 1
heavy P.M. 0
0
2 2 0
4
3
6
3
5
6
1
Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 1
E
Draw - ing
E
clos
-
er
pace
by
pace,
nev - er
a - ware
of
Bb/E
the
Gm/E
the loom - ing
walk - ing
shad - ow
E
hides
its
like
step - ping right
in - to
face,
Bb/E
at - tack,
a
trap.
Interlude End half-time feel
Gtrs. 1 & 2: w/ Rhy. Fig. 1
E5
E5
µ(F5)
µ(F5)
E5
E5
4
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
µ
D5
Gtrs. 1 & 2
slight slight P.M.
12
14
13
16
19
15
18
15
13
14
12
12
10
9 12
11
7
10
9
11
12
8
11
8
7
P.M.
6
5
3
5
2 5
4
E5
P.M. 0
3
2
4
5
1
4
1
0
1
3
4
6
7
4
5
2 0
Gtrs. 1 & 2 tacet
µ(E5)
*
(Ah.) (Ah.) *Female voc. w/ reverb, next 5 meas.
Gtrs. 1 & 2
6
7
4
5
Outro E
7
6
7
9
10
8
0
6
P.M.
0
3
4
6
7
5
0
8 3
4
C#m/E
7
8
10
11
8
9
10
12
13
-
on
8
10
0
4
9
11
12
4
0
9
C#m/E
9
10
11
13
14
10
12
13
5
finds
15 0
P.M.
11
3
P.M.
0
2
5
P.M.
0
2
weap
1
E5
Gtr. 2
0
his
P.M.
0
8
Gtr. 1
7
0
5
Bb5/E
As
P.M.
0
9
10
12
10
P.M.
11
12
14
15
0
16 0
6
7
9
7
5
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E5
its
vic
P.M.
10
0
11
13
11
7
8
8
10
tim,
12
C#º/E
P.M.
15
14
mor
13
8
9
11
0
P.M.
12
0
10
12
15
13
0
P.M.
9
F#/E
ti
E
-
13
16
0
0
9
12
10
0
10
13
17
18
0
15
18
20
0
11
P.M.
11 0
14
15
12
15
17
0
Segue to “My Last Farewell”
Eº
F#/E
Eº
Eºadd11
shocked
to
find
the
8va
10 13
11 14 0
7
10
8 0
11
is
17
21
20
24
23
24
15
0
16
20
19
23
22
Cm
23
24 23 21
15
Faythe.
8va
14 0
shad - ow
0
14 0
18
17 0
Eº5
18
17 0
P.M.
14
he’s
14
14
12
E
fied,
17
15
0
-
P.M.
12
0
P.M.
0
E
-
11
C#º/E
23 22 20
6
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
from Dream Theater - The Astonishing
Three Days Music by John Petrucci and Jordan Rudess Lyrics by John Petrucci
All gtrs. 7-str.
Intro Slowly h = 67 *Am
Verse Am
ad
-
mi
-
am im
-
pressed.
way you
us
looked
X
7
8
D#5
6
7
E5
to
Bbm
at
you back
X
7
µ(E7)
5 5 3
6 6 4
7 7 5
E7
6
8
Now
E
earth.
Am
B
P.M. 7 5
6
Verse Am
7
X
8
6
7
B
To
Bbm6
Bb5
7
tears.
to
B
her.
7 5
cheers.
Esus4
Am
all
3
me bring
G#º7
0 0
P.M. 2. Need
G#º7/A
and the
P.M. P.M. f
D5
Bm7b5/F
You’ve brought
and let
B
Fadd9
the
throne,
Gtrs. 1 & 2 (dist.)
F#º7
Moderately fast q = 160 Am
5
E+/G#
3
the ap - plause
G
no - tice
B/A
step down from your
F/A
Dm/A
ra - tion,
3
did - n’t
Am
Db
I
B/A
3
Cm
think
Am
B/A
I
G#º7/A
*Chord symbols reflect overall harmony.
1. The
Dm/A
Am
B/A
(Piano & violin)
4
7
5
8
7
7 5
I
5
5
7
re - mind
7
8
6
© 2016 WB MUSIC CORP., YTSE JAMS, INC., WARNER-TAMERLANE PUBLISHING CORP. and KEY WIZ MUSIC All Rights for YTSE JAMS, INC. Administered by WB MUSIC CORP. All Rights for KEY WIZ MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved Used by Permission
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
you?
6
7
7
1
Am
B
I
am
the rul
-
Bb5
Am
B
er
here.
Don’t
o
-
ver - look
D5
that
fact.
D#5 E5
Gtr. 1
P.M. P.M. P.M. P.M. P.M. P.M. 7 5
5
7
5
7
6
8
6
7
7
8 6
8 6
7 5
5
7
5
7
6
8
6
7
7
0
5 5 3
3
5 5 3
3
7 7 5
6 4
3
5
5
7 7 5
Gtr. 2
P.M. P.M. P.M. 7 5
5
7
5
Am
7
6
8
6
B
Swear
-
ing
7
7
8 6
8 6
Am
al - le - giance
5
7
5
7
B
7 5
to
an
-
6
8
7
D5
but
0 0
Bb5
y - one
6
me,
no,
Gtrs. 1 & 2
P.M. P.M. P.M. 5 5 3
3
5 5 3
3
Am
7 7 5
6 4
3
5
B
I
won’t
5
7 7 5
put up
with
P.M. P.M. P.M. P.H. P.M. 7 5
5
7
5
7
8
6
6
7
7 5
7
5
5
7
7
6
8
6
7
7
5
5
6
7 5
5
5
7
7
8
6
6
7
7
Pitch: D
F5
D5
Pre-Chorus Dm
Bsus4
that.
Hide
G/B
and
pro - tect
Rhy. Fig. 1
6
3
1
0
5
5 5 3
5 5 3
4
him,
C
send
0
him
Am
Em
a - way.
3
1
E/G#
4
2
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
5
5
Bm7b5
I’ll
5
7
E
nev
-
er
play
7
5
E/G#
Am
5
thing
re - mains.
4
5
4
Chorus A5
E5 Cm
self.
just
5 5 3
5 5 3
5 5 3
5 5 3
Bow
D#5
E5 Ab/C
*Choir: (Brace! Gtrs. 1 & 2
w/ chorus
7 5
6 4
7 5
3 1
7 5
6 4
7 5
6 6 4
7 7 5
7 7 5
6 6 4
7 7 5
7 7 5
0 0
0 0
3 1
A5
-
far
2 0
9 7 5
9 7
D#5
-
y
E5 Cm
-
us.
down.
P.M.
E/B
same.
ior;
E
Na
Esus4
-
5 3
6
to
Bow
your sav
5 3
End Rhy. Fig. 1
6 6 4
down
5 3
End Rhy. Fig. 1
6 6 4
0 0
the
0 0
by
-
him
A5
Stand
3 1
B7/D#
G
7 5
your
0 0 0
3
6 4
Dm
find
5
D#5
I’ll
0 0 0
C5
E5
game.
Dm
3
5
Brace
D#5
7 5
Am/C
this
4
Gtr. 1
Am
one
Gtr. 2
E7b9/G#
Pray!
7 5
6 4
7 5
3 1
*All parts concert pitch throughout.
3
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
F5
Dm6/Eb
Esus4
A5
be
-
8 6
fore
him.
6 4
7 5
8
7 5
-
y
-
Pray!
7 5
6 4
be
E5 Ab/C
-
6 4
7 5
fore
Na
7 5
3 1
6 4
7 5
Esus4
3 1
4
6
5
7
him.
3 1
2 0
to
-
E
Fear
E/B
8
your
lead
-
er.)
semi-P.H.
5
6
7
steady gliss.
7 16
Verse __ 3 = Half-time feel Am
Dº7
B7b9
3
sur - ren - der
7
6
chorus off
Am/C
Bb7 E7b9
on his own.
Am
3
If
7
8
6
F9
not,
there’ll be
5
0
0
5
4
0
hell
to
pay.
I’ll
5
6
5
3
1
0
P.M.
5
E7
3. He’ll
B/D#
7 5
Kneel
Bow
help.
G#º7
us.
Cm
far
7
E5
for
D#5
Brace!
D#5
A5
To Coda
A5
E5 Cm
Kneel
Pray
D#5
E
0
3
0
4
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
0 0
Am
B
tear
down
Am/E
3
cit - y
stone
this
G#º
by
E7
You
on
-
Cm(maj7)
3
ly
G#º/B
have
three
days.
Gtrs. 1 & 2
Gtr. 2 divisi
F7/D
3
stone.
Am/D
Gtr. 1
Am
3
F7âÁ
5
7
5
8
7
Harm.
P.M.
5
8
7
8
X
6
7
7
7 0
5
0
=
Interlude End half-time feel
(w/ additional background laughter)
E7
µ(Am)
3
Laughed: Ha,
ha,
3
3
3
P.M.
5
5
5
3
3
3
1
1
1
0
0
ha!
Ha,
ha,
(Bb)
7
8
7
8
6
5
(Am)
ha, ha, ha,
5
0
(B)
5
7
(B)
6
ha, ha, ha!
(Bb)
Ha,
ha,
ha,
ha!
5
7
8
7
8
6
5
5
7
8 6
µ Cm D Db
Laughter continues simile & fades out next 2 meas.
(Am)
(B)
7
5
8
7
8
6
5
Cm
(Bb)
7
D
3
4
3
4
1
2
6
8
Db
1
5
3
1
4
4
10
6
8
7
9
10
6
Am
8
4
B
5
Bb
3
1
5
4
3
4
1
2
3
1
2
µ
5
7
8
7
8
5
6
5
7
6
8
10
8
7
9
10
6
8
4
5
0
1
Pre-Chorus
Gtrs. 1 & 2: w/ Rhy. Fig. 1
Dm
Send
G/B
home
the reb - els,
C
call
E/G#
off
Am
the fight
Em
Bm7b5
in
E7b9/G#
no
un - cer - tain
Am
D#5
E5 C5
terms.
5
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
Should
you
me,
Dm
G
re - fuse
E/G#
fear
E
Ra
Gtr. 2
P.M. P.M.
7 7 5
7 7 5
9 7
0
9 7
9 7
0
9 7
y
4. With us!)
-
far
-
y
-
10
7
4
6
3
6
4
7
3 3 P.M. 5
7
4
6
9 7 0
Bow
3
0
3
B/D# Dm/E
to
this
fright - en
6
4
chorus off
5
chorus off
5
-
ing
5
7
7
5
4
P.M. 0
4
6
8
5
5
5
6
6
8
5
6
B
de - cree,
P.M.
0
-
skill
grace,
Lord
grace,
6
9
7
5
0
4
P.M. 0
4
Na
6
9
13
10
12
9
10
7
9
6
-
y - us
de - parts.
P.M.
5
0
4
5
0
5
P.M.
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
-
F/Eb Am/E
6
Na
Dm/A
5
-
Lord
7
P.M.
5
shall
Na - far
your
to
your
Am
4
us!)
3 3 P.M. 8
0
Gtr. 2
Verse Slower q = 118 Half-time feel Am
E7
-
9 7
ven
E7b9
4
7 7 5
0 0 0 0
Gtr. 1
0 0
7 7 5
far
8
0
11
9 7
P.M. P.M.
Dm
0 0 0
-
B7/D#
Coda
(Bow
Dm
your lives.
Gtr. 1
Am/C
G#º7
burn.
Am
for
D.S. al Coda
Esus4
E
4
D#º7/C
E7/B
Am
They’re
Gtrs. 1 & 2
8
7
P.M.
5
F/C
7 8
E/B
time.
3
P.M.
E7/B
7 8
9
left
to
weigh
the
grav
4
5
B/D#
Dm/E
10
0
10
Ga
3
P.M. 8
F/C
This
7 8
re
let ring
-
9
Day
4
will
threat - en
-
-
ar - rive
ing
re - marks.
Am
P.M.
10
0
4
4
5
4
5
0
Dm/A
on
semi-P.H. P.M.
out
of
F/A
5
4
F/Eb
5
Am/E
ly
three
days’
0
4
5
B/D#
this
a - live?
P.M. P.M.
3 0
tion
semi-P.H.
7
5
4
-
-
5
4
4
D#º7
ques
E/B
the
1
5
5
0
in
0
get
B
5
F/E
5
4
soon
bri - el
3 0
5
D#º7
mains
1
of his
3 1
i - ty
Am
-
B/D#
0
E+
E
molto rit.
on
their
molto rit. let ring
4
5
4
5
7
F/A
0
semi-P.H.
5
5
P.M.
Am
D#º7
P.M. P.M. P.M.
Will
Am
F/E
Judg - ment
0
Am
D#º7/C
D#º7
1
9
3
minds.
7 5
7
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
Interlude Faster q = 256 Am
B/D#
Bb/D
F7
Bb7
E/G#
Am
7
5
7
6
Am
6
B
5
5
7
Bb/F
7
8
8
Am/E
6
6
E/A
4
4
5
5
Am/D
5
5
6
6
3
3
5
5
8
8
7
8
7
8
7
6
7
6
7
7
5
Outro Am
(Judg - ment
Day
is
com
Day
is
com
(Judg - ment
-
ing
-
and
ing
and
7
7
1
1
0
0
5
5
8
8
7
7
5
5
3
3
1
1
you
on
you
on
ly
have
three
have
three
-
-
ly
5
5
4
7
5
8
6
7
7
8
5
4
5
6
5
4
5
7
8
5
7
6
8
9
E7
3
0
0
P.M. P.M. 4
3
D#º7
5
5
E
P.M.
5
F7
E
P.M.
5
F7
8
6
9
7
Am
days.
Just
days.
three
days!)
Just
three
days!)
3
6
7
6
8
6
7
8
5
7
3
7 5
7 5
5
7
3
5
3
7
5
4
6
5
3
5
3
1
0
8
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
10
9
7
from Dream Theater - The Astonishing
When Your Time Has Come Music by John Petrucci and Jordan Rudess Lyrics by John Petrucci Intro Moderately q = 82 Segue from “A Savior in the Square”
* Dsus2
...eyes.
*Chord symbols reflect overall harmony.
**Gtr. 1 (acous.)
mf let ring
14
15
0
15
14
17
let ring
0
15
14
let ring
15
15
14
Em7
14
15
0 14
15
15
14
0 14
15
**Doubled throughout
***Gtrs. 2, 3 & 4
mf let ring
2
3
0
5
3
2
let ring
0
3
2
let ring
3
3
2
3
2
0 2
3
3
2
0 2
3
***Gtrs. 2 & 3 (acous.); Gtr. 4 (elec.) w/ clean tone & reverb
Bm7
let ring
15
14
15
0 14
15
14
2
3
0 2
3
let ring
17
let ring
3
15
0 14
15
let ring
5 2
3
0 2
3
12
14
A
14
12
11
10
3
2
15
7
9
10
5
© 2016 WB MUSIC CORP., YTSE JAMS, INC., WARNER-TAMERLANE PUBLISHING CORP. and KEY WIZ MUSIC All Rights for YTSE JAMS, INC. Administered by WB MUSIC CORP. All Rights for KEY WIZ MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved Used by Permission
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
12
3
1
D
let ring
let ring
12
0
15
14
17
15
14
14
3
Bm7
3
2
let ring
5
3
2
15
15
14
let ring
let ring
3
0
3
2
5
3
2
0
3
2
12
14
15
14
15
15
14
let ring
0
3
14
0
Gsus2
7
9
10
3
2
0
3
2
Asus4
14
12
11
10
3
2
15
15
14
3
2
3
2
0
15
2
0
15
14
3
3
2
let ring
17
15
14
let ring 14
let ring
0
0
3
2
15
14
15
let ring
0
15
0
Em7
5
14
5
Verse Gtrs. 1 & 4 tacet
Dadd9
1. When your
*Gtrs. 2 & 3
Aadd9
time
has
2 3 2 0
0 0 0 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
and you’re
0 0 2 2
0 0 2 2
0 0 2 2
t’ward
the
0 0 2 2
0 0 2 2 0
0 0 2 2
0 0 2 2
0 0 2 2
0 0 2 2 0
look - ing
sim.
0 0 2 2 0
come,
let ring throughout
2 3 2 0 0
Gadd9
0 0 0 0
3 0 0
3 0 0 X 3
3 0 0
3 0 0
3 2 0 X 3
0 X 3
3 2 0
3 2 0
3 2 0
3 2 0 X 3
light,
3 2 0 X 3
0 0 0 0 0
*Composite arrangement
Dadd9
2 3 2 0 0
G
all
that
Gadd9
real
Dadd9
-
ly
mat
-
2 3 2 0
2 3 2 0
2 3 2 0
0 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0 0
2 3 2 0
2 0
0 3 2 0
0 3 0 0
3 0 0 X 3
0 X 3
3 0 0
3 0 0
3 0 0
3 2 0 X 3
0 X 3
3 2 0
0 X 3
3 2 0
3 2 0 X 3
3 2 0 X 3
0 0 0 0 0
2 3 2 0 0
ters
is
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0 0
2
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
0
0 3 0 0
0 3 0 0
Em7
what you
A7sus4
leave
be
-
Aadd9
0 3 0 2 2 0
0 3 0 2 2
0 3 0 2 2
0 3 0 2 2
0 2 2 0
3 0 0 0
3 0 0 0
0 3 0 2 0
0 3 0 2 0
So,
let your
heart
be
free.
0 0 0 2 0
0 0 0 2 0
0 2 0 2 0
0 2 0 2 0
0 2 0 2 0
0 2 0 2 0
0 2 0 2 0
0 0 0 0 0
2 3 2 0 0
2 3 2 0 0
2 3 2 0
0 0 0 0
sim.
Gadd9
G%
down
0 0 2 2
0 0 2 2
0 0 2 2 0
0 0 2 2
0 0 2 2
0 0 2 2
0 0 2 2 0
the
0 0 2 2
stones
you
0 3 2 0 X 3
3 0 0
3 0 0
3 0 0
0 X 3
0 3 2 0
Aadd9
0 3 2 0 X 3
0 3 2 0 X 3
3 2 0 X 3
0 5 6 7 0
0 5 6 7 0
0 5 6 7 0
0 5 6 7 0
0 5 6 7 0
0 5 6 7 0
0 5 6 7 0
0 5 6 7 0
0 5 6 7 0
ing
3 0 0
3 0 0
3 2 0 X 3
3 2 0
3 2 0
0 X 3
ry,
3 2 0
0 0 0 0 0
2 3 2 0 0
the
weight
0 0 0 0 0 0
0 0 0 2 2 0
0 0 0 2 2
0 0 0 2 2
0 0 0 2 2
0 0 0 2 2
0 0 0 2 2 0
0 0 0 2 2
0 0 0 2 2
0 0 0 2 2
0 0 0 2 2
0 0 0 2 2 0
0 0 0 0
0 0 0 0
ing
the
path
0 0 0 0 0
0 0 0 0 0
A
7 7 7 9 9 7
7 7 7 9 9
7 7 7 9 9
7 7 7 9 9 7
X X X X
X X X X
Rhy. Fig. 2
7 7 7 0
2 3 2 0
2 3 2 0
0 3 2 0
5 5 6 7 7 5
5 5 6 7 7
5 5 6 7 7
5 5 6 7 7 5
X X X X
3 3 4 5 5 3
2 3 2 0 0
0 3 2 0
0 3 0 0
your
mind.
0 7 7 7 0
0 7 7 7 0
0 7 7 7 0
0 7 7 7 0
2 3 2 0
2 3 2 0
0 7 7 7 0
0 7 7 7 0
di - vides,
X X X X
2 3 2 0
2 0
0 7 7 7 0
0 7 7 7 0
Gadd9
that
2 3 2 0
off
-
2 3 2 0
Set
take
Chorus Bm
2 3 2 0
2 3 2 0
2 3 2 0
3 2 0
Dadd9/A
-
3 0 0
Dadd9
2 3 2 0 0
2 3 2 0
2 3 2 0
2 3 2 0
bright.
3 2 0 X 3
End Rhy. Fig. 1
0 5 6 7 0
-
3 2 0 X 3
3 0 0
3 0 0 X 3
fac
When you’re
burn
Em
car
3 0 0
0 0 0 0 0
Gadd9
spir - it
0 0 2 2 0
0 0 2 2 0
0 0 2 2
0 3 0 2 0
0 3 0 2 0
G
Keep your
5 6 7 0
hind.
0 3 0 2 2 0
0 3 0 2 2
0 3 0 2 2
0 3 0 2 2
Dadd9
Rhy. Fig. 1
0 3 0 2 2 0
3 0 0 X 3
A7
4 5 5 3
3 3 4 5 5
3 3 4 5 5
3 3 4 5 5
3 3 4 5 5 3
0 7 7 7 0
know
that
4 5 5 3
0 7 7 7 0
0 0 0 0 0
I
3 3 4 5 5
3 3 4 5 5
3 3 4 5 5
3 3 4 5 5 3
X X X X
X X X X
3
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
Bm
will
be
Aadd9
there
7 7 7 9 9 7
7 7 7 9 9
7 7 7 9 9
7 7 7 9 9 7
X X X X
X X X X
G
G
by
0 0 6 7 7 5
0 0 6 7 7
0 0 6 7 7
Dadd9/F#
and
your side.
0 0 6 7 7 5
X X X X
X X X X
3 3 4 5 5 3
4 5 5 3
3 3 4 5 5
3 3 4 5 5
3 3 4 5 5
3 3 4 5 5 3
Em7
you’ll
Find
your
4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
0 3 0 0 0 0
0 3 0 2 2 0
3 0 2 2
3 0 2 2
3 0 2 2
3 0 2 2 0
3 0 2 2
X X X X
3 2 0 X 2
0 0
Interlude Dsus2
Gtr. 1
0
Gtrs. 2, 3 & 4
15
0 14
15
17
0
2
3
0 2
3
let ring 14
let ring
5
3 3 4 5 5
3 3 4 5 5
3 3 4 5 5
3 3 4 5 5 3
0 3 0 2
3 0 2 2
in
the
X X X X
X X X X
3 0 2 2
15
0 14
15
2
3
0 2
3
15
7 7 7 9 9 7
7 7 7 9 9
7 7 7 9 9
7 7 7 9 9 7
X X X X
X X X X
3
of
my
choice
is
0 0 6 7 7 5
0 0 6 7 7
0 0 6 7 7
0 0 6 7 7 5
A
0 3 0 2 2 0
3 0 2 2 0
3 0 0 0 0
3 2 2 0
3 2 2 0
3 2 2 0
2 2 2 0
3 2 2 0
X X X X
X X X X
right.
3 2 2
3 2 2
voice,
End Rhy. Fig. 2
2 2 2
2 2 2
2 2 2 0
let ring 14
let ring
sound
Asus4
Aadd9
Em7
let ring
14
which
strength
know
Bm
3 3 4 5 5 3
15
0 14
15
15
14
2
3
0 2
3
0 14
let ring
3
4
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2
0
2
15
3
Bm7
let ring
let ring
15
14
0
15
17
15
14
14
2
0
3
let ring
5
3
2
15
14
let ring
3
0
15
2
0
3
3
2
12
14
Gsus2
A5
15
14
12
11
7
9
10
10
5
14
3
2
5
Verse Gtrs. 2 & 3: w/ Rhy. Fig. 1 Gtrs. 1 & 4 tacet
Dadd9
2. In
this
G
night
-
ing
G%
is
al
-
Gadd9
life
we can
-
just
Em
ways dark
est
be
-
some - times
lose
our
Dadd9
the
new
way,
Dadd9/A
fore
but
A
fleet
Aadd9
day.
When you’re
fac -
Chorus Gtrs. 2 & 3: w/ Rhy. Fig. 2
-
ing
the
Bm
A
path
that
Gadd9
di - vides,
know that
Bm
I
will
be
Aadd9
there
by
your
side.
Gtrs. 5 & 6 (7-str. elec.)
f
5
3
7
5
w/ dist.
7
5
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
Gadd9
Find
your
Bm
strength
3
E/G#
and
you’ll
know
5 4 2 X 4
5 4 2 X 4
5 4 2 X 4
5 4 2 X 4
5 4 2 X 4
5 4 2 X 4
5 4 2 X 4
5 4 2 X 4
5 4 2 X 4
5 4 2 X 4
5 4 2 X 4
4 2 X 4
in
the
Aadd9
7
5
0 0 0 0
3 0 0 X 3
of
sound
Gtrs. 2 & 3
G6
Em
my
which
3 3 0 0 X 3
0 0
3 0 0
0 0 0 0 0
0 0 0 2 2 0
voice,
choice
0 0 0 2 2
0 0 0 2 2
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 0 0 0
Gtrs. 5 & 6
4
0
3
0
Guitar Solo
Asus4
3 2 2 0
3 2 2
3 2 2 0
3 2 2 0
right.
3 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
Gtr. 7 (elec.)
2 2 2 0
1 f
C#m/E
*w/ dist., wah-wah, delay & reverb rake
2 2 2 0
F#m
is
Gtrs. 2, 3 & 5 tacet
A
2 2 2 0
12
12 X
1 12
12
10
12
10
11
9
11
X
*Stereo ping-pong delay set for 300 ms regeneration, w/ multiple decaying repeats.
7 5
Gtr. 6
4
5
2
3
w/ chorus
6 4
6
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6 2
D#m7b5
A+/E#
8
11
14
11
11
F#m
1
12
14
15
14
16
A/E
* 1
1/2
17
1 17
8va
3
1 1/2 1
14
1/2
17
17
17
14
14
*Catch 3rd string w/ bending finger.
2 1
2 3
6 4
B/D#
D
Bm
14
1
14
17
14 17
1/2
14
16
14 16
9 6
7 5
8va
16
16
0 21
19 20 21
19 21
4
5
2
19 22
3 2
3
1
5
1
1/2
22
F#m/A
1
14
9 7
µ
loco
1
22
3 1/2
19 21 22
4 2
4 0
21 19 21
21
loco G#m7b5
D+/A#
F#7
Bm
D
8va
3
1
19 21 19
22
19
19
22
21
2
19
grad. release
1
21
21
5 4
5 6
19
21
19
0
1
1/2
1
6
6 1/2
7
9
10
7
9
21
4 2
4 2
9 7
7
7
9
9
7
9
11
10 12
7 5
7
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
E
1 12
12
E/G#
6 12
12 12
G/A
16 13
13 16
14
11 13 14 13 14 16
14 11 12 14
14 15 17 15 17 19
2 0
14
14
15
P.M.
0
0
0
A
17
17
17
12
12
15
15 17
w/ chorus
P.M.
0
4
3
0
17
14
8 7 5
0
F#m/A
16
Em/A
8va
10
12
14
6
6 12
14
15
17
15
14
19
17
15
19
19
7 6 4
19
P.M.
0
Em7b5
C#º7/Bb
6
0
19
0
15
17
16
17
15
15
17
0 0 0 2
A/C#
19
Outro Slower q = 72 D
rit.
15
loco
This ver - y
mo - ment
8va
Gtr. 7 8va
rit.
21
17 22
18 21
22 19
18 15 18
17
18 15
17
19 16
17
16 19
5
19
18
17
17 21 17
*Gtrs. 5 & 6
rit.
5
17
10
18
19 19
18
17
17 21
22
chorus off
7
4
5 5
7
6
4
5 5 3
*Gtr. 5, w/ chorus
8
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
Gtr. 7 tacet
Bm
was
al - ways meant
C#m
3
to
E
D
be.
I
nev - er
no - ticed,
Gtrs. 5 & 6
2 2 0
4 4 2
Bm
but
all
at
once
C#m
I
7 7 5
5 5 3
F#susÊ
F#m
2 2 0
4 4 2
4 2
days
when I
felt
8va
Gtr. 8 (elec.)
most
E/G#
a - lone,
14
17
A
17
1
17
Gtr. 9 (elec.)
mf
17
*w/ dist., chorus & delay 1/2
13
13
17
14
the se - cret
17
14
that
I
14
15
15
to share
12
1
15
one
loco
mf
*w/ dist., chorus & delay 1
the worst
with no
On
of
see.
Half-time feel D
hide.
14
13
14
13
14
9
Gtrs. 5 & 6
5 5 3
7 4
7 5
*Stereo delay set for 500 ms & 850 ms regeneration w/ 1 repeat.
9
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
D
I
grew
numb
11
11
7
7
F#m
but
8va
Asus4
I’ve
the emp
all
17
19
13
14
-
ti - ness
in
-
side,
19
11
17
19
13
found
my
14
1
12
4 2
2 0
12
A
home.
16
AsusÊ
16
16
E
now
1/2
to
5 5 3
12
5 5 3
17
12
15
12
14
7 5
10
Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)
