from Green Day - ¡Tré!
8th A venu e Serenade Words and Music by Billie Joe Armstrong, Mike Dirnt and Tre Cool
Intro Fast = 174 * Gtr. 1 (slight dist.)
11 0
11 0
9 0
0
11 0
0
14 0
11 0
0
0
9 0 0
0
11 0
11 0
11 0
11 0
9 0
11 0
0
0
14 0
0
*Chord symbols reflect basic harmony.
Riff A
*Gtrs. 1 & 2
11 0
9 0
0
11 0
0
11 0
11 0
11 0
9 0
11 0
0
0
14 0
0
*Gtr. 2 (slight dist.); played . Composite arrangement
1. Say E nR diA f f R iB ff
11 0
9 0
0
0
11 0
11 0
E nR diB ff
11 0
11 0
9 0
0
11 0
14 0
0
11 0
0
0
9 0
11 0
0
7 7 7 5
11 0
Verse
hel - lo
from your
win
-
dow.
Say
Rhy. Fig. 1
let ring
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
0 0
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
0 0
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
© 2012 WB MUSIC CORP. and GREEN DAZE MUSIC All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
0 0
2 2 0
1
good - bye
from
your
car.
Say End Rhy. Fig. 1
let ring
0 0 2 2 0
2 2 0
2 2 0
0 2 2 0
5 5 3
0 0
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
7 7 7 5
0 0
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
0 0
7 7 5
7 7 5
7 7 7 5
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 4 meas.)
good - night
so
from
long
your
from
pil
the
-
low.
Say
stars. (Oo.
Gtrs. 1 & 2
let ring
0 0 2 2 0
2 2 0
2 2 0
0 2 2 0
0 0
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
0 0
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
0 0
7 7 5
7 7 5
11 0
Interlude Gtrs. 1 & 2: w/ Riff A (3 times)
Oo.
Oo.
Gtrs. 1 & 2: w/ Riff B
2. Take Oo.)
2
Verse Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1 1/2 times)
a
walk
to
-
dle
out
me
a
of
my
lul
songs
-
la
for
for - get
to
life.
-
bye.
mid
pass
me
Sing
-
Cra -
life.
Don’t
by.
As
R h yF . i g2.
my
E n dRh yF . i g2.
Gtrs. 1 & 2
let ring
0 0 2 2 0
2 2 0
0 2 2 0
2 2 0
5 5 3
0 0
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
7 7 7 5
0 0
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
0 0
0 0 X 2 2 0
Chorus 2nd time, Gtr. 3 tacet
im
-
ag
-
in
-
a
-
tion
runs
a
-
way
on
R hF3 yi g. .
0 0 2 2 0
0 0 X 2 2 0
ER nh d F3yi g. .
0 0 X 2 2 0
0 0 X 2 2 0
0 0 X 2 2 0
0 2 2 0
0 0
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
0 0
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
0 0
0 0 X 2 2 0
3
Gtrs. 1 & 2: w/ Rhy. Fig. 3
this
Eighth
me
at
Av
-
en
the
bath
0 2 2 0
5 5 3
-
-
ue
room
ser
-
e
-
stall,
nade,
meet
meetm e
at
the
Whis
0 2 2 0
5 5 3
-
p’ring
Wall,
Gtrs. 1 & 2
0 0 2 2 0
0 0 X 2 2 0
0 0 X 2 2 0
0 0 X 2 2 0
0 0 X 2 2 0
0 0
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
0 0
0 0 X 2 2 0
0 0 X 2 2 0
0 0 X 2 2 0
0 0 X 2 2 0
0 0 X 2 2 0
0 0
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
0 0
0 0 X 2 2 0
Interlude
be - fore
0 0 2 2 0
0 0 X 2 2 0
all
0 0 X 2 2 0
0 0 X 2 2 0
the
0 0 X 2 2 0
0 2 2 0
flames
5 5 3
0 0
burn
5 5 3
5 5 3
5 5 3
out. (Oo.
11 0
5 5 3
Oo.
9 0
0
11 0
0
0
14 0
0
11 0
0
9 0
0
11 0
11 0
11 0
Gtrs. 1 & 2: w/ Riff A (2 times) 2nd time, Gtrs. 1 & 2: w/ Riff A (3 times)
Oo.
Oo.
To C oda
Interlude 1st time, Gtrs. 1 & 2: w/ Riff B
2nd time, Gtr. 3 tacet
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1 3/4 times)
Gtr. 3 (slight dist.)
11 0
4
11 0
9 0
11 0
0 0 0
11 0
11 0
9 0
11 0
0 0
12 12 12
12 12 12
12 12 12
12 12 12
12 12 12
12 12 12
11 0
11 0
9 0
12 12 12
12 12 12
12 12 12
12 12 12
12 12 12
12 12 12
12 12 12
12 12 12
12 12 12
12 12 12
11 0
12 12 12
12 12 12
13 12 12
12 12 12
11 0
0 0
0 0 0
12 12 12
12 12 12
11 0
11 0
11 0
8 9 9
0 0
12 12 12
12 12 12
9 0
X X X
11 0
8 9 9
8 9 9
8 9 9
8 9 9
11 0
11 0
12 12 12
0 0
8 9 9
8 9 9
0 0
10 11
11 0
9 0
8 9 9
12 12 12
0 0 0
D.S. al Coda
12 12 12
12 12 12
8 9 9
8 9 9
11 0
12 12 12
12 12 12
0 0 0
12 12 12
12 12 12
8 9 9
11 0
12 12 12
12 12 12
8 9 9
12 12 12
12 12 12
11 0
11 0
12 12 12
12 12 12
0 0 0
13 12 12
0 0
12 12 12
11 0
Coda
Gtrs. 1 & 2: w/ Rhy. Fig. 2
As
my Gtrs. 1 & 2
11 0
11 0
9 0
11 0
10 11
11 0
11 0
9 0
9
11 0
5
from Green Day - ¡Tré!
99 Revo lu ti on s Words and Music by Billie Joe Armstrong, Mike Dirnt and Tre Cool Intro Very fast
= 172 Riff A1
Gtr. 2 (slight dist.)
End Riff A1
(Drums)
2
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
12 12 12 12 12 12 12 12
12 1 2 12 12 12 12 12
Riff A
Gtr. 1 (slight dist.)
End Riff A
(Drums)
55
55
55
55
55
55
55
55
55
55
55
55
55
55
55
5 0
Riff B Gtr. 3 (slight dist.)
13 12
13 12
End Riff B
15 12
13 12
13 12
12 12
12 12
12 12
13 12
12 12
12 12
10 10
10 10
10 10
11 10
10 10
10 10
10 10
10 10
12 12
12 12
12 12
Rh F1yi g. .
13 12
12 12
12 12
12 12
ER nh F d1yi g. .
**Gtrs. 1 & 2
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
13 12
13 12
0 0
0 0
5 5 3
5 5 3
5 5 3
12 12
12 12
13 12
5 5 3
5 5 3
5 5 3
3 3 1
12 12
12 12
10 10
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
0 0
10 10
10 10
10 10
10 10
12 12
12 12
12 12
13 12
12
12 12
12 12
0 0
**Composite arrangement
Gtrs. 1 & 2: w/ Rhy. Fig. 1 Gtr. 3
13 12
13 12
15 12
12 12
12 12
10 10
10 10
11 10
© 2012 WB MUSIC CORP. and GREEN DAZE MUSIC All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission
1
Verse
Gtr. 3 tacet
1. Uh, there’s a trou 2. There’s a rat
-
ble in the
in the air, com - pa - ny,
a a
rum bail
-
ble in the out on eas - y
streets. street.
Gtr. 3
13
Rhy. Fig. 2 Gtrs. 1 & 2
P.M.
5 5 3
5 3
A
P.M.
5 3
5 3
go - ing How the
5 3
5 3
out fuck
0 0
5 3
of did
5 3
5 3
5 3
5 3
5 3
5 3
bus’ - ness work - ing
the
3 1
0
sale stiff
3 1
3 1
3 1
and
3 1
3 1
a
3 1
5 5 3
5 3
to be
-
bank - rupt come
3 1
3 1
3 1
race
P.M.
3 1
5 3
5 5 3
5 3
so
P.M.
5 5 3
3
cy.
(Whoa.)
Gtrs. 1 & 2
End Rhy. Fig. 2
P.M.
5 5 3
5 3
5 3
5 3
5 3
5 3
0 0
5 3
5 3
5 3
5 3
5 3
5 3
5 3
3 1
0
Gtr. 2: w/ Rhy. Fig. 2
It’s ob
-
Gtr. 1
P.M.
P.M.
3
so - lete?
P.M.
5 5
5
5
5 5
3
3
3
3
3
1 0 2 3
the
one lights
0 2 3
0 2 3
to and
0 2 3
0 2 3
0 2 3
0 0
0
P.M.
2
P.M.
5 3
5 3
3 1
3 1
3 3 1
2nd time, Gtr. 1: w/ Rhy. Fill 1
nine bang
-
ty the
5
5
5
5
5
5
5
3
3
3
3
3
3
3
3 1
3 1
3 1
Rhy. Fill 1 Gtr. 1
5 3
3 1
nine; drum
it’s and
P.M.
P.M.
5 5 3
not Hit
3 1
5 3
5 3
P.M.
5 3
5 3
0
3 1
3 1
3 1
3 1
0
nine let
-
ty your
ine flag
to un
one. fold
-
A com - mon cause ’cause his - to - ry
P.M.
P.M.
3 1
3 1
3 1
call prove it
to -
3 1
arms self
3 1
3 1
for in
3 3 1
3 1
the the
health halls
0 2 3
3 1
P.M.
3
0 0 3
3
of our daugh - ters of jus - tice
0 2 3
1 0 2 3
3
and and
a
P.M.
P.M.
3
and will
our lost
0 2 3
0 2 3
0 2 3
1 0 2 3
0 2 3
sons. souls.
0 0
It’s
Gtrs. 1 & 2
P.M.
5 3
P.M.
5 3
5 3
5 3
5 3
5 3
5 3
3 1
0
3 1
3 1
3 1
3 1
3 1
3 1
5 5 3
3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
3 3 1
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
0
Chorus
nine
-
ty
nine
rev
-
o
5 5 3
5 5 3
5 5 3
rev
-
o
-
lu
-
3 3 1
3 3 1
lu
-
tions
to - night.
Rhy. Fig. 3
5 5 3
5 5 3
Nine
5 5 3
-
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
ty
5 5 3
5 5 3
5 5 3
nine
0 0
0 0
-
3 3 1
3 3 1
3 3 1
tions
3 3 1
3 3 1
5 5 3
5 5 3
0 0
to - night. End Rhy. Fig. 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
0 0
0 0
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
0 0
0 0
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
3
Gtrs. 1 & 2: w/ Rhy. Fig. 3
Nine
-
ty
nine
rev
-
o
-
lu
-
tions
to -
night.
1. To C oda
Nine
-
ty
nine
rev
-
o
12 12
10 10
-
lu
-
tions
to
-
night.
12 12
12 12
Interlude Gtrs. 1 & 2: w/ Rhy. Fig. 1 Gtr. 3
13 12
13 12
15 12
13 12
13 12
12 12
12 12
12 12
13 12
12 12
10 10
10 10
11 10
10 10
10 0
10 10
10 10
10 10
12 12
13 12
12 12
12 12
12 12
2.
Guitar Solo Gtrs. 1 & 2: w/ Rhy. Fig. 3 (last 4 meas., 1 3/4 times)
lu
-
tions
to
-
night.
Gtr. 3
1
1
8
8
10
10
1
8
8888
10
10
10
10
10
18
1
12
10
4
1414
1
12 14
1
12
12
1 2
12
14
1 41 4
14
14
1 2
13 15
1
1
13
13
15
15
13 15
1
13
13
13
15
15
15
15 15 1717
1
15 17
15 17
15 17
17
8va
loco
1
1
1
1
1
17
17
17
17
17
15
15
19
19
19
19
19
17
17
1
15 17
15
15
17
17
17
0
1
13 15
13 15
1
13
1 5
13
1 5
13
13
13
15
15
15
Bridge
We
Gtr. 3
live
in
troub - led
times,
from
the
loco 8va
1
16
1
15
15 17
15
15
16
17
17 17
Gtrs. 1 & 2
Rhy. Fig. 4
3 3 1
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
Gtr. 3 tacet
ghet
-
tos
to
an emp
-
ty subu- rb
-
an
home.
We
End Rhy. Fig. 4
Gtrs. 1 & 2
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
X X X
X X X
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
0 0
0 0
Gtrs. 1 & 2: w/ Rhy. Fig. 4
live
in
troub - led
times,
and
I’m
nine
-
ty
nine
per - cent
sure
that
5
some
-
thing’s
wrong.
It’s
all
wrong.
It’s
Gtrs. 1 & 2
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
Chorus Gtrs. 1 & 2 tacet
nine
-
ty
Nine
-
ty
-
ty
nine
nine
rev
rev
-
-
o
o
-
-
lu
lu
-
-
tions
tions
to -
night.
to
- night.
to -
night.
*
Nine
nine
rev
-
o
-
lu
-
tions
*Chord symbols implied by Bass, next 8 meas.
D.S. al Coda Gtrs. 1 & 2: w/ Riffs A & A1
Nine
-
ty
nine
rev
-
o
-
lu
-
tions
Coda Outro Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times) Gtr. 3: w/ Riff B (2 times)
lu
6
-
tions
to - night.
to
- night.
Gtr. 3 tacet
Nine,
nine
to
one,
to
Gtr. 3
13 12
Rh F5yi g. . Gtrs. 1 & 2
ER nh F d5yi g. .
5 5 3
5 5 3
5 5 3
5 5 3
3 3 1
3 3 1
3 3 1
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
Gtrs. 1 & 2: w/ Rhy. Fig. 5
one.
Oo,
yeah! Gtrs. 1 & 2
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
7
from Green Day - ¡Tré!
A Little Boy Named Train Words and Music by Billie Joe Armstrong, Mike Dirnt and Tre Cool Intro Moderately fast
= 144 Rhy. Fig. 1 *Gtrs. 1 & 2 (dist.)
Gtr. 1 (dist.)
11 11 9
11 11 9
11 11 9
11 11 9
X X X
11 11 9
X X X
9 9 7
X X X
11 11 9
11 11 9
11 11 9
11 11 9
11 11 9
11 11 9
11 11 9
End Rhy. Fig. 1
11 11 9
X X X
11 11 9
X X X
9 9 7
X X X
11 11 9
11 11 9
X X X
11 11 9
11 11 9
11 11 11 11 9 9
*Composite arrangment
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times) Gtr. 3 (dist.)
let ring
4 4
11 11
11 11
11 11
11 11
11
12 11
11
12 11
11 11
11
11
11 11
11
11
Gtr. 3
11 11
11 11
11 11
11 11
11
12 11
11
11
9
11
11
11
11
11
R hFy 2i g .. Gtrs. 1 & 2
11
ER nd hFy 2i g ..
11 11 11 9
11 11 11 9
11 11 11 9
11 11 11 9
X X X X
11 11 9
X X X
9 9 7
X X X
11 11 9
have
you been?
11 11 11 9
X X X
11 11 11 9
Verse Gtr. 3 tacet
1. Where didy ou come Gtrs. 1 & 2
from?
Where
Looks likey ou fell
in -
to
the
trash
bin.
Rhy. Fig. 3
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
© 2012 WB MUSIC CORP. and GREEN DAZE MUSIC All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
1
I’m
6 6 4
Back in
6 6 4
6 6 4
for day
-
6 6 4
0
light,
shoot
6 6 4
6 6 4
6 6 4
-
ing
6 6 4
6 6 4
6 6 4
for
catch - in’
4 4 4 2
0 0
the
4 4 4 2
a
train.
4 4 4 2
4 4 4 2
I’m
4 4 4 2
4 4 4 2
crash
-
in’
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
a
car.
4 4 4 2
4 4 4 2
4 4 4 2
stars.
4 4 4 2
4 4 4 2
4 4 4 2
Like a End Rhy. Fig. 3
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 2
4 4 2
4 4 2
im - ag
-
4 4 2
0
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
0
Pre-Chorus
life - long
dais- y
chain
of
my
i - na
-
tion.
A
R hFy 4i g ..
6 6 4
ER nd hFy 4i g ..
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
0 0
in - side
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 2
0 0
4 4 2
a
maze,
I
got
no
des - ti
-
na
-
tion.
Rhy. Fill 1 Gtrs. 1 & 2
4 4 4 2
2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
0 0
’Cause I’m
a
3rd time, Gtrs. 1 & 2: w/ Rhy. Fill 1
Gtrs. 1 & 2: w/ Rhy. Fig. 4
rat
0 0
4 4 4 2
4 4 4 2
4 4 4 2
0 0
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
0 0
0 0
0 0
Chorus
lit
-
tle
boy
4 4 4
4 4 4
4 4 4
4 4 4
2
2
2
2
named Train.
Ask me
a - gain;
I’ll
tell
you the
same.
Gtrs. 1 & 2
2 0
Lit
-
tle
boy
4 4 4
4 4 4
4 4 4
4 4 4
2
2
2
2
4
4
4
4
4
4
4
4 2
4 2
4 2
4 2
4 2
4 2
4 2
named
0 0
0 0
4 4 4
4 4 4
4 4 4
4 4 4
2
2
2
2
2 0
Train.
4
4
4
4
4
4
4
4 2
4 2
4 2
4 2
4 2
4 2
4 2
I
come
11 9
11 9
Don’t
know where
0 0
0 0
from,
P.M.
2 0
4
4
4
4
4
4
4
4
11
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
11 9
11 9
11 9
11 9
T o C od a 2
but
I
know
where
I
have
11 9
11 9
To C oda 1
been.
Train!
Gtr. 1
P.M.
P.M.
10 11 9
11 9
11 9
11 9
11 9
11 9
11 9
11 11 9
11 9
11 9
11 9
11 9
11 9
11 9
11 9
11 11 9
11 11 9
11 9
11 9
11 9
11 9
11 9
11 9
11 9
11 9
11 11 9
11 11 9
11 11 9
11 11 9
11 11 9
11 11 9
11 9
11 9
11 9
11 9
11 9
11 9
11 9
11 9
11 11 9
11 11 9
11 11 9
11 11 9
11 11 9
11 11 9
Gtr. 2
P.M.
11 9
11 9
11 9
3
Interlude Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times)
Verse
2. Ser - i - ous peo
-
ple are fun
-
ny
to me.
Fun - ny
peo
-
ple
seem
so
ser
-
i - ous.
Gtr. 1
P.M.
4 4 2
P.M.
2 2 3 4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
Gtr. 2
P.M.
4 4 2
4 2
4 2
Gtrs. 1 & 2: w/ Rhy. Fig. 3 (last 8 meas.)
I’m
al - ways
lost,
and
noth
-
ing
willc hange.
D.S. al Coda 1
Gim - me
di - rec
-
tions, and
I’ll
Coda 1 Interlude Gtrs. 1 & 2: w/ Rhy. Fig. 1 (3 times)
4
get
lost
a -
gain.
Like
a
Gtr. 3
4 4
11 11
11 11
11 11
11 11
11
12 11
11
12 11
11 11
11 11
11 11
11 11
11 11
7 X 4
9
11 X 8
11 X 8
Gtrs. 1 & 2: w/ Rhy. Fig. 2
11 11
11 11
11 11
11 11
11
11
12 11
11 11
9
11
11
11
11
11
11
11
7 X 4
6 X 3
11
Guitar Solo Gtrs. 1 & 2: w/ Rhy. Fig. 3
6 X 3
6 X 3
6 X 3
6 6 6 4
6 X 3
6 6 6 4
7 X 4
7 X 4
6 6 6 4
6 6 6 4
7 6 6 4
7 X 4
7 6 6 4
7 6 6 4
6 X 3
6 X 3
7 6 6 4
7 6 6 4
6 X 3
6 6 6 4
6 X 3
6 6 6 4
4
6 X 3
6 X 3
11 X 8
8
6 X 3
11 X 8
6 X 3
11 X 8
7 X 4
7 X 4
11 X 8
11 X 8
12 X 9
12 X 9
12 X 9
7 X 4
11 X 8
11 X 8
6
D.S. al Coda 2 Gtr. 3 tacet
Like
11 X 8
11 X 8
11 X 8
11 X 8
12 X 9
12 12 X X 9 9
12 X 9
12 X 9
11 X 8
11 8
11 X 8
12
11
9
8
a
5
Coda 2
I
said
I
don’t
know whereI
come
from,
but
I
Gtr. 1
P.M.
11 9
P.M.
11 9
11 9
11 9
11 9
11 9
11 9
11 11 11 11 9 9
10 11 11 9
11 11 11 11 9 9
10 11 11 9
11 9
11 9
11 9
11 9
11 9
11 9
11 9
11 9
11 9
11 9
11 9
11 9
11 9
11 11 11 11 9 9
11 9
11 9
11 9
11 9
11 9
11 9
11 9
11 9
11 9
11 9
11 9
11 9
11 9
Gtr. 2
P.M.
11 9
P.M.
11 9
11 9
11 9
11 9
11 9
11 9
11 9
Outro Gtrs. 1 & 2: w/ Rhy. Fig. 1 (3 times)
know
where
I have
been.
P.M.
10 11 11 9
11 9
11 9
11 9
11 9
11 9
11 9
11 9
11 9
11 11 9
11 11 9
11 11 9
11 11 9
11 11 9
11 11 9
11 9
11 9
11 9
11 9
11 9
11 9
11 9
11 9
11 11 9
11 11 9
11 11 9
11 11 9
11 11 9
11 11 9
P.M.
11 9
11 9
Gtrs. 1 & 2: w/ Rhy. Fig. 2 Gtr. 3
let ring
4 4
11 11
11 11
11 11
11 11
11
11
12 11
12 11
11 11
11 11
11
11
11 11
11 11
11 11
11 11
Gtr. 3
Gtrs. 1 & 2 divisi
12 11
6
11
9
11
11
11
11
11
11
11
11
11 4 4 2
11 4 4 2
11
11
12 11
from Green Day - ¡Tré!
Amanda Words and Music by Billie Joe Armstrong, Mike Dirnt and Tre Cool Verse Moderately fast = 160
1. A
-
man
-
da,
don’t don’t
you know you know
that I
I was -
Rhy. Fig. 1A
*Gtr. 2 (slight dist.)
6 7 6 8
6 7 6 8
6 7 6 8
6 6 6 8
6 6 6 8
6 6 6 8
*Two gtrs. arr. for one. Rhy. Fig. 1
**Gtr. 1 (dist.)
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
4
** Doubled throughout
Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A (3 times)
still n’t
-
walk strong
a e
-
round nough.
this And
fog in
-
gy your
round wild
-
a - bout mind,
End Rhy. Fig. 1A
4 4 4 6
4 4 4 6
4 4 4 6
9 9 10 11
9 9 10 11
9 9 10 11
9 9 10 11
9 9 10 11
End Rhy. Fig. 1
6 6
6 6
6 6
6 6
6 6
6 6
6 6
4
4
4
4
4
4
4
when I I was
-
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
0
get n’t
back smart
in e
-
town? nough.
I I
was was
© 2012 WB MUSIC CORP. and GREEN DAZE MUSIC All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission
0
0
0
0
a a
dif dif
-
f’rent man f’rent kid
1
from five from fif
for for
sec - onds teen years
-
tain, tain,
I I
a a
-
go, go,
don’t wan
-
know na
and and
a
thing know
you’re you’re
cer cer
-
a a
-
of
love
6 7 6 8
6 7 6 8
6 7 6 8
6 7 6 8
6 7 6 8
6 7 6 8
6 7 9 8
6 7 9 8
6 7 9 8
6 7 9 8
6 7 9 8
6 7 9 8
6 7 9 8
6 7 9 8
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
0 0
a a
dif - f’rent dif - f’rent
wom wom
bout. bout.
Is
-
an, an,
this
that’s that’s
some
Chorus
kind Gtr. 2
6 7 6 8
Gtr. 1
that
on - ly
hate
would
un - der
-
Rhy. Fig. 3
6 7 6 8
7 7 8 9
7 7 8 9
7 7 8 9
7 7 8 9
7 7 8 9
7 7 8 9
7 7 8 9
7 7 8 9
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
Rhy. Fig. 2
4 4 2
4 4 2
0 0
Gtr. 2 tacet
stand?
A
-
man
-
da,
End Rhy. Fig. 3
10 7 9
9 9 7
2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
0 0
To C od a
I
could
-
n’t
be
D.S. al Coda
your
man.
2. A
-
man
-
da
6 6 6 4
6 6 6 4
6 6 6 4
6 6 6 4
End Rhy. Fig. 2
Gtr. 1
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
4 4 2
0
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
0 0 0
6 6 6 4
6 6 6 4
0
Coda Interlude
man. R hFy4 i.g . Gtr. 1
En RdhFy4 i.g .
4 4 2
4 4 2
2 2 0
4 4 4 2
2 2 0
4 4 4 2
2 2 0
2 2 0
4 4 2
4 4 2
2 2 0
4 4 4 2
2 2 0
4 4 4 2
2 2 0
2 2 0
Gtr. 1: w/ Rhy. Fig. 4
Bridge
I’m
not playin’ with your
mind
un
-
less
you
Gtr. 3 (dist.)
let ring throughout
11
11
11
11
11
11
11
11
11
11
11
11
11
11
11
11
12
11
12
11
12
11
12
11
Gtr. 1
4 4 2
8 8 6
6 6 4
8 8 6
9 9 7
3
think
12
I
11
8 9 9 7
12 11
X X X X
13
10 11 11 9
like
am.
14
’Cause you’re
13
10 11 11 9
14 10
10 11 11 9
a
11
11
0 0
bat
0 0
4 4 2
-
ter
11
11
crush - ing
11
11
my
heart
11
11
11
11
11
11
11
11
11
8 8 6
-
ing
11
6 6 4
8 8 6
ram.
Gtr. 4 (dist.)
0 0
16
Gtr. 3
12
11
12
11
12
11
12 11
13
14
13
14
13
14
13
14
13
14
Gtr. 1
9 9 7
4
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
11 11 9
11 11 9
11 11 9
11 11 9
11 11 9
11 11 9
11 11 9
11 11 9
11 11 9
4
3
11
2 2
Guitar Solo Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A (4 times) Gtr. 3 tacet Gtr. 4
2
2 2
4
2
2 2
2 3
14 14 15
14 15
14 14 15
14 15 16
1
1
2 2
3
4
8 X 6
6
6 X 4
4
4
12 13
14 15
14 15
14 15
2
4 X 2
3
2 2
3 X 1
1
3 X 1
2 2
4
3 X 1
2 2
0 0
6
2
2 2
4
4
3
4 3
4
2 2
6 X 4
4
2 2
0 0 0
6 X 4
11 X 9
6 X 4
11 X 9
11 X 9
11 X 9
11 X 9
0 0
6 4
0 0 0
16
11 11
11 11
16
11 11
6 X 4
4
11 11
11 11
11 11
12 13
12 13
6 X 4
12 13
16
1/2
2 2
4
2 2
3
14 15
14 15
2 2
14 15
16 16
2 2
2 2
16 16
14 15
4
2 2
14 15
12 13
2 3
12 13
11 11
2 2
11 11
2 2
6
0
2 2
4
6 4
2 2
2
2
2 3
2 2
2 2
0
0
5
Chorus Gtr. 1: w/ Rhy. Fig. 2 Gtr. 2: w/ Rhy. Fig. 3
Is
this
some
1/2
kind
of
love
that
on -
ly
A
-
1/2
3
3
4
4
4
2
Gtr. 4 tacet
hate
would
un
-
der
-
stand?
Outro Gtr. 1: w/ Rhy. Fig. 4
man
-
da,
I
could
-
n’t
be
your
man.
Gtr. 1
4 4 2
6
4 4 2
2 2 0
2 2 0
4 4 4 2
4 4 4 2
2 2 0
2 2 0
4 4 2
4 4 2
2 2 0
2 2 0
4 4 4 2
4 4 4 2
2 2 0
2 2 0
4 4 2
from Green Day - ¡Tré!
Dir ty Rott en B ast ard s Words and Music by Billie Joe Armstrong, Mike Dirnt and Tre Cool Intro Moderately fast = 142
Yeah,
yeah,
Yeah,
yeah.
yeah,
Yeah, (Yeah,
yeah.
yeah, yeah,
yeah. yeah.
Rhy. Fig. 1
End Rhy. Fig. 1
*Gtrs. 1 & 2
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
3 3 1
3 3 1
3 3 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
1 3 3 1
1 3 3 1
1 3 3 1
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
X X X
*Gtr. 1 (dist.) Composite arrangement
Gtrs. 1 & 2: w/ Rhy. Fig. 1
Yeah, Yeah,
yeah, yeah,
yeah. yeah.)
Verse
1. Call - ing
all
de - mons;
1 1 2 3 3 1
1 1 2 3 3 1
this
is
the
1 3 3 3 1
1 3 3 3 1
1 3 3 3 1
sea - son.
Next
stop
1 1 2 3 3 1
1 1 2 3 3 1
is
ther -
a
-
1 1 2 3 3 1
1 1 2 3 3 1
py.
Rhy. Fig. 2 Gtrs. 1 & 2
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
© 2012 WB MUSIC CORP. and GREEN DAZE MUSIC All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission
5 5 3
5 5 3
0
1
We’re
the
re - tard - ed
and the brok - en - heart
-
ed, the
sea - son
of
mis - er
-
y.
Here’s
End Rhy. Fig. 2
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
the wast -
ed.
1 3 3 3 1
1 3 3 3 1
1 3 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
X X X
-
jects,
waste
der,
and
no
5 5 3
5 5 3
1 1 2 3 3 1
X X X
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
Gtrs. 1 & 2: w/ Rhy. Fig. 2
to
gon - na
take
it
fur
I
-
can
al - most taste
ther,
get
it,
a - way
the
with
re
mur
-
of
one
times.
here
is
A,
get - ting
out
a
-
Chorus
live.
Here’s
to
all
God’s
los
-
ers.
1 1 3 3 1
1 1 3 3 1
1 1 3 3 1
1 1 3 3 1
1 1 3 3 1
-
ers,
1 1 3 3 1
1 1 3 3 1
Ra, da,
da,
da,
de.
The bot - tom - feed - ers
fren
-
1 1 3 3 1
1 1 3 3 1
Gtrs. 1 & 2
1 2 3 3 1
1 1 2 3 3 1
1 2 3 3 1
zy.
1 1 2 3 3 1
2
Here’s to
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
all
1 1 3 3 1
blood - suck
1 1 3 3 1
1 1 3 3 1
1 1 3 3 1
1 1 2 3 3 1
sing
1 1 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
a - long with me.
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
’Cause we
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 3 3 1
1 1 3 3 1
1 1 3 3 1
don’t
say
no,
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
1 1 3 3 1
scream
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
Interlude Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1 3/4 times)
one,
two,
three!
5 5 3
5 5 3
5 5 3
Yeah, (Yeah,
yeah. yeah.
yeah, yeah,
Yeah, Yeah,
yeah, yeah,)
= Gtr. 2 tacet
yeah,
hey!
Gtrs. 1 & 2
Gtr. 1
1 1 3 3 1
1 1 3 3 1
X X X X
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
3 3 1
2 0
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
Bridge
We’re
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
too old
3 3 1
3 3 1
to
3 3 1
be
3 3 1
mis- be
3 3 1
3 3 1
-
haved.
3 3 1
We sold our souls
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
and
3 3 1
3 3 1
3
so
a
3 3 1
3 3 1
-
shamed
3 3 1
So
3 3 1
3 3 1
send
it
to
3 3 1
3 3 1
3 3 1
of
3 3 1
we
wait
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
for
3 3 1
my
3 3 1
our
-
selves.
1 2 3 3 1
0
Miss
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
Judg - ment
3 3 1
3 3 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
Day.
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
Write
me
a
let - ter
3 3 1
3 3 1
3 3 1
3 3 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
2 0
and
3 3 1
3 3 1
grave.
3 3 1
0 0
0 0
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
6 6 4
8 8 6
8 8 6
10 10 8
Interlude Double-time feel
10 10 8
4
10 10 8
8 8 6
10 10 8
Play 4 times Rhy. Fig. 3
10 10 8
10 10 8
End Rhy. Fig. 3
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
12 12 10
10 10 8
10 10 8
8 8 6
8 8 6
10 10 8
10 10 8
12 12 10
12 12 10
10 10 8
Verse
2. All fucked chopped me a
up, be line of my
-
yond in - ter - ven - tion. best friend’s ash - es.
Rh F4yi g. .
ER nh d F4yi g. .
10 10 8
12 12 10
10 10 8
10 10 8
8 8 6
8 8 6
10 10 8
10 10 8
8 8 6
10 10 8
Gtr. 1: w/ Rhy. FIg. 4 (3 times)
Fuck Dust
the to
world; dust,
Long, What
lost the
souls fuck
on af
-
this when
and does
a bend - er; ter - life
it’s is
is the
my red
liv “O.
in’
rev - o light
in K.”
- lu - tion. flash - es.
cag stand
one for the on - ly worth
es, for
ag dy - ing
when
es. for?
I’m the
I’ve I’ve
Oo,
Pre-Chorus
got
the
urge
to
binge
and
surge.
The
Rhy. Fig. 5
Gtr. 1
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
X X X
X X X
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
X X X
X X X
5
ta
-
bles
turn
to
crash
and
burn. End Rhy. Fig. 5
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
X X X
X X X
Chorus Gtr. 1: w/ Rhy. Fig. 3 (4 times)
Ju
-
li
make
Ju
-
an
my
-
li
de
-
an
-
-
-
a
Hom
mons
come
a
Hom
-
i
-
cide,
to
-
i
-
life.
Well,
cide,
oh,
1.
won’t
you
be
my
blush -
ing
2.
bride?
3.
I
Interlude Gtr. 1: w/ Rhy. Fig. 4 (4 times)
Al - right!
Guitar Solo
Gtr. 1: w/ Rhy. Fig. 5
Gtr. 3 (dist.)
1
6
1
1
1
11
11
11
11
13
13
13
13
13
10
10
8 10
1
10
9
X X
11 1 1
1
1
11
11
13
13
13
15
0 0
8
8
Gtr. 1: w/ Rhy. Fig. 3 (4 times)
3
3
11
8
8
11
11
8
8
11
11
8
11
8
11
13
13
16 1 3
3 1
1
16
3
1 3 16
13 16
3
13
3
3
13 16
1 3 16
13
15
13 16 13
13
16
13
3
1
16
16
16
13
13 16 13
16
13
16
13
13
16
13 1 6 1 3
13
16
13
16
13
13
16
1
15
15
13
13 13
15
15 1 5
13 15 15 15
13 1 5 1 5 1 5
13 13
15 15 15
13 13
15
13 13 13 13
15 15
15 15
13 13
15
13 13
13 13
Well,
3
3 1
13
16
13
13
16
13
16
13
16
13
16
13
16
13
16
13
13
16
16 1 6
-
ing
1
1
16
16
Bridge Gtr. 3 tacet
Cal Gtr. 1
-
i
-
for
-
nia’s
burn
to
the
ground,
Rhy. Fig. 6
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
8 8 8 6
8 8 8 6
8 8 8 6
8 8 8 6
8 8 8 6
8 8 8 6
8 8 8 6
8 8 8 6
8 8 8 6
8 8 8 6
7
and End Rhy. Fig. 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
X X X
8 8 6
8 8 6
8 8 6
8 8 6
X X X
8 8 6
8 8 6
8 8 6
8 8 6
X X X
8 8 6
8 8 6
6 6 4
Gtr. 1: w/ Rhy. Fig. 6 (2 3/4 times)
Ju
smoke,
Cal
-
li
-
an
-
there’s
fire
-
-
i
a
walks
burn
for
-
on
-
ho
ing
nia’s
-
out
burn
ly
ground.
the
-
Where there’s
lights.
ing
’Cause
down
to
-
night,
End double-time feel rit.
to
-
night.
Gtr. 1
rit.
8 8 6
8
X X X
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
6 6 4
8 8 6
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
6 6 4
8 8 6
5 5 3
0
Interlude Slower = 120 Voc. Fig. 1
(Oo,
Gtr. 3
Gtr. 4 (dist.) divisi
10 2
10 2
11 3
13 5
1 2 3 3 1
1 2 3 3 1
13 5
10 3
15 15 777
15 13 55
13
10 2
10 3
10 2
11 3
13 5
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
10 2
12 5
Rhy. Fig. 7
Gtr. 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
3 3 3 1
0 0
3 3 3 1
3 3 3 1
1 2 3 3 1
0 0
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
5 5 3
0 0
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
0 0
End Voc. Fig. 1
oo.)
10 2
10 2
11 3
13 5
13 5
10 3
15 15 777
15 13 55
13
10 2
10 3
10 8 2 0
8
8 0
0
13 5
13 6
13
End Rhy. Fig. 7
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
0 0
3 3 3 1
3 3 3 1
3 3 3 1
0 0
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
0 0
0 0
5 5 3
5 5 3
5 5 3
0 0
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
9
Verse Gtr. 1: w/ Rhy. Fig. 7 (2 times) Gtrs. 3 & 4 tacet
4. Cal - ling
We’re
all
the
de
-
mons:
re - tard - ed
and
this
is
the
sea - son.
the brok - en - heart
-
Next
ed,
the
it,
the
stop
sea - son
is
ther
of
-
mis
a
-
-
er
py.
-
y.
Bkgd. Vocs.: w/ Voc. Fig. 1
Here’s
to
the
Gon - na take
wast -
it
fur
ed.
-
I
ther,
get
can
al - most taste
re
a - way with mur - der, and
no
-
jects andw aste
oneh ere
is
of
get - ting out
times.
a -
live.
Here’s to
Chorus
all
God’s
los - ers.
Ra, da,
da, da,
de.
The bot - tom
-
feed
-
ers
3 3 1
3 3 1
3 3 1
3 3 1
fren
-
zy.
Here’s to
Gtr. 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
1 2 3 3 1
0 0
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
0
( =
all
3 3 3 1
10
blood - suck
3 3 3 1
-
ers,
sing
3 3 1
a - long
3 3 1
with
me.
’Cause
we
don’t
5 5 3
say
5 5 3
5 5 3
no,
5 5 3
5 5 3
scream
5 5 3
5 5 3
0 0
0 0
)
Outro Slower
= 67
Gtr. 3 tacet rit.
one,
two,
three!
We’re
car - ried
a
-
way,
car - ried
a -
Gtr. 3
15 Rhy. Fig. 8
Gtr. 1
rit.
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
Gtr. 1: w/ Rhy. Fig. 8 (3 1/2 times)
way,
car - ried
a
-
way.
We’re
car - ried
a
-
way,
car - ried
a -
End Rhy. Fig. 8
Gtr. 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
7 7 5
1., 2., 3.
7 7 5
7 7 5
7
79 7
5
7
4
5
4
2
4. rit.
way,
car - ried
a
-
way.
way,
car - ried
a
-
way.
Gtr. 3
rit.
2
4
2
42
2
0
42
2 4 2
0
10 10 Gtr. 1
rit.
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
11
from Green Day - ¡Tré!
Dram a Queen Words and Music by Billie Joe Armstrong, Mike Dirnt and Tre Cool
Intro Moderately = 109
__
3
=
Rhy. Fig. 1
End Rhy. Fig. 1
Gtr. 1 (acous.)
let ring throughout
1 0 0 0
1 0 2 3
1 0 2 3
1 0 0 0
3 0 0 2
3 0 0 2
1 0 0 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 X 3
1 2 2 X 3
1 2 2 X 3
0 0 0 0 0 0
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
3 1
so
wet
1 1 2 3 3 1
1 1 2 3 3 1
0 0 0 0 0 0
3 0 0 X 3
0 0 X 3
3 0 0 X 3
0 X 3
3 0 0 X 3
3 0 0 X 3
0 0 0 0 0
Verse Gtr. 1: w/ Rhy. Fig. 1 (2 times)
1. She’s
my
dra - ma
queen.
She’s
my
dra - ma
queen.
She
She
is
dan - gles from
and reck
-
her neck
-
less.
lace.
Chorus
Dad - dy’s
lit
-
tle
bun
1 2 2 X 3
0 0 0 0 0 0
-
dle
of
joy,
1 1 2 3 3 1
1 1 2 3 3 1
out
of
a
1 2 2 0
1 2 2 0
mag - a
-
zine.
1 2 2 X 3
1 2 2 X 3
Rhy. Fig. 2
Gtr. 1
0
1 2 2 0
1 2 2 0
3
3 1
1 1 2 3 3 1
0 0 0 0 0
0 0 0 X 3
0 0 0
© 2012 WB MUSIC CORP. and GREEN DAZE MUSIC All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission
3
1
Ev - ’ry - one’s
0 0 0 0
1 2 0 X 2
is
old
1 0 2 3
e - nough
1 0 2 3
to
dra - ma
1 0 0 0
bleed
3 0 0 2
queen
3 0 0 2
1 0 0 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 X 3
1 2 2 X 3
0 0 0 0 0 0
1 2 2 X 3
now. End Rhy. Fig. 2
1 1 2 3 3 1
1 1 2 3 3 1
0 0 0 0 0 0
3 0 0 X 3
3 0 0 X 3
1 0 2 3
1 0 2 3
1 0 2 3
1 0 2 3
1 0 2 3
1 0 2 3
1 0 2 3
1 0 2 3
1 0 2 3
Verse *Gtrs. 1 & 2: w/ Rhy. Fig. 1 (4 times)
2. She’s
my
dra - ma
queen.
Her
life
is
now
un - fold
-
ing.
Riff A Gtr. 3 (acous.)
End Riff A
3
2
0
3
1
3
*Gtr. 2 (acous.), played Composite arrangement
Gtr. 3: w/ Riff A (3 times)
There goes
my
Hey, lit - tle
2
dra - ma
dra - ma
queen.
queen,
What do
oh,
you think
did
you find
she’s hold
your sav
-
ing?
-
ior?
Oh,
lit -
tle
dra - ma
queen,
you
bet - ter
call
a
law -
Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 2 Voc. Fig. 1
-
yer.
Dad - dy’s
lit
-
tle
bun
-
dle
of
joy,
(Oo. Riff B
Gtr. 4 (elec.)
w/ slight dist. P.M.
P.M.
102 5
3
1
3
End Voc. Fig. 1
out
of
a
mag - a
-
zine.
Ev - ’ry - one’s dra - ma
queen
Oo.) End Rif f B
Rif f C
P.M.
5
3
2
8
7
5
3
Interlude Gtrs. 1 & 2: w/ Rhy. Fig. 1
is
old
e -
nough
to
bleed
now.
*Gtr. 5
12
15
*Piano arr. for gtr. En d Ri ff C
Gtr. 4
Ri ff D
P.M.
1
3
83
8
7
7
3
1.
2. Gtr. 5
3
Gtr. 6 (elec.) divisi
13
13
12
15
w/ slight dist. 1
15
5
5
7
End Riff D
P.M.
P.M.
5
35
31
13
3
3
3
Bkgd. Voc.: w/ Voc. Fig. 1 (1st 3 meas.) Gtrs. 1 & 2: w/ Rhy. Fig. 2 (1st 3 meas.) Gtr. 4: w/ Riff B (1st 3 meas.) Gtr. 5 tacet
Gtr. 6
3
3 1 8
1 8
8
1
8
3
3
1
1
5 7
7
1
7
5
1
5
1
5 8
8
1
8
7
7
7
Gtrs. 1 & 2: w/ Rhy. Fig. 2 (last 4 meas.) Gtr. 4: w/ Riff C Gtr. 6 tacet
6
Gtr.
5
Gtr.
12 11
Gtrs. 1 & 2
1 2 0 X 2
0 0 0 0
Gtr. 4
P.M.
2
4
2
15
13
8
15
15 13
14
11
Verse Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times) Gtr. 4: w/ Riff D (2 times) Gtr. 5 tacet
3
3. Hey, lit - tle dra - ma
queen,
from NewY ork to San
Fran- cis -
Gtr. 5
17
15
-
13
co.
Ev - ’ry - one’s dra - ma
queen,
I think she’s go - ing psy
-
cho.
Chorus Bkgd. Voc.: w/ Voc. Fig. 1 Gtrs. 1 & 2: w/ Rhy. Fig. 2 Gtr. 4: w/ Riff B
Dad - dy’s
lit
-
tle
Ev - ’ry - one’s dra - ma
bun
-
dle
of
joy,
out
queen
is
of
a
mag - a
old
e - nough
-
to
zine.
bleed
now.
Outro
She’s old
e - nough
to
0 0 0 0 0 0
3 0 0 X 3
bleed
now.
She’s old
e - nough
to
0 0 0 0 0 0
3 0 0 X 3
bleed
now.
Gtrs. 1 & 2
1 1 2 3 3 1
1 1 2 3 3 1
3 0 0 X 3
1 0 2 3
1 0 2 3
1 0 2 3
1 0 2 3
1 0 2 3
1 0 2 3
0 0 0 0
1 1 2 3 3 1
1 1 2 3 3 1
3 0 0 X 3
1 0 2 3
Gtr. 4
P.M.
1
3
38
81
3
38
5
from Green Day - ¡Tré!
Mis si ng You Words and Music by Billie Joe Armstrong, Mike Dirnt and Tre Cool 5fr
7fr
13 4
Intro Fast
13 4
5fr 13 4
5fr 13 4
7fr
3211
5fr
1333
1333
3111
= 166
* Rhy. Fig. 1
End Rhy. Fig. 1
Gtr. 1 (slight dist.)
Sai - lo.
Gtr. 2 (slight dist.)
0 0 1 2 2 0
2 2 2 0
2 3 2 0
4 4 2
4 4 2
2 3 2 0
4 4 2
0 0 1 2 2 0
0 0
2 2 2 0
*See top of page for chord diagrams pertaining to rhythm slashes.
Gtr. 1: w/ Rhy. Fig. 1
Wak - ing
0 0 1 2 2 0
2 2 2 0
2 3 2 0
4 4 2
4 4 2
2 3 2 0
4 4 2
0 0
0 0 1 2 2 0
up,
2 2 2 0
0 0 0 0 0
Verse 2nd time, Bkgd. Voc.: w/ Voc. Fill 1
feel - ing it was the
nak first
-
ed time
I
Gtrs. 1 & 2
P.M.
7 7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
0 0
6 4
6 4
6 4
6 4
6 4
6 4
6 4
6 4
6 4
6 4
6 4
6 4
6 4
6 4
6 4
6 4
Voc. Fill 1
(First
time.)
© 2012 WB MUSIC CORP. and GREEN DAZE MUSIC All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission
1
in told
my you
clothes, I loved
in - side you
7 5
7 5
a at
room the
that’s bus
va sta
-
cant. tion.
P.M.
7 5
7 5
7 5
7 5
7 5
Lost my Don’t for
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
0 0
7 5
7 5
7 5
nerve, get,
-
7 5
7 5
and it’s ’cause it’s
7 5
7 5
un not
7 5
-
Gtr. 1
P.M.
P.M.
7 5
7 5
7 5
7 5
7 5
7 5
7 7 5
7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
0 0
7 7 5
7 7 5
7 7 5
7 7 5
0
0
Gtr. 2
P.M.
7 5
7 5
7 5
7 5
7 5
7 5
10 9 7 0
7 5
0 0
2nd time, Bkgd. Voc.: w/ Voc. Fill 2
nerv o
-
0
2nd time, Gtr. 2: w/ Rhy. Fill 1
ing. ver.
I I’m
know not
there lost
is
7 5
7 5
’cause
some I’m
Gtrs. 1 & 2
P.M.
6 6 4
6 4
6 4
6 4
6 4
6 4
Voc. Fill 2
6 4
6 4
6 4
6 4
6 4
6 4
6 4
6 4
7 5
7 5
7 5
7 5
7 5
7 5
Rhy. Fill 1 Gtr. 2
(O
-
ver.)
P.M.
7 7 5
2
6 4
7 5
7 5
7 5
9 7
7 5
9 7
-
thing just
I’m mis
for sing
-
-
get you.
-
ting.
Well,
I
7 7 5
7 7 5
* P.M.
9 7
9 7
9 7
9 7
9 7
9 7
9 7
0 0
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 7 5
7 5
7 7 5
7 7 5
7 7 5
*Gradually lift P.M.
Pre-Chorus
searched
the
7 7 7 5
der
0 0
moon,
I
6 7 7 5
6 7 7 5
the
9 9 9 7
lost
6 7 7 5
0 0
bed.
0 0
6 7 7 5
6 7 7 5
0 0
head.
9 9 9 7
0 0
I
6 7 7 5
my
the
7 7 7 5
0 0
6 7 7 5
0 0
punched
I
0 0
6 7 7 5
walls,
I
6 7 7 5
6 7 7 5
6 7 7 5
e
0 0
-
7 7 7 5
0 0
0 0
the
9 9 9 7
0 0
looked
un
6 7 7 5
0 0
hit
6 7 7 5
ven
-
6 7 7 5
6 7 7 5
0 0
0 0
6 7 7 5
6 7 7 5
0 0
0 0
6 7 7 5
6 7 7 5
0 0
0 0
street.
0 0
6 7 7 5
Chorus
I’m
pound
-
ing
thep
ave
-
ment,
look
-
ing.
I’m Gtrs. 1 & 2
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
0 0
0 0
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
0 0
0 0
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
3
mis
-
sing
9 9 9 7
9 9 9 7
9 9 9 7
mis
-
sing
4 5 6 6 4
4 5 6 6 4
4 5 6 6 4
you.
9 9 9 7
9 9 9 7
7 7 7 5
0 0
9 9 9 7
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
0 0 0
0 0 0
6 7 7 5
6 7 7 5
4 5 6 6 4
0 0
7 7 7 5
0 0
7 7 7 5
-
9 9 9 7
9 9 9 7
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
0 0
0 0
6 7 7 5
0 0
0 0
1., 2. You’re 3. You’re
a a
9 9 9 7
7 7 7 5
you.
4 5 6 6 4
not not
0 0
I’m
9 9 9 7
7 7 7 5
7 7 7 5
round round
0 0
0 0
7 7 7 5
7 7 7 5
7 7 7 5
and and
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
I’m I’m
a a
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
9 9 9 7
com - plete fuck
7 7 7 5
7 7 7 5
9 9 9 7
-
6 7 7 5
0 0
dis ing
7 7 7 5
6 7 7 5
as dis - as
7 7 7 5
7 7 7 5
7 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
-
ter. ter.
7 7 7 5
9 9 9 7
9 9 9 7
0 0
1. T o C od a
I’m
6 7 7 5
4
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
0 0
0 0
mis
-
sing
4 5 6 6 4
4 5 6 6 4
4 5 6 6 4
you.
4 5 6 6 4
4 5 6 6 4
0 0
0 0
2. Ah, re - mem
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
9 9 9 7
-
9 9 9 7
ber
0 0
2.
Guitar Solo
Gtr. 1
Say
hey.
Gtr. 3 (dist.)
1
0 0 0 0 0 0
18
0 0 0 0 0 0
Gtrs. 1 & 2
1
5
5
7
7
5 7
0 5 7
0 5 7
0 5 7
0 5 7
0 5 7
0 5 7
0 5 7
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
0 5 7
Gtr. 2
(Gtr. 1, cont. in slashes)
7 7 7 5
7 7 7 5
7 7 7 5
1
7 7 7 5
7 7 7 5
7 7 7 5
1
0 0 1 2 2 0
2 2 2 0
0 0
1
7
7
0 7
9
9
9
2 3 2 0
4 4 2
7 7 7 5
1
0 0 1 2 2 0
0 0
0 5 6
0 5 6
0 5 6
0 5 6
0 5 6
0 5 6
0 5 6
0 5 6
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
1
0 5 7
0 5 7
0 5 7
0 5 7
0 5 7
0 5 7
0 5 7
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
0 5 7
4 4 2
1
7
4 4 2
7
9
4 4 2
4 4 2
1
5
5
5
7
7
7
0 5 7
0 0 1 2 2 0
2 2 2 0
0 5 7
2 3 2 0
1
7
9
4 4 2
8 9
9
2 3 2 0
0 0
0 0 1 2 2 0
17 18
2 2 2 0
17 18
17 18
17 18
17 18
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
17 18
0 0 0 0
2 2 2 0
2 2 2 0
5
Interlude Gtrs. 1, 2 & 3 tacet *
*Chord symbols reflect harmony implied by bass, next 8 meas.
Whispered: Chick - a - pa.
Well,
Interlude
she’s
my
blood,
well,
she’s
my
soul.
I
Rh F2yi g. . Gtr. 2
ER nh d F2yi g. .
5 5 6 7
9 9 9 7
7 7 7 5
7 7 7 5
7 7 7 5
2 2 2 4
7 7 7 5
7 7 7 5
5 5 6 7
9 9 9 7
5 5 6 7
5 5 6 7
Gtr. 2: w/ Rhy. Fig. 2
got
so
lost
out
in
the
cold.
Gtr. 2 (cont. in notation)
Feels
so
far
like
this
lone
star.
It
Gtr. 1
P.M.
7 5
6
7 5
7 5
9 7
9 7
9 7
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
0 0
4 2
4 2
4 2
7 5
7 5
7 5
9 7
9 7
9 7
7 5
7 5
7 5
7 5
7 5
7 5
7 5
gets
so
hard
whenI ’m
mis
-
sing
you.
Say!
Gtr. 1
P.M.
7 5
7 5
9 7
7 5
9 7
9 7
7 5
7 5
7 5
7 5
7 5
7 7 7 5
7 7 7 5
7 5
7 5
7 5
7 7 7 5
7 7 7 5
7 5
0 0
4 2
4 2
4 2
7 5
7 5
7 5
9 7
9 7
9 7
7 5
7 5
7 5
7 5
7 7 5
7 7 5
7 7 5
2 0
2 0
2 0
2 2 0
2 2 0
2 2 0
Gtr. 2
P.M.
5 5 6 7
9 9 9 7
7 7 7 5
0 0
2 2 2 4
0 0
7 7 7 5
9 9 9 7
2 0
Interlude Gtr. 1: w/ Rhy. Fig. 1 Gtr. 2
0 0 1 2 2 0
2 2 2 0
2 3 2 0
2 3 2 0
4 4 2
0 0 1 2 2 0
2 2 2 0
D.S. al Coda
Gtr. 1 Gtr. 2
0 0 1 2 2 0
2 2 2 0
2 3 2 0
2 3 2 0
4 4 2
Coda
0 0 1 2 2 0
2 2 2 0
0 0
0 0
Outro
Gtr. 1 8va
loco
rit.
Gtr. 2
rit.
Harm.
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
5 5 5 5
0 0 0 0
0 0 0 0
2 2 2 0
0 0 1 2 2 0
2 3 2 0
4 4 2
2 3 2 0
0 0 1 2 2 0
2 2 2 0
7
from Green Day - ¡Tré!
Sex, Dru gs & Vio lence Words and Music by Billie Joe Armstrong, Mike Dirnt and Tre Cool 6fr
Intro Fast
2134
= 172
*Gtrs. 1 & 2 (dist.) (Snare drum)
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
X X X X
6 7 7 5
8 9 9 7
8 9 9 7
8 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
8 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
X X X
8 9 9 7
11 11 9
8 9 9 7
8 9 9 7
9 9 9 7
8 9 9 7
9 9 9 7
*Composite arrangement
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
X X X X
6 7 7 5
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
X X X
8 9 9 7
11 11 9
8 9 9 7
8 9 9 7
8 9 9 7
2 2 0
2 2 0
Verse
1. All my life,
trou ble -
fol - lows
me
like a
mys
- ter - y
girl.
Rhy. Fig. 1
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
2 2 0
2 2 2 0
2 2 0
I’ve bee n chas -ing down a
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
2 2 2 0
mem
2 2 0
2 2 0
2 2 2 0
-o
2 2 2 0
-
2 2 2 0
2 2 2 0
2 2 2 0
ry
2 2 2 0
2 2 0
like a
2 2 2 0
2 2 2 0
2 2 2 0
0 0 1 2 2 0
2 2 0
mys
2 2 2 0
0 0 1 2 2 0
- ter - y
4 4 4 2
4 4 4 2
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
2 2 2 0
2 2 2 0
0 1 2 2 0
4
0 1 2 2 0
0 1 2 2 0
girl.
4 4 4 2
4 4 4 2
© 2012 WB MUSIC CORP. and GREEN DAZE MUSIC All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 2 2 0
4 4 4 2
2 2 0
2 2 0
2 2 0
1
I’ve been get - ting lost,
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
I t ook a wrong
search - ing my soul
2 2 0
2 2 2 0
2 2 0
turn at
2 2 2 0
all a
2 2 2 0
grow - ing
2 2 2 0
2 2 2 0
up,
round -
2 2 2 0
2 2 0
and it’s
this
town.
0 0 1 2 2 0
2 2 0
freak
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
2 2 2 0
2 2 2 0
0 1 2 2 0
4
0 1 2 2 0
0 1 2 2 0
- ing me out. End Rhy. Fig. 1
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
2 2 0
2 2 2 0
2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 2 2
6 7 7 5
0
6 7 7 5
Pre-Chorus
Back
at sc hool, it
nev - er
made
much
sense.
And now
I
pay, b ut
I
can’t
Rhy. Fig. 2
6 7 7 5
2
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
pay
at
-
ten
-
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
0
6 7 7 5
X X X X
X X X X
8 9 9 7
tion.
9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
Teach - ing
9 9 7
9 9 7
6 7 7 5
6 7 7 5
6 7 7 5
9 9 7
0
me
6 7 7 5
9 9 7
9 9 7
the h ard e-st
6 7 7 5
6 7 7 5
X X X X
6 7 7 5
les
X X X X
6 7 7 5
- sons
8 9 9 7
8 9 9 7
6 7 7 5
6 7 7 5
of
8 9 9 7
8 9 9 7
6 7 7 5
my
8 9 9 7
6 7 7 5
X X X X
X X X X
X X X X
X X X X
life.
8 9 9 7
8 9 9 7
Too
6 6 4
6 6 4
6 6 4
the
5 6 6 4
5 6 6 4
way it
5 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
6 7 7 5
0 0 0
goes.
dumb
6 7 7 5
6 7 7 5
6 7 7 5
to d ie,
6 7 7 5
Some - times
6 7 7 5
I
8 9 9 7
guess,
8 9 9 7
I must
8 9 9 7
re
8 9 9 7
-
but
8 9 9 7
that’s
8 9 9 7
gress
8 9 9 7
X X X X
X X X X
to
End Rhy. Fig. 2
4 4 4 6 6 4
4 4 4 6 6 4
4 4 6 6 4
6 6 4
4 4 4 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
X X X ?
X X X ?
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
0 0
Chorus
sex, drugs, and vi - o -lence.
Eng - lish, math, and sci
- ence.
R hF3 yi g. .
ER nh dF3 yi g. .
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
X X X
6 7 7
8 9 9
8 9 9
8 9 9
8 9 9
8 9 9
5
7
7
7
7
7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
X X X
11 11
8 9 9
8 9 9
8 9 9
8 9 9
8 9 9
9
7
7
7
7
7
Gtrs. 1 & 2: w/ Rhy. Fig. 3
Safe
-
ty
in
num
- bers.
Gim - me, gim -me
dan
-
ger.
3
Verse
2. Well,
I
don’t
want
to
b e
an
im
-
be
-
cile,
but
Gtrs. 1 & 2
w/ slight dist.
7 7 8 9 9 7
9 9 9 7
Je
-
sus
5 6 6 4
made
me
that
4 4 4 6 6 4
5 6 6 4
way. 3
w/ dist.
5 5 6 7 7 5
7 7 8 9 9 7
9 9 9 7
All m y
life,
I’ve been
run - ning
wild
like a
8 9 9 7
r un
- a
-
way,
2 0
2 0
2 0
2 0
s tow
-a
-
way.
4 2
4 2
4 2
8 9 9 7
8 9 9 7
8 9 9 7
P.M.
2 2 0
2 0
wher
2 0
2 0
2 0
2 0
2 0
2 0
- ev - er the
night
2 0
2 0
takes
2 0
2 0
2 0
me
2 0
0 0
like a
2 0
2 0
2 0
4 2
4 2
4 2
2 2 2 0
2 2 2 0
4
2 2 0
2 2 0
2 2 0
2 2 0
P.M.
0 0 1 2 2 0
4
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
0 0
4 2
4 4 2
4 4 2
4 2 2
4 4 2
0
7 7 5
7 7 5
Pre-Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 2
Back
pay
at
at
-
home,
ten
it
-
nev
-er
made
tion.
much
sense.
Teach - ing
me
Now
the h ard
Too
the
way
it
goes.
est -
dumb
les
to
- sons
die,
Some - times
I
I
pay,
of
I
must
but
my
guess,
re
I
-
can’t
life.
but
gress
that’s
to
Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 3 (2 times)
sex,
Safe
drugs, and
-
ty
in
vi
num
- o - lence.
Eng - lish, math, and
- bers.
Gim - me, gim -me
sci
- ence.
dan
-
ger.
Hey!
Guitar Solo Gtrs. 1 & 2: w/ Rhy. Fig. 1 Gtr. 3 (dist.)
0 5
0 5
0 5
0 5
0 5
0 5
0 5
0 5
4
4
0 4
0 4
0 4
0 4
0 4
0 4
2
2
0 2
0 2
0 2
0 2
0 2
0 2
0
0
0 0
0 0
0 2
0 2
0 0
0 0
0 2
0 0
0 2
0 0
2 1 2
0 0
0 0
0 0
2 1
7 7 8 9
0 0
0 0
0 0
0 0
2
7 7 8 9
9 9 9
7 7 8 9
5
0 5
9 X 7
0 5
0 5
9 X 7
9 X 7
0 5
9 X 7
0 4
4
8
0 4
8 X 6
6
0 4
8 X 6
0 2
2
8 X 6
6
0 2
6 X 4
4
0 2
6 X 4
6 X 4
0 0
0
4
0 2
0 0
4 X 2
2
4 X 2
0 2
4 X 2
4 X 2
0 2
2 1 2
4 X 2
4 X 2
4 X 2
2 1
11
2
11 X 9
9
11 X 9
0 0
16 16 16 X X X 14 14 14
0 0
16 X 14
Pre-Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 2 Gtr. 3 tacet
Back
pay
at
-
at
home,
ten
-
it
nev
-er
made
tion.
much
sense.
Teach - ing
me
(Now) I
the h ard
Too
the
way
it
goes.
est -
dumb
les
to
Some - times
- sons
die,
I
can
pay, b ut
of
I
must
can’t
my
guess,
re
I
-
life.
but
that’s
gress
to
Chorus
sex, Gtrs. 1 & 2
9 9 7
6
drugs, and v i - o - lence.
Eng - lish, math, and sci
-
ence.
Rh F4yi g. .
ER nh dF4 yi g. .
6 7 7 5
6 7 7 5
6 7 7 5
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
9 9 7
11 11 9
11 11 9
11 11 9
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
Gtrs. 1 & 2: w/ Rhy. Fig. 4
Safe
-
ty
in
num
- bers.
Gim - me, gim
- me dan
-
ger.
Gtrs. 1 & 2: w/ Rhy. Fig. 3 (4 times)
Sex,
Safe
drugs, and
-
Sex,
Safe
ty
in
vi
num
drugs, and
-
ty
vi
in num
- o - lence.
Eng - lish, math, and
sci
- bers.
Gim - me, gim -me
dan
- o - lence.
Eng - lish, math, and
sci
- bers.
Gim - me, gim -me
- ence.
-
ger.
Ow!
- ence.
dan
-
ger.
Ow!
Outro
Gtr. 1 Gtrs. 1 & 2
3
3
3
3
rit.
6 7 7 5
6 7 7 5
6 7 7 5
8 9 9 7
6 7 7 5
6 7 7 5
6 7 7 5
8 9 9 7
6 7 7 5
(Gtr. 1, cont. in slashes) Gtr. 2
6 7 7 5
6 7 7 5
8 9 9 7
8 9 9 7
8 9 9 7
0 0 1 2 2 0
14 0
7
from Green Day - ¡Tré!
The For go tt en Words and Music by Billie Joe Armstrong, Mike Dirnt and Tre Cool
Intro Slow
= 66
Rhy. Fig. 1
End Rhy. Fig. 1
*Gtr. 1
w/ fingers let ring throughout
6 7 7 5
6
7
5
9 9 9 7
9
6 6 6 4
9
7
6 6
4
7 7 7 5
7
7
6 7 7 5
5
6
9 9 9 7
7
5
9
9
7
6 6 6 4
6 4
6
7 7 7 5
7
7
5
*Piano arr. for gtr.
Verse
1. 2. I
Where in don’t feel
the
world’s strange,
the it’s
for - got
m ore
like
haunt
ten? ed.
Rhy. Fig. 2
6 7 7 5
6 7 7 5
They’re An -
2 4 4 2
lost in oth - er
2 4 4 2
6 7 7 5
-
side mo
-
2 4 4 2
your ment
6
1 2 2 0
7
5
mem trapped
2 4 4 2
o in
-
1 2 2 0
1 2 2 0
1
2
0
ry. time.
6 6 6 4
© 2012 WB MUSIC CORP. and GREEN DAZE MUSIC All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission
6 6 4
6 6 4
6
4
1
You’re I
drag - ging can’t quite
7 7 7 5
on; put
your
7 7 7 5
7 7 7 5
all like
a
heart’s fin -
my
go child
been ger
7
brok on
-
7
in
his left
was
-
but
6 7 7 5
5
down that
en it,
to be
-
6 7 7 5
6 7 7 5
6
as it’s
we
7
5
ry. hind. End Rhy. Fig. 2
4 5 5 3
4 5 5 3
4 5 5 3
4
1 2 2 0
5
3
1
2 2 0
2 0
2
0
Gtr. 1: w/ Rhy. Fig. 2
So Where where in in the the world world’s
did the
roam. war,
the time for - got
Like los - ing we share the
emp - ty we
hall re
-
way mem
from ber
-
go? ten?
-
faith scars
a be
-
arms
of
your from spir LikeIt’s where sol - diers
to our from our
a - ban a - ban
brok en comes folk
-
-
-
it a
seems long
don, don,
to lost
or an and what
home. lore.
Chorus 3rd time, Gtrs. 2 & 3 tacet
Well, don’t look a - way
from the
a bad
dream.
Well, don’t look a - way.
Some -
Gtr. 1
2 4 4 2
2
2 4 4 2
2 2 2 0
2 2 2 0
2 3 2 0
2 0
3
2 2 2 0
2 2 2 4
2 4 4 2
2 2
4
6 6 6 4
6 6 6 4
1.
times you’re
7 7 7 5
bet - ter
lost
7 7 7 5
than to
7 7 7 5
be
seen.
7
9 9 9 7
7
5
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9
9
7
Interlude Gtr. 1: w/ Rhy. Fig. 1
2. Gtr. 1: w/ Rhy. Fig. 1 (1 1/2 times)
Well, don’t lo ok a - way
from the
arms
of
a mo
- ment.
Don’t look a - way
from the
To Coda
arms
of
to -mor
-
row.
Well, don’t look a - way
from the
arms
of the mo - ment. Don’t look a -way
Guitar Solo
from the arms
of
love.
Gtr. 2 (slight dist.)
1
1
5 1
2
42
4
4
4
4
2
4
4
4
7
6
Rhy. Fig. 3
Gtr. 1
7 7 7 5
7 5
7
9 9 9 7
9 7
9
6 7 7 5
6 5
7
1 2 2 0
1 0
2
2 2
4
2 4 4 2
4 2
3
Gtr. 1: w/ Rhy. Fig. 3
Gtr. 3 (slight dist.)
1 9
10
1
12 10
12
12
12
12
10
Gtr. 2
1/2
7
5
1
1
0
5
6
4
6
6
4
2 0 1
1
2
4
4 2
4
4
4
2
End Rhy. Fig. 3
Gtr. 1
7 7 7 5
7
7
6 7 7 5
5
9 9 9 7
6 7 7 5
9 9 9 7
9 9 9 7
9 9 9 7
D.S. al Coda (take 2nd ending) Gtr. 3
1/2 12
11
11
14
12
1 4
14
12
14
12
14
14
12
12
14
12
13
Gtr. 2
1/2
4
4
4
6
5
7
7
5
0
5 4
6
6
6
4
2 0 1
Coda Outro
from the arms
of love.
Gtr. 1
7 7 7 5
4
9 9 9 7
6 7 7 5
6 5
7
9 9 9 7
9 7
9 7
6 6 6 4
6 4
6
7 7 7 5
7 7 7
7
6 7 7 5
from Green Day - ¡Tré!
Walk Aw ay Words and Music by Billie Joe Armstrong, Mike Dirnt and Tre Cool Intro Moderately = 118 Gtr. 1 (slight dist.)
let ring throughout
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
0
3 2 0 0
0
3 3 0 X 3
0
3
3 3 0 X 3
3
2 3 2 0
0 0
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3
3 2 0 0
0 0
3
0
Verse
1. This
time
I’ve
got -
ta
put
my
3 2 0
3 3 0 0 X 3
Rhy. Fig. 1
3 3 0 X 3
3 3 0 0 X 3
guard
down
3 0 0 X 3
3 0 0 X 3
3
and
3 3 0 0 X 3
3
0
0
and
3 2 0
0 0
3
take
the
3 3 0 X 3
0 0
pick
3 3 0 X 3
3
3 2 0
0 0
my - self
3 2 0
2 0 0
3 3 0 X 3
3 3 0 X 3
3
up
off
the
0 0 0 0
0 0 0 2 2 0
0 2 2 0
0 0 0
3
3 3 0 0 X 3
ground
0 0 0 2
2 2
3 2 0
0 0
pain.
3 2 0
It’ - ll
End Rhy. Fig. 1
3 3 0 X 3
3
3 3 0 X 3
3 3 0 X 3
0 0 0 0
3 3 0 0 X 3
0 0
3 2 0
2 0
3 2 0
2 0 0
2 0
2 0
2 3 2 0
2 0
© 2012 WB MUSIC CORP. and GREEN DAZE MUSIC All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission
2 0
3 2 0
3 2 0
2 0
2 3 2 0
3 0 0 0
3 3 0 0 X 3
3 3 0 0 X 3
1
Gtr. 1: w/ Rhy. Fig. 1
pass.
The
but
the
scarred
re
-
mains
re
-
swel - ling
nev
-
er
real -
mind
ly
lasts,
me
that
I’m
still
Pre-Chorus
liv - ing.
Well,i
t’s
not
too
late.
Gtr. 1
P.M.
3 2 0
2 3 2 0
2 0
2 3 2 0
2 3 2 0
2 0 0
2 3 2 0
Oh,
3
it’s
2 3 2 0
2 0
real - ly
3 2
2 0
not
3 2 0 0
0 0 0
worth the
9 9 7
9 7
9 7
9 7
fight.
8 9 9
9 7
9 7
No
one’s
7 7 5
7 7 5
0 0
right.
P.M.
5 3
5 3
5 3
5 3
5 3
5 5 3
5 3
9 9 7
0 0
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
7 7 5
0 0
7 7 5
7 7 5
7 7 5
7 7 5
0 0
Chorus *
Well, it’s
time to walk a - way.
Walk a - way,
walk
a - way.
**Gtrs. 1 & 2
P.M. w/ dist.
5 5 3
5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
3 3 0 0 X 3
0 0 0
3 3 0 0 X 3
3 3 0 0 X 3
0 0 0
3 2 0
0 0 0
*Chord symbols reflect overall harmony. **Composite arrangement
2
5 5 3
5 5 3
5 5 3
5 5 3
7 X X 7 X X 7 X X 5
0 0
Walk a
3 3 0 0 X 3
0 0 0
3 3 0 0 X 3
3 3 0 0 X 3
0 0 0
3 2 0
0 0 0
5 5 3
5 5 3
5 5 3
5 5 3
-
7 7 7 5
X X X X X X
way,
7 7 5
7 7 5
7 7 5
7 7 5
hard - er you’re
5 5 3
5 5 3
5 5 3
7 7 5
7 7 5
7 7 5
gon - na
5 5 3
5 5 3
5 5 3
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
fall.
5 5 3
0 0 0
0 0 0
7 7 5
Walk
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
0 0 0
9 9 7
0 0
Well, the
walk
9 9 7
big - ger
0 0 0
9 9 7
8 9 9 7
9 9 7
9 9 7
9 9 7
0 0 0
that
you
8 9 9 7
8 9 9 7
7 7 5
0 0 0
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
0
0 0 0
0 0 0
come,
8 9 9 7
7 7 7 5
0 0 0
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
walk
3 3 0 0 X 3
3 3 3 3 3 3 0 0 0 0 0 0 X X X 3 3 3
3 3 0 0 X 3
0 0 0
3 2 0
0 0 0
5 5 3
0 0 0
oh, the
a - way,
7 7 5
a - way.
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
7 7 7 5
0 0 0
0 0 0
a - way.
X X X X X X
7 7 5
0 0 0
To C oda
Verse
2. Did
you
win, Rhy. Fig. 2
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
0 0 0
3 2 0
0 0 0
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
X X X
X X X
7 7 5
0 0
0 0
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
0 0 0
3 2 0
0 0 0
3
or
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
may - be
7 7 5
7 7 5
did you
3 3 0 0 X 3
0 0 0
lose?
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
Now you’re gon - na
3 3 0 0 X 3
3 2 0
0 0
5 5 3
0
5 5 3
5 5 3
5 5 3
5 5 3
7 7 5
7 7 5
lick your
8 9 9 7
9 9 7
wounds
8 9 9 7
8 9 9 7
8 9 9 7
an - y -
0 0 0
7 7 5
0 0
Gtrs. 1 & 2: w/ Rhy. Fig. 2
way
when it comes back
to
you.
When
you
fall,
End Rhy. Fig. 2
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
you’re
pair
of
X X X
gon -
X 12 X 12 X 10
na
0 0
need
shoes
7 7 7 5
7 7 7 5
a
7 7 7 5
7 7 7 5
par
to
7 7 7 5
-
a
go
7 7 7 5
7 7 7 5
-
chute
and
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
0 0
or
walk
a
-
a
used
way.
Pre-Chorus
Well,
it’s
not
too
late.
And
it’s
Gtrs. 1 & 2
7 7 7 5
4
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
0 0
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
0 0 0 0
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
0 0
0 0
D.S. al Coda
real - ly not
8 9 9 7
8 9 9 7
wortht he
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
fight.
8 9 9 7
0 0
No one’s
0 0
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
right.
7 7 5
Well, it’s
5 5 3
0 0 0
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
time to walk a - way.
7 7 7 5
5 5 3
7 7 7 5
7 7 7 5
7 7 7 5
Walk a -
7 7 7 5
Coda Bridge
Walk
a
5
0 0 0 0
-
way.
Gtr. 3 (dist.)
steady gliss.
17
9 9
10 9
10 9
10 9
9 9
0 0 0
2 2 0
2 2 0
0 0
9 9
7 7
7 7
7 7
2 3 2 0
0 0
7 7
7 7
2 3 2 0
2 3 2 0
9 9
9 9
0 0 0
0 0 1 2 2 0
10 9
Rhy. Fig. 3
Gtrs. 1 & 2
5 5 3
9 9
X X X X
X X X X
X X X X
X X X X
X X X X
X X X X
X X X X
X X X X
X X X X
X X X X
X X X X
X X X X
X X X X
X X X X
2 2 0
0 0 1 2 2 0
0 0
Hey,
10 9
9 9
10 9
10 9
9 9
2 2 0
0 0 0
2 2 0
2 2 0
0 0
9 9
0 0 1 2 2 0
7 7
7 7
7 7
2 3 2 0
0 0
0 0
7 7
7 7
2 3 2 0
2 3 2 0
9 9
9 9
0 0 0
0 0 1 2 2 0
9
11
110 1
4 4 2
10 9
10 11
10 11
4 0
4 4 2
4 4 2
7
9
99
0
0 0 1 2 2 0
7 7
5
walk
7 7
7 7
7 7
a -
7 7
way.
10 9
9 9
9 9
9 9
9 9
9 9
9 9
9 9
9 9
10 9
10 9
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9
9 9
0
9 9 7
0 0 0 0
End Rhy. Fig. 3
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
7 7 5
0 0
0 0
0 0 0 0
Gtrs. 1 & 2: w/ Rhy. Fig. 3
Gtr. 3
2 2
2 2
2 2
2 2
7 7
9 9
9 9
7 7
7 7
7 7
7 7
7 7
9 9
9 9
0
2 2
2 2
2 2
Hey,
7 7
6
7 7
7 7
7 7
9 9
9 9
11
10 11
2 2
7 7
walk
10 11
10 11
10 11
9 9
9 9
7 7
7 7
7 7
7 7
7 7
9 9
9 9
a -
10 9
7 7
way.
Pre-Chorus Gtr. 3 tacet
Well, the
big - ger
that
you
come,
oh, the
Gtr. 3
9 9
9 9
9 9
9 9
9 9
9 9
9 9
9 9
9 9
9 9 17
Gtrs. 1 & 2
P.M.
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
0 0
0 0
4 4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
Outro-Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 3 (1st 2 meas., 3 times)
hard - er you’re
gon - na
fall.
Walk
a - way,
walk
a - way.
Gtrs. 1 & 2
P.M.
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 7 5
0
7 7 5
7 7 5
7 7 5
Walk
9 9 7
a - way,
walk
Walk
a
3 2 0
0 0 1 2 2 0
-
a - way.
way.
Gtrs. 1 & 2
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
0 0 0
0 0 0
0 0 1 2 2 0
3 2 0
3 0 0
3 2 0
2 2 2 0
7
from Green Day - ¡Tré!
X-Kid Words and Music by Billie Joe Armstrong, Mike Dirnt and Tre Cool
7fr 13 4
Intro Moderately fast
4fr 13 4
1333
11 1
= 132
Gtr. 1 (dist.)
4 2
X X
4 2
4 2
X X
4 2 4
X X X
4 2 4
4 2 4
X X X
4 4 2
X X X
4 4 2
4 4 2
X X X
4 2 0
Verse
1. Hey,
lit - tle
kid,
did
you
4 2 4
4 2 4
wake
Rhy. Fig. 1
4 2 0
X X X
4 2 0
up
4 2 0
late
4 4 2
X X X
X X X
one
4 4 2
4 4 2
X X X
4 2 4
4 2 4
and
4 4 2
4 2
4 2
you’re not
4 2 0
numb
X X X
X X
day
X X X
and you’re
4 2 4
4 2
X X X
to
X X X
4 2 0
4 4 2
X X X
young?
X X X
old
4 4 2
4 2 4
so
4 2 0
your
X X
X X X
But you’re still
4 2
glo
X X
-
4 2 0
© 2012 WB MUSIC CORP. and GREEN DAZE MUSIC All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission
X X X
ry,
but
X X X
4 2
4 2
now
it’s
4 2 0
4 2 0
4 4 2
dumb,
X X
4 2 4
gone.
X X X
2 2 0
1
I
fell
2 2
X X
2 2
0
X
2 2 0
X X X
to
in
love,
2 2
X X
4 4 4 2
0
0
X
Then
I
2 2 0
2 2 0
piec
-
on
4 4 4 2
4 4 4 2
in -
4 2
es
it
X X X X
crashed
X X X
but
X X
the
did
X X X X
to
a
4 2
4 2
-
n’t
6 6 4
catch
X X X
wall.
X X
floor.
4 2 4
Now
X X X
you’re
your
6 6 4
6 6 4
Then
I
4 2 4
4 2 4
sick
fall.
X X X
2 2 0
fell
X X X
to
4 4 2
death.
End Rhy. Fig. 1
Gtr. 1
4 4 2
X X X
4 4 2
4 4 2
0 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
4 4 2
Rhy. Fig. 2
0 0
2 2 0
End Rhy. Fig. 2
*Gtr. 2 (dist.)
7 *Doubled throughout
2
0 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
4 4 4 2
0 0
2 2 0
Chorus **Voc. Fig. 1
Bombs *Gtrs. 1 & 2
a
-
way.
Here goes (Bombs a
noth way.
-
-
ing.
The shouti- ng’s
o -
Rhy. Fig. 3
2 2 0
2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
4 4 4 2
0
4 4 4 2
*Compositearrangement
-
ver.
2 2 2 0
4 4 4 2
4 4 4 2
4 4 4 2
X X X X
6 6 4
5 6 6 4
6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
2 2 2 0
0
**Appliestobkgd.vocs.only.
Hey, Hey,
X X
-
Kid, Kid,
End Rhy . Fig. 3
2 2 2 0
4 4 4 2
2 2 2 0
2 2 2 0
2 2 2 0
4 4 4 2
a a
0 0 4 2 2 0
0 0 4 2 2 0
-
way. way.)
0
4 4 4 2
Here goes
noth -
Rhy . Fig . 4
2 0 0
0 0
bombs bombs
2 2 0
0 0 4 2 2 0
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
X X X X
6 6 4
End Voc. Fig. 1
-
ing.
Thes houti- ng’s
o
-
ver
and
out,
o
-
ver
ando
ut
a
-
gain.
End Rhy. Fig. 4
6 6 4
6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
2 2 2 0
0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
4 4 4 2
4 2
Interlude Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 4 meas.)
2. I
once
Verse Gtrs. 1 & 2: w/ Rhy. Fig. 1
was
old
e
-
nough
to
know
bet
-
ter.
Then
I
was
3
too
young to
is
dead
care.
and
like
But who
gone.
a
You
kick
fell
in
cares?
in
the
I
love,
head.
prob -’ly
would,
but then
you
You’rea n
X
-
but
Hol
just
fell
Kid,
-
ly
-
a
and
-
you
wood
part
nev -
Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 3
-
er
e
-
ven
got
start
-
ed
a
-
gain.
Bombs
Bkgd. Voc.: w/ Voc. Fig. 1
a
-
way.
Gtrs. 1 & 2: w/ Rhy. Fig. 4
Here goes
Here
noth
goes
-
ing.
noth
The shout - ing’s
-
ing.
The
o
-
ver.
Hey, X
shout - ing’s
o
-
-
Kid,
ver
bombs a
ando
ut,
-
way.
o
-
Bridge Gtrs. 1 & 2: w/ Rhy. Fig. 5 (2 times)
-
ver and out.
And you were search- ing your R h yF . i g5.
Gtrs. 1 & 2
2 2 2 0
4
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
soul.
E n dR h yF . i g5.
2 2 2 0
2 2 2 0
2 2 0
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
0 0
And
you
edge
got
lost
and
of
jok
out
-
of
con - trol.
ing,
You
died
of
a
went
bro
o - ver
-
the
ken
heart.
Gtr. 3 (dist.)
7 7
9 9
Gtrs. 1 & 2
P.M.
2 2 2 0
P.M.
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 2 2 0
2 0
2 0
(cont. in slashes)
2 0
2 0
2 0
2 0
2 0
12 11
12 11
12 13
12 11
2 2 0
2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
4 4 4 2
10 9
10 9
10 9
10 9
0
9 9 7
Guitar Solo
Gtrs. 1&2
Gtr. 3
9 9
9 9
9 9
9 9
1
12 12 14 14
7 9
9 9
1
12 14
9
12 13
12 13
12 13
12 13
12 14
12 13
12 13
12 12 14 14
1
12 12 12 14
12
12 11
12 11
14
14
10 9
10 9
0
12 14
let ring
1
14 13
12 11
14 13
14
14
13
12
12
12
15 15 15 15 15 1 7 17 17 17 17
14
5
Gtrs. 1 & 2: w/ Rhy. Fig. 5 (3 times) Gtr. 3
1
1
10
10
1
9
7
12
11
9
12
1
12 14
12
12
1
1 0 10
1
9
1
16
16
18
18
8
1
16
17
1
1 0 10 12
1
9
12
11
14
1
1 7 17
19
10
12
11
17
1
10
19
16
14
18
16
16
1 6
16
19
* 8va
Gtr. 3
1
1
17
17
1
1 7 17
19
1
1
1
14
16
19
1
71
17
17
1 17
1
17
17
17
18
Gtrs. 1 & 2
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
4 4 2
2 2 0
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 2
*Bass plays C .
Interlude Gtr. 1: w/ Rhy. Fig. 1 (1st 4 meas.) Gtrs. 2 & 3 tacet
3. Hey,
Verse Gtr. 1: w/ Rhy. Fig. 1 (1st 4 meas.)
lit
-
tle
kid,
did
you
wake
up
late
one
day
Gtr. 1: w/ Rhy. Fig. 1 (last 5 meas.)
and
6
you’re
not
so
young?
But
you’re
still
dumb.
You’re
an
X -
Chorus Gtr. 2: w/ Rhy. Fig. 2
-
Kid,
Gtrs. 1 & 2: w/ Rhy. Fig. 3 (3 3/4 times)
and
you
nev
Here goes (Bombs a
-
bombs bombs
a a
Hey, Hey,
X X
ver.
-
er
-
noth way.
-
way. way.
-
e
-
-
ven
ing.
got
The
start -
shout - ing’s
Here
Kid, Kid,
ed
goes
a
o
-
noth
-
bombs bombs
a a
-
way. way.
9 9
9 9
9 9
7 8
-
gain.
Bombs a
ver.
Hey, Hey,
ing.
The
X X
-
way.
-
Kid, Kid,
shout - ing’s
o
Here goes
-
noth -
Gtr. 3
7 7
-
ing.
5 6
5 6
Thes houti- ng’s
5 6
5 6
5 6
5 6
9 9
9 9
o
5 6
5 6
-
9 9
9 9
ver.
5 6
5 6
5 6
Hey, Hey,
X X
-
5 6
5 6
0
7 8
7 8
7 8
Kid, Kid,
7 7
9 9
7 8
7 8
bombs a bombs a
9 9
9 9
9 9
9 9
9 9
9 9
7 8
5 6
-
way. way.)
9 9
7 8
7
Gtrs. 1&2 (Gtr. 1, cont. in notation)
Here goes
7 8
7 8
7 8
7 8
7 8
7 8
noth
7 8
-
ing.
5 6
5 6
Thes houti- ng’s
5 6
5 6
5 6
5 6
o
5 6
-
ver and out,
5 6
5 6
5 6
5 6
o
5 6
5 6
5 6
-
ver and out,
5 5 6
5 5 6
5 5 6
5 5 6
o -
5 5 6
5 5 6
5 5 6
5 5 6
Outro
Gtr. 2
-
ver
and
o
5 5 6
5 5 6
5 5 6
2 2 0
2 2 0
2 2 0
-
ver
and
out.
5 5 6
5 5 6
5 5 6
5 5 6
5 5 6
5 5 6
5 5 6
5 5 6
7 8
9 9
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
4 4 2
4 2
Gtr. 3
9 9
Gtr. 1
X X
4 2
4 2
Gtrs. 2 & 3 tacet Gtr. 1
4 2 4
8
X X X
4 2 4
4 2 4
X X X
4 4 2
X X X
4 4 2
4 4 2
X X X
4 2 0
X X X
4 2 0
4 2 0
0 0
2 2 0
X X X
X X
4 2 4
