How to Give and Receive Reiki Attunements the Safe and Easy Way, With or Without a Reiki MasterDescrição completa
Answers to the most common questions and ways to help you prepare for a job interview, DO's and DONT's of job interviews
Description : oral presentation
Warsan Shire - Teaching My Mother How to Give BirthFull description
Descrição: Warsan Shire - Teaching My Mother How to Give Birth
TTBB
Bruiloft
Give it to me piano music sheetDescription complète
Descripción: giving
Affect Attunement in the Caregiver-Infant Relationship and Across Species Expanding the Ethical Scope of Eros Cynthia Willett
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breathing
autoayuda
This is the arabic equivalent of the japanese "reiki" ome should not undergo the attunement before initiation in "ilmu tenaga dalam ilahi" or undergo the "lmu tenaga dalam DSI" ritual.
http://responsorialpsalms.wordpress.com - Musical piece for an upbeat 3/4 song in E-Major with lyrics taken from Psalm 118. Good for use as Responsorial Psalm or Sending Forth song in the Catholic ...
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Descripción: PLEGARIAS Reiki Heiwa to Ai® 3ª Edición Ricard López HAO Para aligerar el texto, se utiliza el género masculino en ciertos casos, aunque, como es lógico, el libro implica por igual a mujeres y...
A muscu!r contrction of t#e Hui-$in point is necessry prt of %i&in% Rei'i Attunements( T#e Hui-yin point is )et*een t#e nus n+ t#e %enit!s( ,#en %i&in% ttunements speci! type of #i%# freuency CHI enters your system n+ psses t#rou%# t#e Hui-yin point s prt of t#e process( T#is point must )e #e!+ for t#e entire time you re %i&in% t#e ttunements to pre&ent CHI from fr om escpin% from t#is point( T#erefore it it is importnt to prctice #o!+in% t#is point point to )ui!+-up your cocoor+intion n+ muscu!r stren%t# in t#is re
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.( Prctice contrctin% t#e musc!es in t#is re /0 times in ro* n+ t#en #o!+in% t#em s !on% s you cn( A!so prctice contrctin% t#ese musc!es continuous!y *#i!e you %o )out your +i!y cti&ities /( As you continue it *i!! )ecome esier n+ esier n+ you *i!! )e )!e to contrct t#em for !on%er perio+s of time( $our muscu!r coor+intion *i!! +e&e!op so t#t you *i!! )e )!e to iso!te t#e +ifferent musc!e %roups into )c'1 mi++!e n+ front(1 it is t#e mi++!e re t#t is importnt to #o!+ for t#e ttunements( T#is e2ercise is simi!r to t#e K%e! )irt# e2ercises for *omen(
T3N4UE 53CK: Keep your ton%ue touc#in% t#e roof of your mout# ti!! t#e entire ttunement process( ,#ere in t#is point t#e CHI *#ic# enters t#e 6 r+ Eye c#'r n+ +rop &i t#is ton%ue touc#in% re of t#e mout# n+ enters our T#rot C#'r for t#e furt#er +o*n f!o* of CHI(
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REIKI ATTUNEMENTS:
T#e Rei'i ttunement is scre+ spiritu! initition t#t connects t#e initite *it# #i%#er !e&e!s of consciousness n+ t#e un!imite+ source of #e!in% ener%y( It opens t#e Cro*n1 Hert1 n+ p!m c#'rs for t#eir use in c#nne!in% Rei'i( Rei'i is %ift *#ic# comes +irect!y from t#e #i%#er spiritu! source n+ s suc# s#ou!+ )e trete+ *it# t#e %retest respect( It is uniue in t#t t#ere re no reuirements of spiritu! purifiction necessry in or+er for it to *or' n+ in or+er for person to recei&e t#e ttunements(
T#is inc!u+es t#e Rei'i III ttunement *#erein one cn %o on to )ecome Rei'i Msters"tec#ers(1 t#erefore t#e Term 7Mster7 in connection *it# Rei'i is speci! one n+ +oes not crry *it# it t#e sme menin% s spiritu! one n+ +oes not crry *it# it t#e sme menin% s spiritu! mster *#o is free from of !! t#e 'rm1 comp!ete!y purifie+ n+ en!i%#tene+( Anyone re%r+!ess of t#e +e%ree of t#eir spiritu! +e&e!opment cn recei&e t#e )i!ity to pss on Rei'i to ot#ers( T#e !e&e! of spiritu! +e&e!opment my &ry from person to person1 )ut t#e u!ity of Rei'i ener%y remins sme( T#erefore !! Rei'i msters"tec#ers re eu! in t#t t#ey !! #&e t#e )i!ity to pss on Rei'i to ot#ers( Ho*e&er t#eir )i!ity s tec#ers n+ t#eir un+erstn+in% of Rei'i +oes &ry n+ is +etermine+ min!y )y t#e stn+r+s of t#e in+i&i+u! tec#er or sc#oo! t#ey #&e stu+ie+ !on% *it# person!!y +e&e!ope+ s'i!!s n+ e2perience( If it *ere necessry for person to )e comp!ete!y pure n+ free of fu!t in or+er to tec# Rei'i1 *e *ou!+ #&e &ery fe* Rei'i tec#ers on t#is p!net( T#is is t#e uniue &!ue of Rei'i nyone cn recei&e t#e )i!ity n+ in mtter of yer or so of +e+icte+ prctice )ecome u!ifie+ tec#er( T#is m'es Rei'i #e!in% tec#niues of speci! importnce for t#e perio+ of +e&e!opment *e present!y fin+ ourse!&es in on ert# *#en t#e consciousness of t#e p!net is +&ncin% so uic'!y n+ t#ere is %ret!y increse+ interest in spiritu! #e!in%(
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4I8IN4 REIKI ATTUNEMENTS: T#ere re se&er! +ifferent tec#niues in use for %i&in% Rei'i ttunements( A!! of t#em re effecti&e( T#e process of tu%#t )y t#e center #s )een +isti!!e+ from t#ree s!i%#t!y +ifferent tec#niues n+ inc!u+es t#e use of / Ti)etn Rei'i sym)o!s s *e!! s t#e 9 Usui sym)o!s( E2perimenttion *it# emp#sis on resu!ts *s use+ to +e&e!op t#is ttunement process( It is po*erfu!1 yet simp!e tec#niue( Intension is most importnt in %i&in% t#e ttunements( T#e Rei'i spirit %ui+es t#t *or' *it# you to %et t#eir cue s to *#ic# ener%ies to use n+ *#t to +o from your intension( T#is is *#y it is possi)!e to use t#e sme tec#niue for Rei'i I n+ II s it is simp!y t#e intension t#t m'es t#e +ifference( T#is !so mens t#t e&en if you r e un)!e to &isu!ie c!er!y or t !! or if you +on;t +r* t#e sym)o!s perfect!y or if you +on;t fee! nyt#in% #ppenin% or if your conscious is !o* it +oesn;t mtter t#e ttc#ments *i!! t'e p!ce ny*y simp!y )ecuse of your intension( Attunements *or' in t#e sme *y t#t Rei'i #e!in% ener%ies +o( T#ey f!o* utomtic!!y *#ene&er you inten+ t#em to( T#e ttc#ment *i!! t'e p!ce *#ene&er you simp!y %o t#rou%# t#e motions *it# t#e intension of inititin% stu+ent into Rei'i(
H3, T3 4I8E A REIKI ATTUNEMENT: ( T#en %ui+e t#em
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into me+ittion %roun+in% t#em to t#e ert# n+ connectin% t#em to t#e spiritu! ener%y )o&e(
THE F3UR PART;S 3f ATTUNEMENT PR3CESSES:
T#e 9 prts of t#e ttunement process ec# #&e +ifferent purpose n+ cuse +ifferent t#in%s to #ppen( PART .: 3pens t#e Cro*n c#'r n+ )rin%s t#e ener%ies +o*n into your Aur n+ into t#e Aur of stu+ent( PART /: T#e ener%ies enter t#e #n+s1 t#e )o+y n+ c#'rs of t#e stu+ent( PART 6: T#e process is comp!ete+ )y se!in% in t#e ttunement1 +isconnectin% t#e stu+ent from t#e tec#er( PART 9: It is )!essin% for t#e stu+ent(
TECHNI?UE F3R EACH ATTUNEMENT:
T#e Rei'i I @ II ttunement is e2ct!y t#e sme *it# t#e intention m'in% t#e +ifference( M'e sure you stte in your min+ *#ic# ttunement you re )out to +o )efore you )e%in n+ t#en simp!y fo!!o* t#e +irections e2ct!y( It is *#t %oes into t#e #n+s t#t m'e t#e +ifference )et*een t#e Rei'i ttunements( T#ese inc!u+e *#en t#e #n+s re on t#e top of t#e #e+ s *e!! s *#en t#ey re open in front of t#e #ert(
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In Rei'i I @ II ttunements t#e 6 Rei'i sym)o!s %o into t#e #n+s(
In Rei'i 6=>1 ttunement t#e 9 Usui sym)o!s %o into t#e #n+s(
In Rei'i 6=)>1 Mster- Attunement t#e 9 Usui sym)o!s p!us t#e / Ti)etn sym)o!s %o into t#e #n+s(
.( Contrct Hui-yin point n+ p!ce your ton%ue to t#e roof of your mout#( /( r* )ret# im%inin% it s *#ite !i%#t comin% +o*n t#rou%# t#e Cro*n c#'r1 t#rou%# t#e ton%ue1 +o*n t#e front of t#e )o+y =Function! c#nne!> t#rou%# t#e Hui-yin point n+ up t#e spine =%o&ernin% c#nne!> to t#e center of t#e #e+( Im%ine t#e *#ite mist fi!!in% t#e #e+(
6( A!!o* t#e *#ite mist to turn to )!ue n+ to )e%in rottin% c!oc'*ise( As it rottes im%ine it turnin% to &io!et( 9( ,it#in t#e 8io!et !i%#t picture t#e Ti)etn Mster sym)o!(
B( 1 for re%u!r ttunements t#e sym)o! %oes into t#e )se of t#e )rin1 s you c#nt t#e secret nme of t#e Ti)etn Mster sym)o! t#ree times(
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ATTUNIN4 $3URSE5F:
It is possi)!e to perform Rei'i ttunement on yourse!f( $ou cn use t#is tec#niue to perform Rei'i inititory ttunement in&o!&in% t#e #n+s or #e!in% ttunement1 simp!y use one of your !e%s1 )ent t t#e 'nee( Inten+ t#t t#e 'nee is your #e+ n+ t#e t#i%# portion is your )c'( o prt one( If u *nts to +o n inititory ttunement usin% t#e #n+s1 p!ce your !eft #n+ on!y )o&e t#e 'nee( Inten+in% t#t it represents )ot# #n+s( Use your ri%#t #n+ to +r* out t#e sym)o!s in t#e ir )o&e1 picturin% t#em1 mo&in% +o*n t#rou%# t#e #n+ n+ into t#e 'nee s t#rou%# it is your #e+( o your prt /1 usin% your opposite 'nee s t#e front of your )o+y( If +oin% n inititory ttunement usin% t#e #n+s inten+s t#t your !eft #n+ represents )ot# #n+s( r* out t#e sym)o!s in t#e ir )o&e your !eft #n+ n+ s!p )ot# t#e #n+s to%et#er( T#en )!o* o&er t#e #n+s1 t#ir+ eye1 n+ so!r p!e2us res re represente+ )y t#e !e%( Return to t#e !eft 'nee to finis# *it# prt t#ree( Use t#e ri%#t 'nee for un+erstn+s( A!so e2p!in t#t you *i!! )e p!cin% your #n+s on top t#e #e+( =Some time +urin% n ttunement person *i!! %et confuse+ n+ )rin% t#e #n+s up *#en you p!ce your #n+s on t#e top t#e #e+ inste+ of *#en you touc# t#e !eft s#ou!+er so if t#is #ppens %ent!y motion t#eir #n+s )c' +o*n( A!so sometimes t#ey for%et to )rin% t#em up *#en you touc# t#e !eft s#ou!+er so %ent!y rec# o&er n+ )rin% t#em up>( T#en %ui+e t#em into me+ittion %roun+in% t#em to t#e ert# n+ connectin% t#em to t#e spiritu! ener%y )o&e(
Note: Remem)er it is your intension t#t t#e most importnt prt of +oin% ttunement !on% *it# *#t you im%ine to )e true(
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PRACTICE ATTUNEMENTS:
Prctice +oin% ttunements on frien+s n+ fmi!y( Rei'i support %roups re %ret p!ce to prctice ttunements( T#e inititory ttunements s#ou!+ )e prctice+ on peop!e *#o !re+y #&e recei&e+ t#e ttunement you *nt to prctice( ,#i!e n ttunement *i!! !st !ife time n+ no ++ition! ttunements re necessry in or+er for t#e person to continue to #&e Rei'i( A++ition! ttunements stren%t#en n+ refine t#e Rei'i ener%y t#ey !re+y #&e n+ cn !so crete spiritu! e2periences( T#e #e!in% ttunements cn )e +one on nyone(
REIKI HEA5IN4 ATTUNEMENT:
A Rei'i ttunement cn )e %i&en for #e!in% purpose on!y( T#is ttunement )rin%s in #i%# freuency #e!in% ener%ies *#ic# re more po*erfu! n+ effecti&e t#n t#ose %i&en +urin% re%u!r Rei'i tretment( If +one )efore psyc#ic sur%ery n+ re%u!r Rei'i tretment1 it *i!! m'e t#e tretment more effecti&e )y openin% t#e ur n+ more recepti&e stte( T#e #e!in% ttunement !so cretes t#e opportunity for t#e c!ients %ui+es to *or' *it# #er or #im in more po*erfu! *y( T#is ttunement +oesn;t initite t#e c!ient into Rei'i n+ cn )e +one on nyone( It cn )e +one on more t#n one c!ient t time( It must )e +one in pri&te *it# no one *tc#in% n+ *it# t#e c!ients eye c!ose+( T#e reson t#e #e!in% ttunement +oes not initite t#e c!ient into Rei'i is t#t t#e sym)o!s re not p!ce+ into #n+s( T#e most po*erfu! resu!ts re c#ie&e+ )y +oin% He!in% ttunement first1 t#en stn+r+ Rei'i tretment usin% !! t#e #n+ positions(
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REM38IN4 NE4ATI8E ENER4$: T#e Rei'i #e!in% ttunement is #i%#!y effecti&e in remo&in% ne%ti&e ener%ies from t#e c!ient( It *i!! remo&e ne%ti&e ener%y in t#e p#ysic! )o+y1 ur1 n+ c#'rs n+ *or' to #e!p re!ese ny )!oc's t#e c!ient c#ooses( It cn !so )e use+ in conunction *it# spirit re!ese *or'(
EMP3,ERIN4 43A5S: T#e #e!in% ttunement cn !so )e use+ to empo*er %o!s( If t#ere is %o! t#e c!ient #s #+ trou)!e c#ie&in%1 it is t#t t#ere is somet#in% t#t nee+s to #e! )efore t#ey cn c#ie&e it( T#ere my )e unconscious ne%ti&e fee!in%s n+ t#ou%#ts )out t#e %o!s t#t re )!oc'in% its c#ie&ement suc# s fer of fi!ure or fer of success etc( T#ese )!oc's cn )e focuse+ on )y t#e c!ient n+ re!ese+ +urin% t#e #e!in% ttunement( urin% t#e #e!in% ttunement it is !so possi)!e to recei&e insi%#t )out t#e %o! n+ %ui+nce in m'in% p!ns( Sometimes prticu!r %o! is not #rmony *it# personDs !ife pt# n+ if t#is is t#e cse t#e c!ient my )e m+e *re of t#is +urin% t#e #e!in% ttunement( H&e t#e c!ient focus on t#e %o! n+ )e *i!!in% to t'e responsi)i!ity for +oin% *#te&er necessry to c#ie&e it s *e!! s )ein% open to ne* i+es n+ ttitu+es )out it( A *i!!in%ness to re!ese unconscious ne%ti&e ttitu+es )out t#e %o! is !so necessry(
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PREPARATI3N:
.( T#e c!ient s#ou!+ )e sittin% *it# t#eir feet f!t on t#e f!oor n+ t#eir #n+s p!ms +o*n on t#eir !e%s( /( T#e c!ients eye s#ou!+ )e remin c!ose+ t#rou%# p!ms +o*n on t#eir !e%s( 6( T#e c!ients eye s#ou!+ renme c!ose+ t#rou%#out t#e #e!in% ttunement *it# t#eir ttention focuse+ in*r+!y on t#eir purpose( 9( A s#ort me+ittion cn )e +one to connect t#e person to t#e positi&e ener%ies of t#e ert# n+ to t#e positi&e ener%ies from )o&e( B( It is importnt for t#e c!ient to !octe t#e re t#e pro)!em is in n+ to %i&e it +imension( Use t#e fo!!o*in% steps to +o t#is(
.( As' t#e c!ient to +escri)e t#e issues t#ey *ou!+ !i'e to #e!( /( As' t#em to c!ose t#eir eyes n+ me+itte on t#e issues( As' t#em 7 if t#is pro)!em in prt of t#e )o+y1 *#ic# prt *ou!+ it )e in7( T#is is often esy s t#e c!ient *i!! fee! tension or pin in n re of t#e )o+y *#ene&er t#ey t#in' )out t#e issue( If t#ey #&e +ifficu!ty c#oosin% n re( ust s' t#e c!ient to t'e %uess *it# t#e i+e t#t t#ere is no *ron% ns*er(
6( As' t#em to im%ine t#ey re !oo'in% into t#e re t#ey #&e c#osen to s' t#em1 7 If t#is pro)!em #+ s#pe *#t s#pe *ou!+ it #&e7( 9( o t#e sme t#in%s to fin+ t#e co!or1 te2ture1 *ei%#t n+ soun+ t#e s#pe m'e so t#t t#ey #&e c!er im%e of t#e )!oc'( Remem)er t#t ny ns*er is o' n+ t#t t#ey +on;t #&e to %et !! of t#em((((((((((
%ui+es1 n+ #e!pers1 n%e!s n+ rc#n%e!s t#en si!ent!y stte to yourse!f n+ to t#em t#t t#is is to )e #e!in% ttunement( .( r* Usui mster sym)o! n+ t#e po*er sym)o! on your p!m c#'rs( /( r* t#e po*er sym)o! +o*n t#e front of your )o+y n+ on !! your c#'rs inten+in% t#em to t#e !i%#t(
6( r* out !! si2 Rei'i sym)o!s strtin% from (K(M3 to HSSN sym)o!s in t#e ir in front of you in tentin% t#eir ener%y to fi!! t#e room( PART .:
.( Mo&e )e#in+ t#e c!ient n+ m'e t#e si%n of t#e Fire serpent from t#e top of t#e #e+ to t#e )ottom of t#e )c' spir!in% t t#e )se of t#e spine( /( P!ce )ot# #n+s on top of t#e #e+ n+ c!ose your eyes me+ittin% )rief!y to %in ener%etic rpport *it# t#e c!ient(
6( 1 s t#e sym)o! is mo&in% repet t#e nme of t#e sym)o! t#ree times in t#e mntr !i'e fs#ion syin% t#e !st one s t#e sym)o! mo&es into t#e Hert( As you &isu!ie t#e sym)o! mo&in% %ui+e it *it# your #n+(
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9( r* t#e Usui Mster sym)o! o&er t#e #e+ n+ repetin% its nme t#rice n+ %ui+e it to %o Hert c#'r &i Cro*n c#'r from your ri%#t #n+(
B( Repet step 9 *it# t#e Po*er sym)o! n+ istnce #e!in% sym)o!s( Mo&e to t#e front to continue prt /( PART /:
6( 4ent!y )!o* to*r+s t#e so!r p!e2us1 #ert1 6r+ eye1 cro*n continue )!o*in% )c' from so!r p!e2us1 #ert1 6r+ eye1 cro*n c#'rs1 in one smoot# continues motion( As you )!o* use your #n+s to %ui+e t#e ener%y p!cin% stron% intention on t#e !st up*r+ motion to s*eep out !! ne%ti&e ener%y n+ mo&e it up n+ comp!ete!y out( See c!ients e2p!ine+ )!oc's1 s#pes mo&in% out of t#e )o+y1 c#'rs n+ urs n+ up to t#e !i%#t( Mo&e to t#e c!ient )c'(
PART 6: .( P!ce your #n+s on t#e c!ient s#ou!+ers n+ !oo' +o*n t#rou%# Cro*n c#'r you re seein% Hert c#'r( 5oo' for soft pin' )!! fire or im%ine one )rin% t#ere( 5o&in%!y p!ce positi&e ffirmtion in t#e stu+ents #ert n+ su)conscious Min+ )y repetin% 6 times inten+in% to )e ccepte+ )y t#e stu+ents su)conscious Min+ n+ to enter t#e #ert ffirmtion s G$ou re 12
comp!ete!y #e!e+ )y i&ine !o&e no*1 *it# 5o&e n+ fs#ion7 n+ to c#ie&e your #i%#est spiritu! purpose no*( /( P!ce your +ominnt #n+ on t#e )c' of t#e c!ient #ert c#'r n+ t#e non +ominnt #n+ on t#e s#ou!+er repet t#e p#rse7 I no* +e! t#is #e!in% process *it# i&ine !o&e n+ *is+om7 *#i!e picturiesin% +oor *it# t#e po*er sym)o! on it )ein% c!ose+ n+ !oc'e+ o&er t#e #ert c#'r1 n+ fee! t#t t#e process is se!e+ n+ comp!ete+( P!ce your #n+s on t#e s#ou!+ers of t#e c!ient n+ fee! t#t stu+ent n+ yourse!f )ot# re )een )!esse+( Mo&e to t#e stu+entDs front( PART 9 : .( Ho!+ your #n+s t *ist !e&e! *it# p!m s#o*in% to*r+s t#e c!ient( /( In#!e n+ #o!+ t#e )ret# )rief!y t#en e2#!e *#i!e re!esin% t#e Hui-yin point n+ ton%ue n+ inten+in% t#e re!esin% ener%y to ct s )!essin% for t#e c!ient(
6( P!ce stu+entDs #n+s1 cross o&er #is c#est fcin% #is p!m portion to t#e )o+y n+ s' #im to )ret# s!o*!y for B minutes( 4.