SCRIPT TITLE
Written by Name of First Writer
Based on, If Any
Address Phone Number
COLD OPEN INT. A ROOM IN A SEX DUNGEON - NIGHT A MAN (30s, great body) wears a leather mask with a zipper for a mouth. He stands over a WOMAN (30s, also perfect) who lays on a table, face down. She holds leather straps that are tied to her ankles keeping her legs spread. The Man looks between the gap in her thighs, we can can only only imagi imagine ne what what he he sees, sees, but but he does so intens intensely. ely. The woman begins to shake and squirm. MAN Hold the position. WOMAN I can’t. The man moves around to her front. They look at each other almost tenderly before he pulls her hair. She screams, arching her back, craning her neck. MAN Who do you belong to? WOMAN You. MAN Again. WOMAN You. I belong to you. He releases her, lets her head fall, the sweat flick off her hair as he moves behind her, grabs her ankles and pulls her lower half over the side of the table. Her face comes up and she looks puzzled, then afraid as he slides into her from behind. We can see in her face that he’s going up her ass and she wasn’t prepared for it. He groans and she shifts in torment, grunting despite trying to be silent, and he’s not even all the way in. MAN How can you let me do this to you? WOMAN I don’t--
2. MAN How can you let me do this to you? The woman is breathing heavily, her eyes searching as she looks straight ahead. She takes a deep breath. WOMAN Because I’m worthless. Right Right or wrong, wrong, he pulls pulls out of her her and then then BAMB BAMB a single single thrust back in as she grits her teeth and bucks. MAN By the time you met me you had children. A husband. A career. Yet you risk it all just to be treated like this. WOMAN Yes. MAN Do you think I love you? He’s moving in and out of her slowly now. She’s adjusting. She takes a deep breath and looks hurt for the first time. WOMAN I know you don’t. MAN So much pain just to be told what you are. WOMAN Yes. MAN What are you? WOMAN Yours. MAN My what? WOMAN Yours. Whatever you pleased. Whatever you put into me. MAN How much would it hurt you, to find out your husband was cheating on you the way you cheat on him?
3. He’s going faster now, she’s gripping the leather firmly. WOMAN It would end me. MAN Do you think he has? WOMAN No. MAN He’s a good man? She’s torn and broken as she falls into some kind of trance. WOMAN The best I’ve known. MAN And this is how you repeat him. She’s falling further. WOMAN Yes. MAN Over and over again. WOMAN Yes... MAN What will he do to you, after I’m done here? How will he treat you? She’s so silent it’s like she’s not even there. WOMAN Like I’m perfect. MAN Do you deserve it? WOMAN No. She’s crying now, her head moving rapidly from the thrusts. MAN Say it.
4. WOMAN I don’t deserve him. MAN Him? Love. She’s coming back to life. WOMAN I don’t deserve love... MAN Again. WOMAN I don’t deserve love. MAN Again. WOMAN I don’t don’t deserve deserve love! love! Fuck me! Fuck me up that whore ass! The man growls, muffled and buried through the mask, as he takes her by the ankles and begins to pound for all he’s worth. worth. She She cries cries out out for for him and the the then.. then... . They cum. Together. He slides onto the table and for a moment they are close. But the magic wears off and she looks disgusted. She releases herself from the strips and gets up, immediately putting her panties on, rapidly getting dressed as he watches. WOMAN (CONT’D) Turn around. MAN I just-WOMAN Turn around. He complies and she continues getting dressed rapidly before he even unzips and removes the mask. He’s languishing. WOMAN (CONT’D) Hurry up. MAN Yes ma’am.
5. He’s handsome, pretty boy, but his face is hard and not pleased. She looks over to him when she’s finished but not even his perfect body can keep her disgust hidden. He finishes suiting up, they’re in normal clothes now, a modest modest dress dress and and button button-up -up shirt shirt and slacks. slacks. They’re normal again. They open their door to reveal... KOKOPE KOKOPELLI LLI’S ’S SEX DUNGEO DUNGEON N A woman is being double teamed by two men in the corner. A guy has a woman sitting on each leg. An oversized man in a gimp suit is being being lead lead by by the the collar. collar. Debauchery, high and low, and they are out of sorts. They move to the elevator like a walk of shame and press the button. It dings instantly and opens. They step in. ELEVATOR Doors close as quickly as they open but the rumble starts and then it begins to move. It’s slow. It’s agonizingly slow. MAN (CONT’D) I hate this thing. It takes so longThe woman bursts into tears. She’s sobbing with anger. WOMAN How can you say those things? MAN Honey... WOMAN How can you say those things to me? When he tries to reach out to her she swats him away and slides into the corner. WOMAN (CONT’D) When you said you wanted to try being other people... She trails off, the crying has stopped. MAN You got into it.
6. WOMAN How dare you. How dare you! She lurches off the wall and stomps around, confined. WOMAN (CONT’D) I only did this because you asked! MAN I’m only doing this because you said things got stagnant. WOMAN You just come here to look at all the little little girli girlie’s e’s tits. You think I don’t know? MAN I’m here because I love you. WOMAN You love me? Yeah, you love me. She crosses her hands in front of her stomach. WOMAN (CONT’D) When you put on that mask you become someone else. It scares me. MAN Honey-bunny... WOMAN I mean it. I don’t think I can do this again. IT’s getting too weird. MAN I understand. They look at the door. They look at the ceiling. They wait. MAN (CONT’D) What can I do? WOMAN What? MAN What can I do? Just for you. WOMAN You mean it?
7. MAN Anything. WOMAN I don’t believe you... MAN I mean it. Anything. WOMAN Anything? MAN We tried mine. I want to know. She takes a deep breath. She steels herself. WOMAN I want you to watch another man fuck me. The silence weighs on him and just for a moment we see the devil in the mask return. Then--ding, the doors open. KOKOPE KOKOPELLI LLI’S ’S DINING DINING FLOOR FLOOR They normalize again, put on fake smiles, and make their way past old wooden tables and authentic Indian art. Past families dining and servers carrying food. Past PRUDENCE (30s, sharp, pretty) as she looks to them. PRUDENCE Can’t wait to see you again. They smile but the man pulls her close and growls in her ear. MAN I’ll kill a man before I let him touch you. The woman smiles slowly. It was exactly what she wanted to hear. ANOTHER COUPLE enters just as they leave. PRUDENCE Welcome to Kokopelli’s. Food or... COUPLE Or.
8. Prudence nods and takes cash from them before hitting a button and opening the elevator. PRUDENCE Have a wonderful time...
