Re Man Do

GUÍA PARA PARA VER VER Y ANALIZAR Y ANALIZAR

Remando al viento

GONZALO SUÁREZ (1988)

Rafael Cherta Puig y Teresa Garrido Bigorra

Directores de la Colección «Guías para Ver y Analizar Cine»: P c c. . José Javier Marzal Felici. Ps  Cccó As  P Universitat Jaume I de Castelló . Salvador Rubio Marco. Ps  Eséc  T  s As. Uni ver ver si si dad dad de Murcia. Coordinador técnico de la Colección «Guías para Ver y Analizar Cine»:

Agustín Rubio Alcover. Ps  Cccó As  Pc. Universitat Jaume I de Castelló .

Consejo Asesor de la Colección «Guías para Ver y Analizar Cine»: Rafael Cherta Puig. Prfsr  Lgu y Lrur y Cuccó Ausu . IES Nº 2 - P.

Juan Miguel Company Ramón. Ps  T  Hs  C. Universitat de València. Francisco Javier Gómez Tarín. Prfsr  Cuccó Ausu y Pubc . Universitat Jaume I de Castelló . José María Monzó García. Cc  Ess  C. Concha Roncal Sánchez. E  Nau Llibres . David Serna Mené. Cc  Ess  C. Santiago Vila Mustieles. Ac, Cc  Ess  C.

© R Ch Pg  Ts G Bg © Derechos de edición:

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Ecs Oc S.L. Bé 5, 5ª. T. 93 246 40 02 Fx 93 231 18 68 08010 Bc E-: c@c c@c.c .c w: www.c.c

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ISBN13: 978-84-7642-733-0 (N Ls) ISBN13: 978-84-8063-835-7 (E. Oc) Is  Esñ. Printed in Spain Dós Lg: V-xxxx-2007 Quedan rigurosamente prohibidas, sin la autorización por escrito de los titu titula lares res del “Copyrig “Copyright”, ht”, bajo las sanciones establecidas por las leyes, leyes, la repro reproduc ducción ción total o parcial de esta obra por cualquier medio me dio o proce procedi dimien miento, to, compren comprendi didas das la reprografía y el trata tra tamien miento to informático.

Guía para ver y analizar

Remando al viento

ÍNDICE 1. Fch écc ..........................................................................7 2. A    ...........................................................8 2.1. Remando al viento ...........................................................8 2.2. Remando al viento     G Sá ........10 3. Sss g .............................................................11 4. Esc .............................................................................12 5. Aáss  fi ...................................................................17 5.1. A:  j    ....................................17 5.2. Fá: xñs cs ............................................21 5.2.1. E Ig ......................................................21 5.2.2. Hc G....................................................24 5.2.3. E V D ................................................25 5.2.4. Hc Ig .................................................53 5.2.5. D   Ig......................................54 5.2.6. Hc Vc ....................................................60 5.2.7. E Vc .........................................................60 5.2.8. E j ác ..................................................67 5.2.9. E V Mg ..................................................68 5.3. C:  ccó  M ......................................85 6. Rcss xss  s...........................................88 6.1. Gó, ccó, j  s  sc, g,  sccó .........................................88 6.2. Pficcó  s  cá .......................94 6.3. L có :   off   .96 6.4. E  ......................................................................99 6.5. E sc....................................................................100 6.6. Ls sjs .............................................................102 6.7. Ls ss ...............................................................107 6.8. L úsc....................................................................110 6.9. Ls s áscs  Remando al viento ....................113 7. Lcs  cs .................................................120 7.1. U  gc ...................................................120 7.2. U c sc ............................................123 7.3. U    s   ss ...............128 7.4. U c c ......................................................135 7.5 L  c  .......................................................143 7.7. L rycr y  péc  Gz Suárz ..............146

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Remando al viento

8.1. E   ccó ............................................151 G Sá, c  gs .........................151 Cs Sá: c  g ..........................152 J Ags: g  Ác .................152 Aj Mssó, ccó sc ...........................152 Jsé Sc, j .................................................153 Wgg B, c sc .........................153 I Bk, s ..............................................153 Aés Vc Gó: c.............................153 8.2. E  sc ......................................................154 L McI  V Pk: c  c cs ........................................................154 Hgh G: c c ......................................154 Jsé Ls Gó: c  .............................155 Esh H: c   ...........................155 Bg..............................................................................155

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¿Adónde el Paraíso, sombra, tú que has estado? Rafael Alberti, “Ps ”  Sobre los ángeles . Viajamos con nuestras imaginaciones y recuerdos, y lo que vamos creando o soñando son memorias y nostalgias. Quizá sea verdad que el fin último de toda cultura es la invención y la melancolía. Álvaro Cunqueiro, “I  ”  Viajes imaginarios y reales .


Remando al viento

1. FICHA TÉCNICA T g: ......................................... Remando al viento Gó  ccó: ........................................G Sá Dccó hsóc:....Héè G  A S Pc jc: ......................... Aés Vc Gó Músc: ........................................................Aj Mssó Dc  g:......................................Cs Sá Fg  ác: ..............................J Ags Dccó sc: ...................................Wgg B Vs: .......................................................... I Bk Mj:................................................ R Gá P: ...................................................... Js Ms Mj: .............................................................Jsé Sc As  ccó: .......... S Ps  A Gffi  S c: .......... D Gs  Rc Sg Pccó: .......................... D Fs  sccó c Vkg Fs S.A. Exs:..........................Ass, S, I  Ng. Nc:.............................................................Esñ. Dcó: ...........................................................95 s.

Intérpretes: Hgh G ........................................................L B L McI .............................................. M Sh V Pk ......................................Pc Bssh Sh Eh H ......................................... C C Jsé Ls Gó .......................................................P Vg Mx ..............................................................Es R V.............................................................Fch Jsé Cs Rs ...................................................... C K McK ................................................ J Ws J Bk ...............................................Ew Ws T T.............................................................. Gw K Wsw ..........................................................F B As......................................................... F Jsé M P ...............................................Ofic  A Sách-Gjó ...................................Ts Gcc Rc Os .......................................................... Ag

7

Remando al viento


Ncás Ms .......................................................... W M Ts Ascgh .......................................Ms. H A Gffi ........................................................... M. H Y Cs .............................................Ms. Gw Jh Tchs ......................................................... C Mg Pc................................................................ C Rch B ........................................................... Ac L c h ,  s, s sgs s: • Cch  P   Mj Dccó (G Sá). Fs  S Ssá, 1988. • 6 Ps G   Ac  C: Mj Dccó (G Sá), Mj Fg (Cs Sá), Mj Vs (I Bk), Mj Dccó Asc (Wgg B), Mj Dccó  Pccó (Jsé G. Acs), Mj Mj / P (R Gá  Js Ms), 1989. • P  Mj Gó  Fs  C Fásc  Ps. • P   Mj Dccó   Asccó  Dcs  C Esñ, 1989. • P S J   Mj Pc, 1989. • Pr   Críc   Mjr Pícu   rs Foto gramas , 1989.

8

2. A MODO 2.1.

DE PRELIMINAR

EMANDO AL R

VIENTO

A sus cs  ñs, Remando al viento (Rowing with the Wind , 1988) sgu prcés u pícu só. Su us rrz pr  us brs ícs –Byr, Sy, Mry Sy, Pr, Frks, Gbr,  g L,  M Bc…–,   psc  sus ágs y   furz c qu s br     crcó, L cc  ju  g L,   qu  scs  u pus  r Byr rsu s s rs  Frks y  pr (c  r El vampiro (1819)  J W Pr), s u  gr   sr  rcs, curs squ s s ñs


Remando al viento

c pr  c, c  xcpcó  próg  La novia de Frankenstein (Bride of Frankenstein, J W, 1935). E s éc, c rsus sprs, s rz rs s pícus qu pr  s  íc: Gothic (K Russ, 1987) y Verano atormentado (Haunted Summer , I Pssr, 1988). E  prr,  fs éc sr  xcus pr u spcácu rucu, uqu ás sz qu  c crc  us. L sgu, qu rg fu u pryc  J Hus, rsu u r   í  s pcs rrs  épc,  có  s  Js Iry. C ,  s  fi  Suárz, cr   j Mry Sy,  qu s  br u spc  cu  usr r cgráfic, pr su ccpcó  summa artis y pr su rg y r   jcucó. E urs rác rprs c, c rs, s s ss  : rccó pr s bss   urz y  , scsó y fusó r  pí y  sc, rs y s,  pr crr  r y  cu   ssu y  c. Csuy  rcs u cpj y crcr  sórc y rísc s  cu  s ccbb  cprá y cuy espíritu rsurg, u z ccu su pr sórc, cu  crs s  s sécs psrrs: prc   f  pr realista y naturalista, s  ur  simbolismo,  decadentismo y  modernismo, j su rsr   séc surrs y,  gr,    ccpcó rísc  sg XX  s pu rsrr u pus rb y csr y  crss   upí 1. G. Suárz csruy, prc qu  rcs qu s sgu fsc,  u rsó céc  srcs, s u r cprá sbr  crr y sus fss y  pr  r. E fi s ró  gés, c crs gss –y cs sccs quí–, c spñs qu bb rs gus (Jsé Lus Góz  u gés c c , A Sácz Gjó y Vrg Mx  gés, Jsé Mª Pu, Mgu Pcz y Bb Ars,  ) y u u rj zrs y csp qu s   Árc rug y   cs sur. Ls rs ñs qu su  cr  Mr s  rprcusó   pícu. 1 Bzc, Gós, Fubr, Crí, Mupss, Pr Bzá... rr  sus brs prsjs qu s urs  rcs, y cs s ss urs,  yr  r , s crcr  urs fásc y squbr qu rc s  csr pc pr  rcs. Ls pss  Kfk, s rss  Cru  G  B,  c  Frz Lg  Wrr Hrzg s psbs s qus.

9

Remando al viento


Ds s prrs ágs,  spcr s s rp  u r qu s rcu sbr  j  j pr crcrs  u rflxó sbr  r y s prg  sbr gíc y rflxó rísc. L pícu s c, pr gu qu  Crur g pr Mry sb c  rzs  rs srs,  c s u summa artis qu s  pr csrur su scurs  rs rs: rr, r, úsc, pur, scuur, fgrfí…

2.2. R EMANDO AL SUÁREZ

10

VIENTO

EN LA OBRA DE

GONZALO

S cs    cs  sc    ác, Remando al viento c s g g   sc   G. Sá. S g c s   s gs s ss cs  s fi:    Remando al viento sá cs  gs cs  các experimental ,  s  s c Aoom, s  sc  cc  úc, s cs cs s  c  só  Epílogo (1984),  cs  c  s  ss  cs  ss ch s s. Rs é  á  cs   sc –cgáfic  –  sgá x,    c  s c, c   fi Mi nombre es sombra (1996)   s s  El asesino triste (1994),   c Paso atrás (1995)     Yo, ellas y el otro (2000). L psc  s ágs y su pc rr y xprs j en Remando al viento u pr rccb  su pruccó psrr, s Don Juan en los Infiernos (1990)  El portero (2000). E s ú,  prrí    py csruy u b áfr épc y s r  su rg y  su furz rr qu s  spcrs y crs   fsccó y  ur. L furz xprs qu b Ditirambo,  s  Aoom, qu  fscó  S Pckp, pr   pícu qu s cup,   csruccó  s prsjs y  s cus pbrs c qu s xprs y qu scubr sus fisurs. U rzcó ás rps, u j qu pr s y c, u br psc qu s brg uy  fác rcurs  ss, rpr y rfurz  cs búsqu qu u  s prsjs. Sá s   scs ccs, c s  s gés s  cgáfics, c   c  s ccó,  s s,  ss gs  jg  s ñ  s s  s c  s,   


Remando al viento

ss scs,  ccs s s gs  s. Cc s  c  cc – “ccó-ficcó”    c c h–,  j   s   c  c  c   g   h s  ,   j, c  c   ,   scó   j    sj,  s   scs ccs. As, Yo, ellas y el otro s ás     El portero g s   western. Accs  ss s s   s fi s. Ls hs gécs     sgs, c cc  és  s  h     csc,  c g g s c cscc  cc,   s. Es cc   scs   sgsó  s gés cáscs s c c s só hc s sccs ss  s js, c   csó    ficcó,   , c  c. Remando al viento s  pcr   br  Gz Suárz, u íu spsb pr ccr su ur séc. Suárz, spr, c c u  sus brs  la serpiente dormida, y s   scubrr c é el camino a seguir .

3. SINOPSIS ARGUMENTAL E u brccó qu surc u r  c u cr s, Mry Wscrf Sy rcur, rs s cs  s rrs uc qu u  cs, s rs qu    s í. Mry s  u s  p Prcy Sy qu, rs br  su ujr, busc, s br,  bpác  W Gw,  pr  su . Huy   prs sc gs,  prj, ju c Cr,  rsr  Mry, s rs  Gbr c  có  rr  cc c Lr Byr. Aí,  rs  g L, y c uésps  sg y crr p gés, rscurr su sc, r pcbs pss  brc pr  g y s rrs, cs urbs pr  grí prsc  Pr, éc y scrr  Byr. Cr, brz, y  Lr  u urb rcó rs   qu sc  s   ujr y  spcc  p. Dur u  s s, Pr sugr qu s  cus  rrr y Byr prp, ás, scrbrs. Byr y Sy rz

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Remando al viento

u xcursó pr  g  brc y s srpr u r,   rs Mry scrb Frankenstein. E  só  Byr, Pr, brrc, s cur c  sru qu Mry  . Cr scubr  éc rc. Ts    P s Sh   Ig. A s h sc  j  Sh   h ñ  M. Ps  , M,    hj c Sh, W, s cs c    s  c s C. Gw, hc  Sh s ss s, g c  ás s  és. P ,   j  C   hj  és   B, Ag, c ss  Vc. E grup r s pspr  I y s cur  Vc c Byr, ás j, qu  ss  u pc. Dur su sc, W s g   squ  pc. Byr r  su j  u c y príb s ss   r. E grup, cpug, c, u z ás  rc. D  c, Sh   scs,  ss  c  cs j  , V Mg. S ,  fic gés, Ws, c  g c  s   é  B. D  sc  V Mg s s s ss  M  Sh  cs,  só  s s  és c C,  ñ  J Ws, s   sc  s . Sh s c c é   s  c  s c Ag. L g  B, c     s cj, hc  C g  s. E   M   só  Ag s s  . Ig  B  és  cfi     ñ. M s s c   s cs  s s  ccs   s s  Sh   s B. F,   , s c s ss  Sh,  h g j  Ws,     ff  M     B. D u   r  ,  Crur s sp  Mry.

4. ESTRUCTURA Remando al viento sá g  73 sccs s

 s  c . Dchs sccs s  ác  ác   s css,  s , 


Remando al viento

ss scs (s s,   sc  ). Úc  c  s s cs   scc [1]   s   [71]  [72] s    s  c :  c    cs     sg. Gz Suárz su ccbr s ss scucs  fi c s frr pquñs curs rács uós. N bs,  rcurs cu  cr ,    suur  s ps, c  s scs y s scucs, cr  fi  u scurs cu cuy subsó  prs  sgs rsu rrsg y cpc. A psr  , xs cr cccó r scucs b pr su sucsó   p (s scucs qu scrb  sc  V D rscurr, pr,  ss ís sucss), b pr su rscurs   s crspc (s scucs [54] y [55] s rc prqu suc  V Mg, s qu s prcs cuá s  p qu s spr), b pr su rcó cus-fc ( s  Sy  Agr  [62] sá  pr  qu cc   scuc rr). Pr  qu rspc   fábu  r,   fi s rcu s grs spcs  crs: Igrr, ugr  rígs y prsrs ccs burguss, pr u pr y, pr r, V D, Vc y V Mg, ugrs  só   s prsjs   pícu busc  br y  fc. A c u  ss grs spcs   ccó s cc  u scuc    spz y  j s c s. L prp fábu rsu rc pr s scucs qu s  Aprur y Crr, qu  s s r j, s z   y u. L fábu  r  fi, pus, s  c u j   r y  rcur  g qu y  ccu     pzr és. Crógc  srucur  fi srí  sgu: FÁBULA → APERTURA → CIERRE

Bsás   rr, s sg  fi  bqus scucs  crácr rác, qu s rcu y rc r sí  r cpj, pr qu ps u r ác cú. Es subsó pr sr pr y fcr  áss qu   sgu cpíu brrs  prfu. Auqu Remando al viento prs u srucur cr  puucs sáccs qu frc sus ss prs (fucó qu su cupr s fus  gr  fus cs   c cc), s suscpb  sr   s rs prs cócs  P  cflc, Dsrr  Nu y Dsc. L cpj  fi  Suárz srb   cpc cr  s ágs,  rquz rr  sus ágs y 

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Remando al viento

psc  su pus  sc,   cu susc  có  spcr c érpr c  fi y,  s p, rquc b su c. S s  cu qu  cflc básc qu srr  fi s  búsqu   br y  fc c  cscu u  s sprbs ccss burguss pr pr  us jós ss y có   rsurá psb rc  fu  s  s s srs us ( ur), s crs c qu s s rs qu s    fi cú c rcs rs: E P cb c u r y  Dsrr c r. Nur,  su crácr  rc,  Aprur y  Crr  Remando al viento s surí fur  r y, pr ,  s sgcó. Nusr squ scuc, pus, srí: 1. A: E j   . 2. Fá: xñs cs. 2.1. E Ig.

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2.2. Hc G 2.3. E V D. 2.3.1 P : L có  g.

O T N E I M A E T N A L P

[0] C. “Ls s” [1] E  M  h. [2] Sh  Gw. [3] Sh  M. [4] E  gc.

[5] E M Bc,  V D. [6] L sc  B  P. [7] Rgs  B  P. [8] B  C   c. [9] Pscó  s s. [10] Ps c   g. 2.3.2 Sg : E [11] P :  . . [12] Ps cflcs. 2.3.3 Tc : Ls [13] Rg. s. [14] E    P. [15] P   . [16] Sg :     gcó. [17] E  . [18] B  C     c. 2.3.4. C :  c- [19] E s. ñs  Sh. [20] Trcr :  só  Sy. [21] P “cs”  Sh. [22] L s   B. [23] L ccó  . 2.3.5. Q :  s s.


Remando al viento

2.3.5.1: L c  s.

[24] E c   g. [25] L   j. O T [26] E cs  Ch. N E 2.3.5.2. T  [27] P ch. I V D:  s- [28] M sc. M A    C. [29] A   hs   g. E T [30] L C c . N A [31] Rflxs  M. L P [32] E fi  P. [33] C sc  cá. 2.3.6. Sx : sés   [34] Dsés   . . [35] E c s. [36] E  P. 2.4. Hc Ig [37] L ch  s Sh. 2.5. D   Ig. [38] E “”  . [39] Gw “xs”  Sh. [40] L s   C. [41] Ls s  M  Sh. [42] L C  W. 2.6. Hc Vc [43] Sh fi ss s. 2.7. E Vc 2.7.1. L  s  [44] Vs  c  B.  B. [45] B   c   c. 2.7.2. L   [46] Rccó  g. W. [47] B  s ñs   s. O L [48] L   W. L [49] E   W. O R 2.7.3. L só  [50] B, s,   c. R A B. [51] B s s  Ag. S E 2.8. E j ác [52] E cj  s Sh D [52.1] Mch  cj. [52.2] I  suc  Sy. [52.3] E g   cj. 2.9. E V Mg. 2.9.1. O  [53] Ws c  Sh. [54] T   . [55] Dss  scó. 2.9.2. L c - [56] Dscsó  M  Sh. s. [57] Sh s    . [58] L s  cc. [59] Cg  Sh  J Ws. [60] Dscsó  M  C. [61] C  Sh   sá. [62] Vs  Sh  Ag. [63] T  V Mg.

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Remando al viento

2.9.3. L cscó  s. 2.9.3.1 L có [64] H  C.  B. [65] Cc  cjs. [66] B  V Mg. 2.9.3.2. Ms g- [67] L   M. s. [68] Ns ss  scó. [69] E s  Ag [70] J  Sh c  c. [71] M  B   . 2.9.3.3. L c[72] L  . có  Sh

3. C: L ccó  M. [73] E  M  h.

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Ns crs  u fi c u rc crácr r cuys prsjs “g  ”, c rs urrs,  ps   br y  fc; qu uy  s pscs scs y/  su s. Prub   prc  s prgrj,  físc ( í  sgs y rr  s prsjs) c sbóc, s  cus c qu G. Suárz  rgz  pícu  r   rc  bqus  j,  spz, c bqus  sc  u crspc: s r cr qu c u  s cc bqus  prc  u ugr (Igrr, V D, Igrr r z, Vc y V Mg) sá sprs r sí  u scuc  j,  s   cu rá qur s ás cpjs y rács   qu y z  pícu. Icus  rc  r, qu c y s c rprs u cursó   r y  prp cc, s bé u j   s físc: Mry s spzrá  P (r y )  busc   Crur y s í s crrá  sí s. L prr y  ú scuc  fi cfr u úc j:   Aprur s s   fi  u j   y   Crr s s   prcp  u j  u.


5. A NÁLISIS

Remando al viento

DEL FILM

5.1. A PERTURA :

EL VIAJE A LA MEMORIA 0h. 00' 15'' Remando al viento cz c u c rr (scuc

[0]). Dspués  s rs íus  rs bcs sbr f gr, crrsps  s prucrs, s sc, bé  bc sbr  s f gr, us rss  gés  u frg  p  Byr Las tinieblas , qu  u z qu spués ficrs c   cr qu  rpr   fi: T  sñ     sñ. E s s h xg  s ss g  scs   sc , s   s    h  sc cg  g    s , gó    só  gó   s   .

L c pr u   sr, cr pr   usc,   qu  fi pu prr. Iruc s s s fus   pícu:  cfusó ( fusó) r  suñ y  r ( imaginación y vida, qu rá Mry   p 10   scuc [1]) y     gíc,  spr  sr u   sr  su u cc  cus  s bs, áfr  rrr; ás, z ác c s ágs  u  c qu s br  pícu. E rs  s crés s suprp sbr  prr scuc, fr pr c ps qu pr su rc s: 1. G P G  M  H. 2. G P G, ás c,  M  H. Ac ss    fi. 3. P Cj:  C s s  s  cs. 4. P G:  , c s s s,  fics     h. 5. P  D    h    s flj     ,     c     j  . 6. P  D       s   s   s sc. S     ff  M. 7. P G     M  H. Sg  ff    M. 8. P P  M  j  sc  ,  ff,  cá,      gs  cs. 9. P M F  M;  j     ch.

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Remando al viento

10. P  D  j  . M   c,  P P,   ás á   . S   ff   c. 11. P G  , h c s s s   c ás á. L   ff sg c. F s cés. Ds  prcó   c,  úsc – Fantasía sobre un tema de Tomas allis (1910),  Rp Vug-Ws– cpñ s ágs. E fi s br s gr (c s surgr  s bs   c) y u s cur prrs ps  fus cs. S csrs qu  fucó rc  fu c s   rcr  ps  p, ss ps cs sí us rprsrí  ub   r ( í qu s s prrs s cs gus, s pr u pquñ frc  scr, y qu  rcr cg u psj uy sr  s rrs sbr  qu s sú  s  qu scs  Crur). Es psj s rá r pr  rrupcó  u  u   cur p,  r. E s s ps  xrrs  s scuc u uz bc y uy s srrá  rccr; s  p  ucó  qu c qu  spcr cpr qu  s  prcs y s s ps cs fr pr  u s u spc-pr  crácr íc c  qu g  r  cur p. E  guó, Gz Suárz sñ  rspc  sgu: “U só fugur  r. D ur.” Y ás : “… rur rur, srr,  u j sb, s r,  c cbrr    g c  u cur fij y ss. D xspr xcu.” 2 A prr  quí  rs  ps, scs y scucs s urá  cr  ( xcpcó  [71] c [72]) y  rá  prcr  rcurs  fu c, pus qu s ccs s cñrá      u. L r ( cju    p psb, ps y fuur) y  ur (su í  ccs), rprss pr  r  , s só u rc pr    s brs. E  3    c ógc   sc – Ác– sc    scc  s có s só   sc:  c c j s  s  s  cs, s és   s sc h (cc   s) 2 SUÁREZ, Gz: Remando al viento. Mr, P Ecs, 1988 pg. 7.


Remando al viento

   s s s,  s c  s   . Es , s     á, s  c ác,    s cc    ccó  monstruo  Fks  s c c  scc [30],     c s cá   s. E, s c s ógc có, s hc  c   xñ   sc,   c s có,   s   g,  só á s s    á    M. Rs  s s  cs c s C. Es  sú   C   ,    s  ,  serpiente dormida,  , c s s  scó   sá s  [30]   gcó  M. L C s h  s ,   s s  ,  cs  sc,      c  c    s cx. Is   s    s  cs      h  c   , s  s s  s  h      cg cc   á. E    M   ,   sc,    . U     no hay sombras     los monstruos no existen, s  cc   ss s  cc h,    h  c   ,   M á gs. E s   scc s cá  M 3. E sj sá s  és  s   ff  s s 6  7. P, 5 s    j      h, c  6 c   sás ú   . L   ff    és s c  sc. M h c  j  c  Pó,   Fedro,      sc s g  jcc   . T  s s   sc    s  c s cs hs   , 3 E fi  c prsjs srs rs cuys cs sgu,  css, fi,  y c s rflj  s urss ss  qus s ccr, pr  rs  pícu prsgu pr rrrs  su prp gcó  sr   r sórc  ficcó, c s quí  cs  j pócrf  Mry Sy  Árc.

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Remando al viento

s   M  H. P s ás s  g  : M, c   scáss,   c     s  ss ss. L   s    ss  sc,  ,  s   ficcó s  g  . Es  sá   cs  ó      scc. E sc s,  és   j, s  sc x –   sc fics   h–    s   s css sscs s  s   c     sc4. S  c c s cs     á . S  scó  sj,   ú  gs , s s,  cs  cg s  c      s cx ( 7) s  ácc cú   c cá,  “”  s  s s  s. Sá  s css  c  h  s c c   3    j   7 ás g   h   h cc  . E x,  g cg éc, c, ás, cs s   ccá. Dc s: “Estoy sola. Como en las

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páginas de mi libro, he venido hasta los confines helados del Universo para encontrarme con la horrible criatura que mi imaginación concibió. Pero donde no hay sombras, los monstruos no existen. Sólo la memoria perdura más allá de los límites de la imaginación” . A

s,   csccó      . E  p 8,  uc   u  cs  rrup. A prr  quí,  z  ff  Mry j  sr    psb scrur pr crrs  su ccc y r y  fi, c ,  u ccó  ps. Dc ccó cz   p 10 c  r  Mry  rés  j  buy, s qu s s é gú p subj   qu  r,  cu  u s rspc  s gs, qu srá rcurr   rg  fi  Mry,  rr c fur pr rs pr r. E j  buy, prs   p rr, 9, c su bcur us rc bs ps c  r    scuc. Sus pbrs, crs y ságcs, rá p  rg fls-bck qu s  pícu, u rgrs   juu  uss prs: “Extraños recuerdos; Shelley, Byron, Clara. Imaginación

y vida se confunden como aguas de un mismo lago, nuestro lago, donde 4 E rs s   pícu rs  Mry scrbr s gú p  ficu, s rrá spr  cs  su cébr br.

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