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The Basics of Maqam for Oud and Other Instruments ����� � ��������� ������ ������� ������� �������� ����� ����� ��� ��� ������������ �� ����� �������� �� "�����������" �� ��� �������� �������� �� ������ ������� ��� ������ �������� �������� ������������������� �������������������� � ��������������������
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Table of Contents 3
The Basics of Maqam /
38
Iraq -
4
Table of Contents -
40
Bastanikar -
5
Preface –
42
Mustaar -
7
Maqam Families -
44
Sika Baladi –
8
Ajam -
46
Hijaz -
10
Jaharka -
48
Hijaz Kar –
12
Shawk Afza -
50
Shahnaz -
14
Nahawand -
52
Kurd -
18
Farah Faza –
54
Hijaz Kar Kurd –
20
Buslik -
56
Saba-
22
Rast -
58
Nawa Athar –
24
Suznak -
60
Nakriz-
26
Bayat -
62
Ancient Notes Names –
28
Bayat Shuri –
63
Oud Fingerboard -
30
Huseini -
64
Plucking -
32
Sega -
65
Groove in Plucking –
34
Huzam -
66
Rhytmic Accompaniament Accompaniament –
36
Raht el Arwah –
72
Ornaments -
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Do (C) Major - Maqam Ajam Do ' - '
Maqam Ajam Do scale K arar (Tonic) Do, R'amaz ("Dominant") Sol / AjamDo + Ajam Sol Second position 0
2
1
1
0
1
3
0
2
1
1
1
1/2
1/2
1
Maqam Ajam Ashiran - bB Major Karar (Tonic) Do, R'amaz ("Dominant") Sol / Ajam bB + Ajam Fa, First Position
3
1
0
3
0
2
3
1
Intervals between the notes
Traditional Dulab Ajam ' Allegretto
4 4
mf
Maestoso
2.
1.
Fine
Maqam Jaharka ' Maqam Jaharka Fa scale Karar (Tonic) Fa, R'amaz ("Dominant") Do /Ajam Fa + Rast Do Second and 3th position
1
2
0
1
0
2
3
1
Intervals between the notes
Traditional Dulab Jaharka ' Allegretto
4 4
mf 5
9
1.
2.
Bat Yam Promenade - Jaharka ' - Allegretto
5
9
4 4
M.T.
13
1.
2. 17
rit.
Maqam Shawk Afza
Maqam Shawk Afza scale Karar (Tonic) Do, R'amaz ("Dominant") Sol / Ajam Do + Hijaz Sol Second position & First Position 0
2
1
0
1
3
0
2
1
1
1
1/2
1/2
Intervals between the notes
Traditional Dulab Shawk Afza
Allegretto
4 4
mf
Maestoso
2.
1.
Fine
Ya Mustafa, Ya Mustafa ,
Mohammed Fawzi 1918 - 1966
Allegretto
4 4
2
3
1
4
), "Ya Mustafa", also spelled "Ya Mustapha" (in Arabic is a famous Egyptian multilingual song composed by Mohammed Fauzi whose lyrics are composed in 3 different languages: E gyptian Arabic, French and Italian. There are also versions in the Greek (" "), Turkish and Serbian ("Mustafa") languages, where they are very popular in the respective countries. There was also a Hindi version used in the soundtrack of a Bollywood film. The music of the song is influenced by Greek music. The song was very popular in the 1950s and early 1960s, but its popularity is revived with newer versions of the song. (Wikipedia)
Traditional Dulab Nahawand Do
Allegretto
5
9
4 4
mf
2.
1.
rit.
Fine
Sol Minor - Maqam Farah Faza - Maqam Nahawand Hasas - Karar (Tonic) Sol, R'amaz ("Dominant" Re) First Position
3
0
1
1
0
2
0
3
Intervals between the notes
Traditional Dulab Farah Faza Allegretto
5
9
4 4
2
2.
1.
1
Fine
Ilahia Farah Faza - Meded ey seyidina M oderato
4 4
mf 5
9
13
17
Bulat Imami Hasan Efendi
Fine
Maqam Nahawand Re - Buslik - Re minor - - Maqam Nahawand Re - Buslik scale Karar (Tonic) Re, R'amaz ("Dominant" La) Second position
1
0
4 4
1
2
0
1
2
Intervals between the n otes
Traditional Dulab Buselik
6
4 4
1.
11
2.
Fine
