Togel Sound Light and Rays and the Six LampsFull description
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Yoga Of Inner Light and Sound (Bindu-Nada Dhyan), by Swami Achyutanand Baba -- in the Maharshi Mehi Guru Lineage of Sant Mat
Yoga Of Inner Light and Sound (Bindu-Nada Dhyan), by Swami Achyutanand Baba -- in the Maharshi Mehi Guru Lineage of Sant MatFull description
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magic
Descripción: Roman Jakobson - 6 lectures on Sound and Meaning
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waldorf education
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revision sheets for our end of year exam on light and sound.Descripción completa
Light and Sound on the Path: The Inward Journey of the Soul Contents -- In This Issue/Mailing/Blog/Digest: Holiday Greetings and Happy New Year; Remembering Ravi Shankar; Scientists Unve…Full description
Descrição: The New Yorker, July 22 to August 19 1974, Full Article about Robert Moses in Annals of Politics
The Subconscious Mind and Its Illuminating LightFull description
sgron-ma drug - the 6 lamps (aspects o light in !hodgal" #phro-$a - to emanate% to pro&ect% to di'use% to prolierate sgra #od er - sounds% lights% and ra)s dkar cha - *hite essence dkar lam - *hiteness e+perience dkar #&am rtsa#i sgron-ma - the lamp o the smooth *hite ner,e SIX LAMPS......E,er)thing that arises as maniest phenomena% consisting o sounds% lights% and ra)s (sgra #od er gsum"% *hether as pure ,ision or as impure karmic ,ision% is part o one#s o*n potentialit) (rang rtsal"% the maniesting o the energ) o one#s intrinsic A*areness (rigpa#i rtsal" in e+ternal space (ph)i d$)ings". !his energ)% in the orm o light% originates in the ph)sical heart (tsit ta"o the indi,idual. rom the interior space *ithin the heart this inner light (nang #od% Sanskrit/ antara)otih" proceeds up*ard through a translucent channel called the 0ati% or smooth *hite ner,e (dkar #&am stsa" and then e+its the $od) $) *a) o the gate*a) o the ph)sical e)es....!his internal luminosit)% pro&ected outside the heart% maniests in e+ternal space as something apparentl) real and su$stantial% like a cinema sho* pro&ected onto a great screen surrounding the indi,idual. 1ne then $ecomes lost in the ascinating displa) o the sho*% as i one *ere caught up in a dream *here e,er)thing seems o$&ecti,e% solid and real....!he indi,idual
*anders around in circles% $ecoming lost in this pro&ection....!hus one comes to li,e in one#s pro&ections and not in their source. !his process o pro&ection (#phro-$a" is descri$ed in terms o SIX LAMPS or lights (sgron-ma drug"/ 2. Lamp o the dimension o A*areness (rigpe d$)ings k)i sgron-ma" 3. Lamp o the 4esh-like heart (tsit ta sha#i sgron-ma" 5. Lamp o the smooth *hite ner,e (dkar #&am stsa#i sgron ma" . Lamp o the *ater (glo$elike e)e" that lassos e,er)thing at a distance (rg)ang hags chu#i sgron-ma" 7. Lamp o the empt) tin) spheres o light (thig-le stong-pa#i sgron-ma" 6. Lamp o sel-originated *isdom (shes-ra$ rang-$)ung gi sgron-ma" rom/ !he Second Statement o 8ara$ 9or&e....In the state o immediate A*areness one directl)odisco,ers that all one#s :nal ,isions (the tin) spheres rain$o* light" areo actuall) arising rom *ithin onesel.......;ohn M)rdhin
!he second aspect to the !ogel practice% the si+ lamps% the main part o the !ogel practice. !he si+ lamps are the training or amiliariation to achie,e li$eration at the time o death in the $ardo o dharmata. !hrough the amiliariation *ith these practices in this lietime the present $ardo% the practitioner *ith the a$ilit) o some recognition o his or her minds nature% can gain the a$ilit) not to $e o,er*helmed $) the appearances during the $ardo o d)ing. !his recognition
is *hat is kno*n as the merging o the luminosit) o mother and child> their pre,ious recognition *ill mi+ *ith their identi:cation o it. !he mother is the luminosit) o the ground *hich is recognied and the child is the e+perience o dharmata *hich one pre,iousl) culti,ated. ?amo uddha Pu$lications !hrangu
!he our !Bgel Cisions are kno*n as the our ,isions o tBgel% these are/ the ,isionar) e+perience o a$solute realit) the increase and intensi:cation o ,isionar) e+perience the ripening o rigpa a*areness to its ullness the :nal consummation and e+haustion o phenomena !he :rst o the our stages occurs *hen ,ision $egins to arise and *e ha,e direct insight into the nature o realit). !his e+perience corresponds realiation o thethe Sutric path o accumulation. !he second to stage occurs *hen arising ,ision approaches de,elopment and *e ha,e more e+perience. !his corresponds to the path o endea,our. !he third stage is the de,elopment and ripening to perection o a*areness o ,ision and corresponds to the path o seeing and the path o meditation. inall)% the ourth ,ision% *hich corresponds to the path o no more training% is the stage o complete ,ision. Dere% on the dissolution o illusor) phenomena% *e integrate completel) *ith the ,ision o totalit). More speci:call)% during the :rst stage there are t*o lights% one internal and one e+ternal. hen *e start to practice% *e eel as i a light *ere coming out o us. Dere the s)m$ol o
the light is the tigle o the rigpa o the color o glass% *hich means one eels as i one *ere looking through the $ottom o a glass. !he tigles are ,er) luminous and can ,ar) in sie> the smallest can $e the sie o a pea% others can $e much $igger. Also man) tigles can appear &oined together in ,arious *a)s% horiontall)% ,erticall)% etc.% orming strands or chains% in *hich case the) are called the thread o compassion or the sil,er thread as the) are *hite and luminous and resem$le sil,er. !here are no limits to the possi$ilities o ,ision. At times the colors appear separatel)% :rst red% then $lue% *hite% etc.> at other times s)m$ols appear *ith ,isions re4ected inside them. 1ten these ,isions are 4uctuating% like a lightning 4ash that disappears *hen *e look at it. Sometimes *e can see a *hole cit)> sometimes an entire countr) complete *ith mountains can appear in a small tigle. ut *e should not $e surprised at this since *e can see man) $ig things *ith our small e)es. At times *hen *e look at the ,ision that arises% it disappears immediatel)% or it can remain a ,er) short time and then disappear% like in a ,ideo game. It is diFcult to de:ne or e+plain% *e can see man) things in man) di'erent *a)s. !his :rst stage is the oundation% the $asis% in *hich the ra)s% lights% tigles% and threads o tigles ne,er remain still in one place. !he) are like a *aterall pouring do*n rom a ,er) high mountain or like drops o Guicksil,er that are constantl) mo,ing. E,er)thing mo,es at this stage. hen the inner mo,ement maniests *hile are $) practicing in one the state o presence% *e ma) ,er) *ell*e $egin looking in direction and :nish looking in another. !his is not like gaing at a still o$&ect *ith the e)es :+ed on one point in space as in hine practice. It is descri$ed as $eing like a mirror and an arro*> *hen the mo,ement is ,er) ast and diFcult to stop% it is
diFcult to e,en understand *hat is mo,ing. At times it seems it is the ,ision that is mo,ing% at other times *e might think it is our e)es% or that the mo,ement is internal% the inner energ) o rigpa. In act% in tBgel e,er)thing is connected/e+ternal ,ision% the e)es%and the internal energ)% and in the :rst stage e,er)thing mo,es together. ut it is important to understand that once presence is adeGuatel) sta$le *e can stop the mo,ement. !his is *hat is descri$ed as catching the :sh in the net o darkness% :+ing the mo,ement through sta$le presence. At this point the presence concentrates in a single point and the inner e+perience $ecomes pure and clear% *ithout mo,ement. e remain in the union o emptiness and the clear rigpa% the mother and the son are united and happ). H !his gi,es rise to a particular &o)% and at this point our consideration o ha,ing limited sessions o practice :nishes so there is no longer an) gap $et*een practice and nonpractice. !he end o the :rst stage corresponds to the third or ourth da) o the lunar month% *hen the moon is starting to *a+. At the second stage% ,ision $egins to de,elop. At :rst *e might see clear light in all directions% see e,er)thing as light. !hen *e start to distinguish the rigpa tigles% as no* *e ha,e a closer and more precise e+perience o the elements% e,en though the) are not )et under ull control. In the second sage the elements are $alanced% so no* *hat appears in the ,isions is completel) di'erent/ *e see the :,e lights% tigles% round rain$o*s% lights in the orm o tents. !he ,isions are ,er) pure andand clear. !he $est and easiest *a) to de,elop these ,isions is to do a dark retreat% or do practice looking at the ra)s o the sun ( $ut not directl) at the sun " at sunrise or sunset% holding the hands so that the :ngers :lter the ra)s o light% to make
a connection $et*een the inner light and the outer light. hen *e o$ser,e the outer ra)s in this *a) *hile in the state o presence% these ra)s act as secondar) causes to produce the pro&ections o the inner light onto the palm o the hand. At the $eginning *e do not see much% $ut then ,ision de,elops and in this *a) it $ecomes ,er) eas) to see the lights. 1ther *a)s are to practice looking% at the ra)s o light coming through *indo* shutters% or sitting on a mountain an looking at the point *here mountain and space meet. 1ne ad,antage o the dark retreat is that *e can practice *ithout an) reGuirements ( such as ra)s o the sun " or distractions rom the outside *orld% so it is easier to integrate. hen the mo,ement stops% *e must tr) to concentrate more. In the third stage the ,isions ma) $e sta$le and still% or the) ma) mo,e. 9i'erent s)lla$les or parts o the $od) ma) appers and ,isions o uddhas and mandalas arise. !here is no longer an) di'erence $et*een e+ternal ,isions and internal e+periences% su$&ect and o$&ect% nir,ana and samsara in this empt) realit). !Bgel teachings inthe hang hung ?)an 8)ud descri$e the clear light and naturall) arising ,isions% as *ell as ho* these arise and ho* these are $rought into the path. !hese ,isions% *hich are o luminous points or seeds o light and o *e$s o light in con:gurations o uddhas% mandalas and so orth% are ormed rom the inherent structure o light% the energ) e+pression o the clarit) o the primordial state. Speci:c tBgel practices include the dark retreat in *hich *e spend time practicing in complete darkness% or gaing at the sun% at the moon% or into the sk). All these techniGues are used to make it possi$le or ,isions spontaneousl) to arise rom the recesses *ithin our mind. e then *ork *ith these.
ICE 8AES A
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importance o the :,e lights% *hich gi,e rise to nir,ana and samsara. orking *ith the mo,ement o light in tBgel practice is easier than *orking the solid *e see and*e sounds *e hear normall) in *ith e,er)da) lie% o$&ects things *ith *hich are alread) amiliar. !he tBgel ,isions arise as the outer maniestation o inner e+periences. 9i'erent names are gi,en to the di'erent ,isions. or e+ample% the :sh o the ra)s in mo,ement reers to the mo,ement o the ,isions and descri$es ,isions as mo,ing in the same *a) a :sh mo,es in *a,es o *ater. !he te+t e+plains that *e must tr) to catch the :sh o the ra)s in mo,ement in the net o darkness and descri$es the dart state o presence that *e must shoot at the target% *hich in this case is the :sh. Cision is the :sh and the dart> the instrument or capturing it is presence. d-nga !he i,e Pure Lights rom the :,e pure lights o the natural mind arise !he unchanging dimension o the $od)% the unceasing pure maniestation o speech% and the undiluted enlightened mind. !he Klear Light !he pure state o the mind% the $ase o uddhahood% has a Gualit) o clear light% *hich de,elops into the pure light o the natural state. !his light is rain$o* light% not material light. It is the natural energ) o the primordial state and the cause o samsara and nir,ana. !hrough the mo,ement o this pure light% *hich is the inner rigpa energ) in the dimension o the primordial $ase% the :,e pure lights de,elop and $egin to appear. !he pure lights o the :,e colors constitute the second step
in the production o e+istence% the) are the source o the :,e elements that are the underl)ing structure o $oth the e+ternal e+istence o the *orld and the internal e+istence o the indi,idual. !his clear light energ) resides in the heart% rises through the channels% and is pro&ected through the e)es. It is the $asis o all ,ision and mo,es rom the inner to the outer dimension. According to the traditional e+planation% e+ternal e+istence is constituted $) the *orld in its unction o outer mandala or container o the indi,idual. !he internal e+istence o the sel or indi,idual is di,ided into internal% e+ternal% and secret. !he e+ternal e+istence o the indi,idual consists o the :,e sense o$&ects percei,ed $) the :,e sense consciousnesses. Internal e+istence is the si+th sense consciousnesses% the mind% together *ith proprioception or the inner consciousness o the $od). Secret e+istence is the mo,ement o thoughts. In the true condition there is no distinction $et*een internal and e+ternal since the same empt) space gi,es rise to internal and e+ternal e+istence alike% &ust as the air inside and outside a &ar is the same. !*o 9ogchen !eachings on the i,eLights Jnion o the our Khakras Mirror o the Luminous Mind !he Jnion o the our Khakras !he :rst chakra is the chakra% or *heel% o the primordial $ase. Jnless *e understand the chakra o the primordial $ase% *e cannot understand ho* the three dimensions o realiation (ka)as" are perected in the primordial $ase and
so cannot o$tain realiation. !he second chakra is the *heel o realiation and illusion. Jnless *e understand this chakra % *e cannot realie ho* samsara and nir,ana are perected in the primordial state% ho* samsara originates rom distraction $) delusor) thoughts and nir,ana arises rom correct preception. !he third chakra is the *heel o the points o the $od)% ,eins% channels% and energ) centers. Jnless *e understand ho* the points in the ph)sical $od) are related% *e cannot o$tain realiation in this particular $od) and achie,e li$eration in this ,er) lietime. !he ourth chakra is the *heel o the intermediate state. Jnless *e understand this% *e cannot maintain presence ater death and realiation in the clear light $ardo. Cision and o$&ecti,e realit) In dail) lie *e see orms% hear sounds% and generall) percei,e e+ternal realit) and o$&ects through our senses. I *e percei,e these *ith a*areness% present in the insepara$ilit) o emptiness and clarit)% *e see them as our o*n maniestation. as the sel-maniestation o the energ) o our primordial state. It is ,er) good or a tBgel dark retreat. It is crucial to distinguish $et*een ollo*ing ,isions and accepting $ut not ollo*ing ater them. Accepting them means allo*ing them to arise and o$ser,ing them *ithout attachment or a,ersion. In this *a) it is possi$le to recognie outer realit) as ultimatel) our o*n pro&ection% there$) uniting inner ,ision and outer o$&ecti,e inner hat is important is not therealit)% content*e orde,elop orm% $ut ho**isdom. *e o$ser,e it. It is ,er) important to o$tain this realiation in the dark retreat in order to learn ho* to recognie the ,isions o the peaceul and *rathul deities that arise as our o*n pro&ections in the $ardo. I *e recognie the ,ision o the :,e
pure lights% the process o nir,ana $egins. hen ,ision is an o$stacle% $e careul% hen ,ision $ecomes )our riend% li$erate )oursel% !hen e,er)thing $ecomes a $ene:t to )our practice. hen )ou act according to cra) *isdom% ou are a real ,essel o the 9ogchen teaching. !his is arri,ing in the gold dimension. !here are no acti,ities to accept or re&ect. !his is the ultimate *a) to relate *ith energ) in terms o the ,ariet) o e+perience. 9ark retreat - Secret place o sound Another practice is to $lock our ears or a *eek% until a loud inner sound starts to arise. !hen *e can integrate *ith the sound o an element or com$ine the practice *ith light $) pressing the e)es% in order to enter into a state o selpresence. !his is called the secret place o sound or the sound o rigpa. ,er) good or dark retreat - integrate sound and ,ision *e $egin $) holding our $reath % then *e release the $reath and remain present !hrough our e+perience o the presence that remains ater releasing the $reath% *e understand presence in purposeul tension and the di'erence $et*een presence and this tension% so that *e can appl) presence outside the situation o the deli$erate intentions *e ha,e during a practice session Sound% Light and
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